BootDigest Such a frustrating disappointment

Mjeteconer Just perfect...

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

jcnsoflorida This is a veritable remake of The Postman Always Rings Twice but it has new and interesting things to say. The noticeable nods to The Merchant of Four Seasons (Fassbinder) are handled cleverly too. There are only 3 characters of any importance and the actors are very good. Director Petzold expertly creates and maintains tension where we kind of know what will happen but we also kind of don't. This tension is crucial to the film. We've seen this story before. But we haven't. These characters and their situation are similar. But different. The character Ali was brought to Germany at age 2 but he might be the first 'non-religious' Muslim I've seen in a European film. So, just 3 main characters but they are more complicated than they seem at first. I am writing in 2015. Director Petzold is not young. I will definitely 'catch up' w/ his films.

paloma54 This is really a movie which didn't need to be made. I watched it because I greatly admire Benno Fuhrmann's work in North Face and in Joyeux Noel (a wonderful film, BTW).Enough folks here have done the comparisons with Double Indemnity, etc. etc. The acting and cinematography and realism of this film are all perfectly adequate. However, there isn't much character development, and therefore, not nearly enough to make me care about the 3 main characters. In fact, the one we get to know best is actually the Turkish husband, and I had more sympathy for him in a way that for the two protagonists, largely because we don't really know them. The movie isn't full of a bunch of intriguing plot twists, and the action is relatively slow-moving. The aspect of this film which most interested us was the setting in a part of Germany which none of us have seen. My husband is German, and the part we know is the extreme southwest, nothing northeast. We were also interested to see contemporary Germany actually being depicted. But, I'm sorry, this just isn't enough to justify the amount of time.Producers and directors need to be reminded that people today have a host of other entertainment options available to them and any movie they make should be MORE interesting than say, watching a ballgame on TV, surfing the internet, playing video games, sex with spouse, camping in the woods, going out to dinner with friends, watching YouTube, etc. etc. In other words, having an interesting, entrancing story is, at least in my mind, a good half the value of a film. Unfortunately, so many movies today just don't seem to be aware of the demand for a decent story, and I don't get that. I read a lot of thriller novels, excellently written, all of which would make fantastic films, and furthermore, I know from the authors themselves that they have sold the rights to make a movie from the books. So, I ask myself, why aren't THESE stories becoming movies, instead of a lot of the ho-hum stuff that does become film?

Sindre Kaspersen German screenwriter and director Christian Petzold's fifth feature film which he wrote, is loosely based on the novel "The Postman Always Rings Twice" from 1934 by American author and journalist James M. Cain (1892-1977) and was screened at the 33rd Toronto International Film Festival in 2008, In competition at the 65th Venice Film Festival in 2008 and in the German Cinema section at the 59th Berlin International Film Festival in 2009. It was shot on various locations in North-eastern Germany and was produced by producers Bettina Reitz, Andreas Schreitmüller, Jochen Kölsch, Florian Koerner Von Gustorf and Michael Weber. It tells the story about Thomas, a dishonourably discharged former soldier who has returned to his home in a German village called Jerichow. Thomas has begun renovating his home and is having difficulties finding a job, but after a coincidental encounter with a Turkish businessman named Ali he is offered a job as a driver. Thomas and Ali becomes friends and he is introduced to Ali's wife Laura, but as the relation between Thomas, Ali and Laura evolves, Thomas and Laura falls in love and begins to make plans for themselves.Distinctly and finely directed by German filmmaker Christian Petzold, this eloquent love triangle draws an intriguing portrayal of a dangerous liaison between a wealthy businessman's wife and a lonely former soldier. While notable for it's naturalistic milieu depictions and the compelling cinematography by German cinematographer Hans Fromm, this somewhat romantic, at times humorous and character-driven thriller which examines themes like friendship, love, betrayal, crime and capitalism, contains a good score by composer Stefan Will.This poignantly atmospheric and finely paced fictional tale where a random meeting instigates a string of strange events, is impelled and reinforced by it's two merging studies of character, cogent narrative structure and the understated and involving acting performances by German actor Benno Fürmann, German actress Nina Hoss and Turkish-German actor Hilmi Sözer. A suspenseful and existentialistic love-story which gained the German Film Critics Award for Best Film Christian Petzold at the German Film Critics Association Awards in 2009.

druid333-1 Jerichow is a region in a part of East Germany,that faces the North Atlantic. It is also the title of a grim,but well written,directed & acted drama about a love (lust?)triangle. Thomas (a stoic faced Benno Furmann)is one of life's losers,who was in the Army during the war in Afghanistan,who is on the run from being in debt with a business associate. Ali (Hilmi Sozer),a middle aged Turkish immigrant,who owns a chain of snack bars in central Eastern Germany & his beautiful,young wife (Nina Hoss,most easy on the eyes). Despite a somewhat strained friend ship between the three,paranoia & mistrust exist between two of the three parties (especially when Thomas & the wife start an affair). Christian Petzold writes & directs a fine,tart film about three characters,each with a dark side to their character. Besides a passing resemblance to both versions of 'The Postman Always Rings Twice', it may also remind you of films by the late Reiner Werner Fassbinder,Robert Bresson,and others. This is grim,but well intentioned film making from a director who's works are fairly unknown in this country (and let's hope that changes soon). As this is an import,distributed by a small independent studio,it is not rated by the MPAA,but contains pervasive language,sexual situations,nudity & violence (although nothing too gory).