Moustroll Good movie but grossly overrated

Claysaba Excellent, Without a doubt!!

Fairaher The film makes a home in your brain and the only cure is to see it again.

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

rajkapoorrx lisa ray is seen with a man in bed room later she goes to the toilet and sits in closet . the man enters the room and kneels before her and kisses , lisa the man lifts up the woman's skirt and it is implied that he performs cunnilingus. They get up, she lifts up her skirt and he drops his pants, and they have sex standing up, his butt visible.before the first thrust she orders to GET INSIDE HER , man now filled with sexual feeling bursts his emotion his erected thing goes inside lisa a sound of satisfaction is given and she starts moaning violently as the man cont to thrust her severely and collapses on her back , lisa is deeply satisfied his performance and compliments him by saying i felt you swell you have touched ma heart

cassignol A true dark noir movie and a very graphic film, nice storyline of a man pursuing redemption, that may have just left it all too late. Visually there are some really nice scenes artistically amazing as to what can be done with a minimal budget. Full marks to Gareth Maxwell Roberts and team, I look forward to the next project with new ideas although hopefully more British actors would be great. Lisa Ray looked lovely not seen her before and hope to see her again in the future. Subject all interesting Sex,Drugs and Violence. Bring it on. I would definitely say to rent this one and check it out if you're in the mood for a semi moody noir.

Twenty-four-seven I started to watch this movie expecting nothing, just another movie to watch, but since the first twenty minutes, the artwork and main character, who is enigmatic, doesn't talk much, really got me in this movie.I really liked this movie, it was dark, beautifully acted and really touching. It's a bit slow but the immersion was complete. The directing was awesome by letting us know bits by bits the story leading to the conviction of Joey and his life behind bars. The music was really great and very well incorporated into the scenes. The ending was unexpected with a twist I didn't see coming. It's not the kind of movie we see often.

Jonathan Ross I was lucky enough to be invited to a pre-release screening of KKFF and where so many of these occasions have been disappointing, this was ninety-odd minutes well spent to say the least. Based on the novel by Joel Rose of the same name, it's the story is of Joe One-Way, a recovering heroin addict and convicted killer who is granted early parole due the arm-twisting, string-pulling antics of New York movie producer Markie Mann. Markie read the play Joe wrote whilst inside and wants to make it into a film. Things seem on the up for Joe until he meets Markie's wife, Fleur whose past is not unlike his own and their immediate connection seems to burn up the furniture from the off. Through a series of flash-backs, we see Joe go from being the young-and-in love occasional smack-dabbler, through to full-blown addict whose young wife can no longer bear to live with him and subsequently, the prison inmate who becomes inspired to write through his relationship with Clinique, his Jamaican cell-mate (played with a combination of cutting dry humour and eerie menace by Shaun Parkes). Upon his release Joe has to make good and combat his demons while at the same time putting them to paper as the pressure mounts for him to complete his script.While the film is exceptionally dark in places - Director Gareth Maxwell Roberts pulls very few punches in highlighting the obviously negative aspects of drug-abuse and prison life - it's an ultimately brilliant and touching tale of a man seeking redemption for the many terrible things he's done. Gil Bellows (who we've seldom seen on the big screen as of late) really comes into his own with the portrayal of such a conflicted character, seemingly leaving behind forever the fluffy, handsome persona he'd carved out during his years on Ally McBeal. Other notable performances are from Esai Morales whose presence as Markie is electric from the minute he arrives spouting producer talk with borderline-Wiseguy attitude, and Lisa Ray as Fleur whose sole purpose for being seems to be making every man in the audience fall in love with her.I'm told the film is being geared up for release in late 2008 and my advice to any self-respecting film lover is to see it at your earliest opportunity.