ReaderKenka Let's be realistic.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Kirpianuscus Juraj Janosik is one of legendary heroes from the Central Europe. a precise type of national hero, clever, seductive, good guy against the authorities, fighter for national ideal. so, it is not an easy choice to propose the right manner to tell his story.maybe only a viewer from the Central Europe understand this detail. Agneszka Holland propose an interesting way - introduction of viewer in the universe of XVII- XVIII century using the traditions, myths, slices of every day life. and the right actors. the mixture of magic and heroic facts, the details from an ordinary existence of a young man living in extraordinary context is a wise option. for to be understood by large public. sure, for many viewers , the film is far to be great. but it is a real good film. portrait of a world. realistic image of the lead character. useful as ethnographic trip in a period of Central Europe history. it is bot the first film about Janosik. but it is one of the most ambition projects about the theme. and that fact is important. because it is an instrument to discover a Slovakian national symbol . and to remind one of the fights for freedom from a region of Europe. a not insignificant detail - he is not a version of Robin Hood or Fanfan la Tulip. his specific is the best part of film. and that does it a not bad proposition to the large public.

transcendentalllll "Jánošík - Pravdivá história" or as translated "Janosik: A True Story" is really worth watching to people who care about the factual and realistic portrayal of heroes, who are often covered with various layers of legends.Here we are talking about a Slovakian man named Juraj Jánošík, who was born in 1688 in Terchová, Slovakia. As 19 year old he entered the army of František II. Rakóczy to fight for better rights of common people. The uprising was stopped by the Habsburgs' army and Juraj was recruited by them to become a guard in Bytčany Castle. There he met a prisoner Tomáš Uhorčík, a highwayman, who he became friends with.After Tomáš escaped from the jail, he helped with Juraj's release from the Habsburg's army - guard service, and eventually made him the captain of his highwaymen band.The film portrays the cultural and natural values of Slovak folk and one of the most beloved of Slovakian folk heroes, a young brave man with moral code, who "stole from the rich and gave to the poor ones". It also considers the emotional side of human characters, and as such feels very deep in expressive value.

steven-222 Juro Janosik was a real-life bandit in Central Europe in the early 1700s, whose short and tragic career subsequently passed into legend; do a Google search and you will find all sort of cultural artifacts about Janosik, such as comic books and TV shows. Thus he is sometimes compared to Robin Hood.The makers of this film decided to do a realistic approach to the story, but still offer a few fabulous elements in the form of dream sequences. The result does not romanticize Janosik, but the sheer beauty of the landscapes, the recurrent eroticism, and the haunting music serve to create a lush and lyrical atmosphere, at least until the very grim ending.Presumably authentic ethnographic details (costumes, weddings, funerals and other rituals, as well as the widespread belief in magical spells) give the story an exotic atmosphere. The phenomenon of banditry under a repressive regime, eliciting the sympathy of the populace and the cruel retribution of those in power, is intelligently portrayed.The storytelling seems overly elliptical at times; characters appear and vanish without the viewer quite knowing who they are. (But nor does Janosik, who literally cannot name all of his fellow brigands when questioned by the authorities.) I have noticed that this is often the result when a Euro TV series is cut down to feature film length, but I don't know if that's the case here.While JANOSIK will not be to all tastes, this is by no means one of those horrible Euro historical movies we have encountered in recent years, which are so ineptly made they should never have been released; this is a serious film made by a very talented director (Agnieszka Holland, here working with her daughter, Kasia Adamik).

Armand Not good, not bad. Only a story about a tip of Central Europe hero, with usual ingredients, slices of Viasat History and some medieval ornaments. Nothing new. Only a window to a world who may seduce the strangers and remember the pictures of childhood books. But the expectations are not impressive. A correct film , description, not very well but not fake of a society, some details about a lost Poland and few actors -promises for better productions, remember of Fanfan la Tulipe and a time travel. And enough. The scene is empty and Janosik - character of an old story. Good for first contact with past of a European region, without the images of Communism.A beginning. But the final taste is, in different doses, not charming.