Evengyny Thanks for the memories!

Platicsco Good story, Not enough for a whole film

Ceticultsot Beautiful, moving film.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Chrysanthepop Vidhu Vinod Chopra has created a very Hitchcockian thriller. I liked the idea that the whodunnit story takes place among a films cast and crew as they are shooting on location. Chopra's reference to films like 'The Godfather' and 'Psycho' were quite funny. 'Khamosh' isn't as much a thriller as there's a lot of humour.While a few of it is unintentional, there's also plenty of satire. I especially enjoyed the humour that took place in the shooting scenes. For instance, the sequence where Shabana delivers her dialogue to Amol while lifeless hand keeps bumping on her foot and she's completely unaware of it.Some sequences were out of place and it appears as though Chopra just put them in for the sake of thrills. One such example is the scene where Shabana finds a drenched in blood dead chicken in her bed. It's also very easy to figure out that the lead suspects were not the actual murderers and after some time one can easily figure out who it is. Plot holes are also apparent. For example, why would Shabana go to the houseboat all by herself at night when there's a murderer on the loose?At the same time, it's great to watch such an excellent group of actors work together and I was interested in how the director would choose to conclude the film. Pankaj Kapoor, Naseeruddin Shah, Shabana Azmi and Amol Palekar are first rate. Azmi plays the Hitchcockian heroine with class and poise. Shah does a fine job as the fiery detective determined to solve the case. Palekar is cast against type and he is superb even though he has limited screen time. Soni Razdan does a decent job while the rest of the cast range from average to bad.Overall, 'Khamosh' may not be an out and about thriller it tries to be but it's entertaining nonetheless and I think it even has good repeat value.

JohnMurdochDubai The problem with most Bollywood films is tone. "Khamosh," Vidhu Vinod Chopra's daring attempt to adapt the Hollywood whodunit in an Indian setting is, unfortunately, no exception. The lame dialogue and overwhelming hokiness (every character basically shouts his dialogue; they all act stark raving mad!) almost undoes the film's greatest accomplishment: mood. Chopra busts out the noir rulebook: sharp angles, hand-held cinematography, color filters and dark rainy nights are just some of the aesthetic choices on prominent display. It does work lending "Khamosh" a gritty feel.Let's now consider the plot which, although done before, is a bit clever. A film crew is shooting a murder mystery in a sleepy town; the story of their film involves the mystery surrounding a murdered woman. The story of our film "Khamosh" kicks off when the actress playing the character supposed to be murdered in the movie within this movie (get it?) is actually murdered herself! Since this is supposed to be noir, a shrewd Marlowe-type detective (Naseerudin Shah) quickly arrives on the scene to dig deeper. Shah plays his character with quiet intensity; it's an understated performance, and a welcome change from all the barking dialogue flying about from the other characters. Before the actress' murder, Chopra had immediately set up the suspects by implicating everyone in the crew: every one of them had a beef with the dead girl. (That's Motive multiplied by 1000.) Chopra who wrote and directed "Khamosh" keeps the big secret a secret till the very end. No clues are given, making the fun one-sided — it's irritating when all the doors of logic are slammed shut on the audience's face. As Shah's character connects the dots in his investigation, the film slowly starts to eliminate each suspect until the real killer is finally unmasked. By that time, we're barely interested anymore."Khamosh" is well-made. It's also supposed to be unconventional, by Bollywood standards: there are no songs; it is an ensemble film set in and around one hotel. There are even some successful attempts at satire when Chopra pokes fun at the Indian movie industry — the film crew in the story comprises a producer who is a depraved money-pinching scrooge while the director is, himself, hardly moral; all he wants is to finish his movie (in one hilarious scene he goads the bald movie villain to really go after the underage actress playing the rape victim, then rolls the camera conveniently forgetting to say CUT!). Plus, almost all the actors in "Khamosh" use their real names which amps the glib irony."Khamosh" is a pastiche of Western film-making and genre conventions, and may be that's really the problem. Hitchcock's "Psycho" plays prominently on a TV screen in one scene…the film also has clear influences of Lynch's "Twin Peaks" and some obvious borrowing of Godard's stylistic graces from "Alphaville." The mere fact that "Khamosh" is different from standard Bollywood fare may be enough for staunch supporters of this industry. But for the rest of us, it's all been done (much better) before.

Tiger (roguegenius) Vidhu Vinod Chopra wrote and directed a great suspenseful mystery worth seeing. The movie moves along well, with great acting. The cinematography was superb, especially during the chase scene. The characters were well developed and this movie had me on the edge of the seat trying to figure out who was behind all the murders.I found this movie happily after watching "Munnabhai M.B.B.S.", another great movie based on Chopra's writing. Although this movie is far different, the plot is superb. The shower scenario was a surprise treat.Again, with finding another treat coming out of Bollywood, I am so glad for the internet and this site for allowing me to find and buy movies from other parts of the world. This is one that should definitely be seen by those who love suspense and film noir movies. It is a story worth having been done by Hitchcock, but Chopra did a worthy job of not only penning this plot but bringing it to life for all to see. Don't pass up wonderful movies from other countries. There are gems like this to be found out there.

amitabha_gupta I opted to put a serious review on this film as I felt it deserved a better review than the casual ones I found in the internet. First of all it is film ahead of its times. In the 1980's making a suspense thriller with such a well knit plot, without any typical Hindi film song & dance and a great climax was a magnum opus by itself. Directed by one of the best Indian Commercial film directors of recent times- Vidhu Vinod Chopra the story is build around a Hindi film shooting scenario. There is inter personal rivalry and tension between the crew members. During shooting of the film, members of the unit gets murdered one after another. Suspicion falls on all and sundry and ultimately the CBI Inspector (Nasiruddin Shah)solves the crime in a superb climax. Amol Palekar & Shabana Azmi does justice to their talents alongswith other cast. Pankaj Kapoor is brilliant in his small role as Kuku. Nasiruddin Shah is brilliant as usual. Overall It is the best suspense thriller ever made in the Hindi Film Industry.