Stevecorp Don't listen to the negative reviews

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

alexanderdavies-99382 "Juke Girl" is a film from "Warner Bros" which quickly faded into obscurity not long after its release in 1942. The leads, Ann Sheridan and Ronald Reagan were in a far better film that came out the same year, "King's Row." The plot is very confusing and it's hard to keep up with what is going on from one scene to the next. A good supporting cast is largely wasted and Alan Hale in particular, has nothing to do. A few punch up scenes and location photography can't compensate for a poor story. This is only for hardened fans of the old days of Hollywood.

nomoons11 Immediately when you see Ronald Reagan you know you've got a pretty "B" film comin. He was never gonna be an A-list actor wanted by the studios to do the stuff Gable or Cagney was doing. Ann Sheridan is in this but this a really minor effort.The story in this isn't bad but it's sorta...well...dumb. Basics are 2 guys come into a town that grows produce 9 months out of the year. We learn the only place you can sell your stuff is to 1 guy who short changes everyone to the point of almost poverty. Ronald Reagan steps in and...saves the day.There are good performances in this but all are by the supporting cast. Alan Hales is his typical self but shines like he always did. George Tobias plays the guy who gets screwed over for the last time with crop pricing. He plays a Greek fella and does it well. Ann Sheridan is her typical pretty self but is pretty generic.I think a lot of my rating is due to the title itself...Juke Girl. Ann Sheridan plays the Juke Girl but she's not even close to the focus of this film. It should have been called..."Big Bean Rip-Off." They gave this film the title to obviously cash in on her looks and fame at the time. It's sorta obvious.A fairly decent film. It reminded me a lot of Phenix City Story. Mainly the corruption part but isn't near as effective as that film. Just keep looking at Ann Sheridan and watch Ronald Reagan act himself to a hero's end.

blanche-2 People criticize Ronald Reagan's acting ability - granted, he never gained superstar status, and he was quite limited. However, for what he did, he could be very charming. He also always seemed relaxed in front of the camera.Reagan costars here with Ann Sheridan in 1942's "Juke Girl," sort of a weaker "Grapes of Wrath," with Gene Lockhart as an unscrupulous businessman who is cheating the local farmers by paying them low prices and making sure they can't sell anywhere else. Reagan and Richard Wharf, as Steve and Danny, are two drifters who arrive in a small town populated by farmers. There Steve meets and falls for Lola (Sheridan) who works in the local bar. As he endeavors to help a local farmer, Nick (George Tobias) who has fought with Madden (Lockhart) and has now seen his crops destroyed, Steve gets more than he bargained for. The result is murder.Entertaining Warner Brothers effort, perhaps not the most original plot you've ever seen, but you'll keep watching. Ann Sheridan was kind of a poor man's Rita Hayworth - the redhead had that been around the block presence, a low voice, and a toughness, all of which were appealing in any film in which she appeared. Gene Lockhart does a great job as a bully who underneath is terrified, and George Tobias is sympathetic as Nick Garcos, who wants to buck the system. Reagan comes off well as a determined young man who believes in doing the right thing.If you're a fan of Sheridan's or love the Warner's potboilers, this is worth seeing.

dougdoepke Surprisingly vigorous programmer showing why Warner Bros. was the blue-collar studio of record. Had the occasional goofy humor and contrived climax been improved this could have been a sleeper. Reagan is lively and likable as the quick thinking ex-farmer-- no wooden soldier here. Whorf and Sheridan are appropriately intense, helping to inject a gritty feel. Reagan's friendship with Whorf is more interesting than the predictable romance with Sheridan. Whorf, an opportunist, splits from his hoboing buddy by siding with the crooked wholesaler (Lockhart) because he sees a lucrative future with a powerful employer. Reagan, on the other hand, is an idealist, willing to risk his future to help the victimized farmer (Tobias). In my book, the dynamic between them makes up the movie's core because it often presents a real-life choice.A number of nice touches. The bar scenes are atmospheric and staffed beyond programmer expectation. In fact, the settings as a whole from the hobo jungle to the honky-tonk street show genuine care—note even the "Madden" labels in the background of Madden's (Lockhart's) office. I suspect that producer Hal Wallis, a leading Hollywood producer, had a lot to do with this level of detail for what amounts to a very unglamorous production. Note too how the wholesalers collude to cheat the farmers. I expect that resonated with audiences still recovering from the Great Depression. All in all, the movie's much better than its rather misleading title suggests. (In passing—note presence of voluptuous Faye Emerson {Murph} who later achieved New York celebrity by marrying one of the Roosevelt sons and scandalizing early TV with a series of plunging neckline guest-show appearances. Also, for uncompromisingly fierce look at trucking and wholesalers, catch noir classic Thieves' Highway {1949}).