Isle of Flowers

1989 "A place where there are very few flowers."
8.5| 0h13m| NA| en| More Info
Released: 23 March 1990 Released
Producted By: Casa de Cinema de Porto Alegre
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Budget: 0
Revenue: 0
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A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Genre

Documentary

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Director

Jorge Furtado

Production Companies

Casa de Cinema de Porto Alegre

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Isle of Flowers Audience Reviews

Karry Best movie of this year hands down!
Alicia I love this movie so much
SnoReptilePlenty Memorable, crazy movie
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Horst in Translation ([email protected]) This Brazilian book-based short film fits as much information as possible in its 13 minutes. Most of it is about basic economic connections in random people's everyday life, for example how they buy goods, sell them for more money and use this money to buy food for their families. But apart from this economic context, there are also references to history, agriculture, environment, freedom and society in general. Here and there, it is slightly funny, but as a whole I found this short film fairly forgettable. I am surprised it is so popular and highly rated. Maybe people mistake a fast movie for a good movie. Also the title couldn't be any more random. It looks like a decent student movie and there is nothing really outstanding about it, even taking into account that it was made over 25 years ago. Jorge Furtado was not even 30 when this was made and he has been enjoying a prolific career in the last almost 30 years. I guess he must have improved a lot since then as there is nothing particularly memorable about his work here. Not recommended.
Atavisten Beginning at a tomato ranch explaining every step throughout to the Ilha das Flores in a simple, clear-cut manner that is first Monthy Pythonesque funny, but becomes tragic to no end. It starts explaing what happens to the tomato, how it historically is possible to be bought in a supermarket with money and ends up in Ilha das Flores where its inhabitants must pick up food from the dump after the pigs has gotten theirs, this is because in the capitalist world they have 'freedom' and because they are not owned by someone like the pigs are.The contrast between the funny satire and the serious satire is so extreme because they are treated in the exact same way, but with very different implisions.Definitely one of the very best shorts, telling a lot with very little.
Struggler Here's a work that definitely proves how exciting and questioning a short movie picture can be.Acting as a director, writer and producer, Jorge Furtado couragely aims a dazzling machinegun at issues as assorted as religion, Holocaust, Brazilian government, poverty, capitalism, and how human intelligence has been used throughout the ages.Using a dialectical method, and narrating the story in a way that "even a Martian would understand", in the words of the author, the film forges a real cinematographical theorem of Brazilian deplorable situation, borrowing as the stage a neighbourhood in the city of Porto Alegre (one of Brazil's most developed ones, by the way). The degrading scenario, however, would apply to any community on the world in which the effects of money (or its lack) on the lives of its inhabitants are more visible.In the movie's touching final take, Furtado destroys the bourgeois concept of Freedom, quoting a line from one of Brazil's greatest poetesses, Cecilia Meirelles, and leaves us wondering whether modern 'civilisation' is as far as the human intellect can take us.
Richard Teague (Spacka) This short is a fine example of people with something crucial to say, having to bend to commercial whims of entertainment in order to hold the audience's attention span long enough to get the message across. It is remarkably witty, and runs at a fanatical pace. The jokes cause a smile, but when the holocaust clips arise, we get the clue that there are weighty matters at stake here. People need to see films like this. Remarkably effective.