writing_daily
"Iowa", the movie, premiered in New York City at the TriBeCa Film Festival on Monday night. The movie addresses the scourge of the methamphetamine (aka crystal meth, crank, speed) plague that is ravaging Iowa and many rural states; however, in no way does the movie glamorize crystal meth or its users, abusers, addicts, or manufacturers. Iowa graphically shows the horrors of the dead-end street named crystal meth. Iowa should be mandatory viewing for all high school seniors, who would certainly be "scared straight". At the same time, Iowa makes a powerful statement against the so-called War on Drugs, where Draconian punishments have only fostered the growth of a fungal industry of private prisons, drug-testing companies, and other parasites.Iowa was filmed on location in Centerville, Iowa, and environs. In his youth, Farnsworth visited Centerville to see his grandparents, the late Beryl and Thelma Farnsworth, and was stunned witnessing the hellish degradation crystal meth had wrought on the bucolic community. The movie features many scenes from the Centerville Square ("the world's largest square"), the streets and alleys of Centerville, the reservoir, Lake Rathbun, Mystic, and the countryside, as well as the appearance of many local denizens as extras.The TriBeCa Film Festival was created by Robert Di Nero and associates in 2002, primarily to bring life back to lower Manhattan after 9/11. "TriBeCa" refers to the triangle below Canal Street, and lies near the southern tip of Manhattan. The movie theatre sits catty-corner from the old World Trade Center site. Walking west on Vesey Street, one passes a huge hole, several square blocks in area, the remains of the WTC towers and the place where 3,000 innocents were slaughtered on September 11, 2001. The sky was spitting some frozen pellets of precipitation on April 25, as a cold wind blew off the water. A few gin martinis followed by a steak dinner helped to ward off the chill.Yet no bracer in the world could prepare a viewer for the full-bore assault that is Iowa, the movie. Quentin Tarantino, move over; there's a new sheriff in town. Matt Farnsworth, the writer, director, and star of Iowa, makes Quentin Tarantino look like a little girl dressed in pink ribbons and bows with frilly ruffles on her underpants. The comparison most often heard after the movie was to Tarantino, director of Reservoir Dogs, Pulp Fiction, and the Kill Bill flicks, but there is far more depth to Farnsworth's work, and this makes it soar high above Tarantino's.While comparisons were also made to David Lynch, especially in his symbolism and his ability to frame pictures of idyllic small-town life interspersed with scenes of dystopian debauchery and depravity, Farnsworth's closest similarities lie with a New Yorker. Farnsworth is something of a Plains Woody Allen, both in his multifaceted roles (multitasking, in the current lingo) and in his abilities to capture the zeitgeist of a certain place and time and to delineate characters of the moment—but only if Allen had testosterone oozing from every pore, snorted a quarter-ounce of crank up his nose, and sported the handsome visage of wholesome milk ad model.Farnsworth stars in the movie as Esper Harte, a young Iowa man struggling to keep food on the table and a roof over his head. Esper, whose father has died recently, is the beneficiary of a $200,000 life insurance policy that he will receive if his father was not on drugs at the time of his death. Esper is dating Donna (Diane Foster), whose father is the insurance agent responsible for investigating Esper's father's death. Esper hopes to take the money, marry Donna, and, together, leave Iowa to find greener pastures. Esper and Donna's labors to protect their love form the core of the plot of the movie.Farnsworth, who may be known to some viewers from his TV work on 7th Heaven, gives a performance that is tour de force; he clearly is the "next big thing" to come from Hollywood. Foster shows a luminous presence that captures a viewer's full attention whenever she's on the screen, yet she is not just a pretty face, and displays the full gamut of emotions through her facial expressions. Michael T. Weiss is outstandingly evil as Larry Clarkson, a corrupt and sadistic parole officer. Amanda Tepe is a bewitching drug-and-sex fiend. Other notable performances include those of Rosanna Arquette as Esper's mother and John Savage as Donna's father. Andrew Parke, the director of photography, deserves special mention for his loving pictures of southern Iowa.The audience in New York City, a "tough" audience if any ever were, audibly gasped at the movie's shocking denouement, and then applauded enthusiastically at the movie's conclusion. As the lights went up, we saw that Farnsworth and Foster were in the audience, and they were soon swarmed with well-wishers and glad-handers.Iowa is a movie that will haunt your daydreams and nightmares for years to come. Every scene, every word, every note, rings true. Iowa is a movie you must see.
