Key to the City

1950 "They Click Like a key in a Lock"
6.4| 1h41m| NR| en| More Info
Released: 02 February 1950 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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At a mayors convention in San Francisco, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is mayor of "Puget City" and is proud of his rough and tumble background. Standish is mayor of "Winona, Maine", and is equally proud of her education and dedication to the people who elected her. Thrown together, the two opposites attract and their escapades during the convention get each of them in hot water back home. Written by Ron Kerrigan

Genre

Comedy, Romance

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Director

George Sidney

Production Companies

Metro-Goldwyn-Mayer

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Key to the City Audience Reviews

Acensbart Excellent but underrated film
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
DKosty123 A talented cast here brings off a pretty good comedy. Clark Gable is playing a Honest Longshoreman who has been elected Mayor in a Corrupt California City. He is attending a Mayors Convention in San Francisco. He has 2 blonde lady friends including Marilyn Maxwell who are exotic dancers trying to show him a good time. Then he meets a Mayor from Maine (Loretta Young) and the fireworks begin to crackle. Meanwhile Gables city is starting to ram through a crooked building project headed by a seedy ringleader (Raymond Burr). This leads to a whole lot of comedy as Gable is torn between the blondes, Young, and then has to go back home to stop Burr. Meanwhile Gable and Young get caught by the San Francisco Police in a couple of raids. Fearing scandal Young is between a rock and a hard place trying to keep her reputation and court Gable all at once. Then there is the police Sargent played by James Gleason who keeps covering for the 2 of them after each arrest. This is one of James Gleasons better supporting roles. Frank Morgan plays a confidant of Gable though he speaks with the strangest Irish/Scottish type of accent I have ever heard throughout the movie. There is more to this, but if you want to enjoy a great cast giving you some laughs, this movie is very much worth your time.
bkoganbing Fifteen years earlier Clark Gable and Loretta Young did Call of the Wild for her studio which was then 20th Century Fox. They had a most discreet affair which resulted in the birth of Young's daughter Judy. Back in those days Young indulged in an elaborate charade and 'adopted' her own daughter as a single mother. Nothing quite as earth shattering as that happened on the set of Key to the City which was made for Gable's MGM. Still it's an interesting comedy drama about a pair of small city mayors who meet at a convention in San Francisco and fall in love.Young is a proper New England mayor from an old stock family in Wynona, Maine. Gable is mayor of the small city of Puget City on the Pacific coast and started out as a longshoreman. He ran on a reform ticket, but the special interests that he beat are still very much alive and represented here in the person of sinister Raymond Burr.It's a convention and people kind of let their hair down at conventions, Clark and Loretta are no different. And San Francisco is quite the romantic town.One of MGM's most beloved players, Frank Morgan, plays Gable's fire chief complete with brogue and all. It was one of his last films and Morgan kind of borrows a bit from Ed Wynn and his famous Texaco fire chief from radio. Also featured well is Lewis Stone as Young's uncle, a federal judge and a most proper and aristocratic gentlemen and Marilyn Maxwell who Gable rejects for Young and is determined to get a little payback. Highlight of the film is the chick fight going on between Young and Maxwell while Gable and Burr are slugging it out.Key to the City is not on the top ten or even top twenty of either Clark Gable or Loretta Young's film credits. But it is still quite amusing even after almost 60 years.
MartinHafer This movie is pretty good but falls into a period of Glark Gable's career when many of his films just looked like they were quickly churned out and could have been a lot better if they had a little bit better writing and if there was more energy to the film itself. In other words, Clark Gable and cast seem more like they are going through the motions to get a paycheck and this film offers nothing particularly new or exciting. In fact, the film is a step back because the plot seems even more trivial and forgettable than most of his films of the day. You would think that with Loretta Young and Clark Gable you'd get a film that is more than just a time-passer--particularly when you think of how marvelous they were together in CALL OF THE WILD. This film is for fans of Gable or Young but is pretty skipable for others.
repete_recording In my opinion,this is one of the best movie pairings I've seen. Clark Gable and Loretta Young have great chemistry together.In fact,I think Gable may be at his zaniest here,and I like his performance more than any of his other films I've seen. Loretta Young also surprised me here; she shows she is capable of comedy equal to any of Gable's other costars. *Warning readers-spoilers ahead* Her fight scene with Marilyn Maxwell (as Sheila the 'Atom' Dancer)is a hoot! I'd never have believed Loretta Young would do wrestling throws. I also enjoyed Raymond Burr playing the bad guy,and his fight with Gable made me forget this was a comedy/romance for a while. Frank Morgan(the Wizard of Oz) is also wonderful as ding-a-ling Fire Chief Duggan. One last thing,the music ties in with San Francisco very well,no wonder since the composer of the song "San Francisco", Walter Jurmann is listed in the credits for original music! I could go on and on,but I hope I've changed your opinion about seeing this movie.