Solemplex To me, this movie is perfection.

Sexyloutak Absolutely the worst movie.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Uwontlikemyopinion Stephen Jarvis (Michael Moriarty) argues in a courtroom for the life of his mutant son. The judge mandates for the isolation of the mutant babies on an abandoned island. Five years pass, Stephen accepts the opportunity to see his child again on the island. I guess no love is greater than that of a father for his son.Michael Moriarty's eccentric performance and Larry Cohen's direction enhance a clumsy and uninvolving script. The dark humor and social commentary on AIDS, media exploitation, abortion, and Cuba-US relations elevates the ensuing B-movie schlock and manages to make the film slightly transgressive.Be warned, this movie is nothing more than cheesy dialogue and bad special effects. The first fifteen minutes drag and only set up the mayhem. After that, I thought the film got progressively better, but depends on the viewer's temper with Moriarty's hammy performance. The narrative structure becomes clumsy and almost meaningless (I stopped paying attention and went along for the ride). While "It's Alive III: Island of the Alive" isn't anything to praise, the film knows how to have fun.

bkoganbing Third time was the charm of sorts for Larry Cohen. The first It's Alive film was interesting, the second I thought stupid. But in Island Of The Alive Cohen found the tone he should have used for the two preceding films and the right actor to set the tone.Michael Moriarty and Karen Black play a parents of the latest mutant baby and Moriarty goes to court on a preventive strike to win his kid's life. He does, but it and some other mutants are placed on a Caribbean island in exile to be studied to find a solution to a growing problem.Moriarty with his swaggering style dominates this film. The writers took special care of him with the script and he delivers their lines at his sarcastic best. The film takes a couple of real good jabs at contemporary America of the Reagan era.Sad the film's antecedents retard its ratings. But this is clearly the best of the series. If another is done, hopefully it will be in the same vein.

BaronBl00d Yes, this movie has some laughable plot implications, some over-the-top special effects, and some less than stellar acting, but all in all I found it quite enjoyable and interesting. Director/writer Larry Cohen opens with a scene in a a cab where a woman is about to have a baby. We know what is going to happen from the onset, but Cohen paces the opening scene very nicely. This sets the atmosphere of a society still being intruded on by these mutant, deadly infants that were both the subject of It's Alive! and It Lives Again!. Next, we are taken into a court room and presented with the facts of Michael Moriarity's fight to keep his baby alive despite a large group that want to see it obliterated. This scene is done quite effectively, even though Moriarity gives one of his usual, yet convincing, performances of a man that seems not to care but does(?) Anyway, I have always had problems figuring out Moriarity's motivation at times, but I think he and Cohen were going for more of a black comedy approach to this material. Thus it has dark edges to it, yet is really lighter weight material. Anyway, Moriarity convinces the court and in particular the judge, played nicely by MacDonald Carey, to come up with some alternative living accommodations for these infants - thus comes the Island of the Alive. Well, from there things go kind of down hill in terms of plot. The babies grow rapidly and we turn to five years later: Moriarity, James Dixon(again as the Lt.), and a host of scientists set off to monitor the rate of growth, etc... of the babies for government reasons. You can guess what happens from there on. The end gets very implausible but is fun and never takes itself very seriously(like the first two movies). We see a lot more of the babies here and are even given an explanation for why they are mutants. I enjoyed this one more than the second but think all three make for one of the very rare treats in horror - a horror trilogy. I also liked the whole Cuba interlude but would have loved even more a reverse of who landed on Cuba and what happened after the landing. Now that would have been a real hoot!

lost-in-limbo A father fights for the right for his mutant child to live, the court grants that and his child plus another 4 are sent to an island to live.It was Warners Brothers idea for a third It's Alive film, which would be shot back to back with Return to Salem's Lot. It was meant to be release straight to video with RTSL, but it got a limited theatrical release.This film had a little bit more money than that of the 2 previous films, but this time around the film is an over the top black comedy compared to the bleak and serious tone of the first two films, which had subtle humour.This film was far less effective in the horror and atmospheric department, but not the laughs and it's been more action packed than the previous films. Though it is a stupid and lightweight film, it was still quite fresh (with a different take on the Alive films) and enjoyable to watch… that's if you're in the right frame of mood.Cohan has a knack of casting the right people, with reasonable performances or you can call them hammy from Karen Black playing the mother to one of the babies and James Dixon (only one in all 3) as Detective Perkins and the standout performance and scene stealer would have to be Michael Moriarty as the father. He brings a strong central character that has a weird sense of humour and goes suddenly bananas with his lunatic behaviour when the film goes along.Not only is the casting good, but also the script is full of wit and satirical comments (like the other 2 films) on American and Cuban relations, people's emotions, Aids and the media. The pace of the film is perfect and Daniel Pearl (The Texas chainsaw massacre) brings another element with his cinematography and lighting. The score is alright and the same for the atmosphere. The effects are pretty lame, with stop motion, puppets and people in rubber costumes. Too much of the creatures are shown, making it laughable (especially the grown-up versions of the babies), but that's what makes this fun viewing.The film seems to lose itself and becomes incredibly stupid when the grown up mutant's decide to leave the island and head back to the mainland. Some of those scenes and its humour is totally cringe-worthy, but for what its worth… It's nothing but over the top cheese, it's not great but otherwise quite amusing.3/5