Keep the River on Your Right: A Modern Cannibal Tale

2000
6.7| 1h22m| R| en| More Info
Released: 15 April 2000 Released
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Country: United States of America
Budget: 0
Revenue: 0
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In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.

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Documentary

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Director

David Shapiro, Laurie Gwen Shapiro

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Keep the River on Your Right: A Modern Cannibal Tale Audience Reviews

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Cristal The movie really just wants to entertain people.
Leonard Smalls: The Lone Biker of the Apocalypse So, where are the cannibals? Those intrigued by the title and the 'real cannibal' appeal of this film will be let down. Instead, we are shown a strange man and his re-visiting of a Papua New Guinea village full of natives, one of whom was his lover several decades prior. The man, Tobias Schneebaum is New York Jewish as they come and somehow, this is intertwined with the documentary as he appears in his yamika in several scenes.There are no real cannibals here: only stories relayed by some of the natives and by Tobias himself. Not all together a bad film. Very interesting and great cinematography. Schneebaum remains highly likable throughout and provides us with a fascinating glimpse into a life that is about as far removed from Western Civilization as one can get.It's just not what it claims to be on the cover and in the plot summary.4 out of 10, kids.
film_ophile I am adding my review here because i did not find my thoughts reflected in the other posted reviews. First of all, I found Tobias, the film's subject, to be an unusual and fascinating character, intellectually curious and articulate, emotionally sensitive and compassionate. In addition to giving us insight into him as a person, the film takes us to two very remote cultures in New Guinea and Peru ; we have a rare opportunity to see and learn about them.The aforementioned were the positive parts ,for me,of having seen the film.However, the negatives were many. Foremost among them is the lack of a detailed exposition to Tobias' story.The audience is never given the information of when and WHY and how- Tobias ended up having these experiences in Peru and New Guinea.I have not read the book and doubt I will. But I have the feeling, from another reviewer's comments, that that would be the one way to have my questions answered.In addition to this lack of explanation/exposition, the other main problem with the film is that it really does not give us much of an understanding of Tobias' life/ activities while living amongst these peoples. This film is mostly about watching Tobias as he travels back to these communities and reflects a bit on the people and his life then and now.It's an outline with little detail,all skeleton and little meat. By the way, cannibalism is a teeny weeny topic in this film; it has very little to do with the story.With all the film's negatives, I can only guess that the filmmakers were underfunded, inexperienced, disorganized, unable to focus and keep to a goal. The story had such potential; what a shame.
yaaah_69 Schneebaum is a very charismatic man and to me the adventurous young anthropologist who headed into the jungles of Peru and Papua, New Guinea had much more huevos than most. And reducing him to the gay, feminine, non aggressive catagory,as being the only way he could be accepted into the tribe is just pure horse sh**. It only brings about the pure ignorance of what most people think 'gay' is...If Schneebaum wanted to prove that to be left to their natural inklings a tribe would run the gambit of sexual desires and he participated in the homosexual rite's does not mean that homosexuality was not there... and the most the other anthropologist's could come up with was; "he didn't keep a therapeutic distance" from the people he was studying. It was in the Amazon Valley that something happened to Tobias, was it the raid on the other village and the killing of that tribe, or was it the eating of human flesh, had he almost gone over the brink. He was a painter until that experience and after, he never painted again. As far as the cannibal part, and why he did it, who knows as Tobias cannot come up with a logical answer, and as far as judging him for doing it, one must face his own demons in a situation that brought him to the brink. Had he gone to far,did the jungle cast him out? It is a strange movie, but, although the subject matter is off the scale, it was entertaining. And one must give Tobias a nod for having the fortitude to go back and face his demons, and stare them down. I'm sure most people would not think that a "gay" thing to do. 8/10
Tom Dillingham (tfdill) I read Schneebaum's book (same title as this film) when it was first published and was deeply moved by his ability to see through the many ways of "otherness" (his own and the people of the Amazon with whom he lived and loved) to a way of living a decent life. His subsequent books were not as powerful, but showed his continuing quest. His description of his sexual relations with the men of the tribe was way ahead of its time in the early 60's, but his honesty and openness about it were welcome. This movie beautifully conveys both the quirkiness and generosity of the man, but also provides a glimpse into the inevitable destruction of innocence (which is not a morally positive term, in this case) that occurs when "civilized" men intrude on traditional societies. Even so, Schneebaum himself has moved into a kind of higher innocence that suggests the possibility of saving humanity from its own destructiveness.