Beanbioca
As Good As It Gets
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Brenda
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
mercierpascal1
Not the best of Johnny Hallyday's work as an actor (that's "L'homme du train ",2002),not is worst (that's "Terminus",1987). Johnny Hallyday and Fabrice Luchini already appeared both in "Conseil de famille"(Costa-Gavras,1986). Nice comedy with great soundtrack (for fans of J.H.) with a larger- than-life Luchini and some self-mockery from Hallyday. This movie could be seen as the little french cousin of the Schwarzenegger action-comedy "Last Action Hero".In both movies a fan spend time with is idol who's unaware of his idol status.
FilmCriticLalitRao
There is hardly anybody with the knowledge of French culture and civilization who is not aware of Johnny Hallyday especially his immense contributions to French rock and roll. Watching "Jean Philippe", one can confidently say that not knowing about Johnny Hallyday in France is as sacrilegious as not knowing about Cliff Richard in UK. This Laurent Tuel film is an excellent lesson in making viewers learn that not only is Johnny a great singer but also a great actor. In a film which seeks to get closer to his likable persona, Johnny has given an amazing but somewhat restrained performance which never attempts to go over the top. What makes this film credible is the fact that it has some amazing performances by Fabrice Luchini who is hailed as one of French cinema's most intellectual actor. On many occasions, he has proved that he can fit in any role as his performances reveal that cinema has not lost any of its charms. 'Jean-Philippe' constantly reminds us that forgotten heroes need to be resurrected at all costs as the world cannot afford to move forward without real heroes.
dbdumonteil
The screenplay boasts one of the best ideas of the year: knowing Hallyday's popularity -whatever you may think of his talents as a singer-in France ,you cannot imagine the second half of the 20th century without him for a French (and I mean:for a French).As an user has smartly pointed it out ,it's America without Elvis.And England without Cliff Richard.And the world without the Beatles!!! I would not be surprised if they made a remake some day .As an user writes,Johnny is definitely not an actor.But Fabrice Lucchini is one of the best thespians of his generation.It is not enough: the first part is,at a pinch,interesting,but things peter out afterward:the ending is disappointing to a fault.We are waiting for an unexpected end ,for something weird and we are left with almost nothing.The macho touch: in the real world, it's the woman who prepares the coffee at the office;but in the "parallel " one ,the "abnormal" universe where the idol Johnny never existed ,the roles reverse.Johnny's fans will be overjoyed.The others can move on.
David Scrimshaw
This is a cute comedy in which a sweet loser named Fabrice winds up in an alternate universe where the rock star he lives for, Johhny Hallyday, never became famous.Along with the gentle entertainment, I found it to be a great introduction to a musical world I knew nothing about.Spoiler Part - I'm not sure if this is really a spoiler. French audiences will know that in our world, Johnny Hallyday and some others in the movie are playing themselves, genuine famous people. This surprised me when I discovered it at the very end of the movie because Johnny for example, did a terrific job of acting.