julie_blue25
The wonderful efforts of Matt Farnsworth are to be applauded. It is crucial that people become aware of this epidemic problem, which is exactly what Meth use is- It is a horrible world to get into, and Matt Farnsworth recognized this, as upon returning to his hometown, he was shocked by the addiction, destruction, and devastation he saw around him. Yes, it is Rural Iowa, USA- Yes, it is a huge problem in the 'ol Hawkeye State. I am a former user- a "Soccer Mom", and it is indescribable to tell those what this dark world is about. Mr. Farnsworth's film could only show his rendition in this movie the best he could- He researched intensely to make this film, and this movie was shown in an intelligent way, as best it could be. The addiction is very difficult to represent by actors, but, this young, bright man valiantly did all he could to show an account of a real family. I've been there- done that. Been clean for over 4 years, and am counseling gals who have hit rock bottom- Their stories are ugly- shocking- devastating. Everybody has a story- and hats off to Mr. Farnsworth for his attempts to allow the Movie Audience to see what this world is all about. It is a huge task to take the viewer into a world they've never known- Perhaps it is "an individual you know", or a family member, a parent, a child. Methamphetamine use is rampant in this country- The title of this movie- "Iowa" - is offensive to those from the Hawkeye State- but, folks, it is time to wake up- this problem is in epidemic ratios- It is getting worse. This movie is just a "taste" of what the "druggie" world is about. There are so many stories- so many lives shattered- this "drug of the devil" takes much (sometimes all) away from those who find themselves lost in this world. Iowa is a wonderful beautiful State, but, it is also a drug haven of Meth Users. Thanks to Matt Farnsworth for the eye opener. I have taken this drug out of my life- a former user- from the Hawkeye State. I pray this Movie will assist someone out there in breaking the chains, and get out of this horrible lifestyle. At best, I do pray that somebody who has a loved one who is using can benefit from this Film by becoming educated on this wonderful piece of work about such a bad topic. This is far from a comedy, folks. It is a story of tragedy, hopelessness, and the measures addicts take to obtain methamphetamine- cooking meth is one common way for addicts to "gain their gold". Take heed, this is a film that the viewer must pay attention to, as, this is not as "out there" as some critics think! GOD BLESS YOU MATT FARNSWORTH- KEEP UP THE GOOD WORK!
jamescaseyjackson
the IMDb guidelines state that you have to declare if your comments contain 'spoilers'. well, this whole film is something of a spoiler... a cautionary tale that glorifies what it cautions against, a tale of lost youth that doesn't know where it itself is going.i just saw this at the tribeca film festival. this film wasn't just bad, it was really bad.the acting is inconsistent, the characters are the mostly cliché offerings with little depth, and farnsworth's acting was very bad in particular.from the patronizing accents to the pointless plot line to the out of place 'graphic' elements to the repetitious dialog and scenarios... it sucked the big one. i think he was looking for sort of a more edgy, updated 'drugstore cowboy' with a touch of 'natural born killers' but it is no where as sensitive to the characters as the former and no where as shocking (outside of some frat-level gore) as the ladder. more than anything, someone needed to really A) edit the screenplay (there are some things in there to build on and clearly deals with a worthy subject... if ham-handed in it's attempt.) B) edit the film. if it was cut down to a core, it might be passable. i would go lower than 1 if i could... like maybe zero kelvin.
jsmact
I just saw this film at the Tribeca film festival and it had some great moments. It is reminiscent of Pulp Fiction, Blow, and Natural Born Killers, except it only takes place in a small town. Farnsworth did a brilliant job, especially considering it is his directorial debut and how young he is. There are some very gory scenes and it is definitely suspenseful. The camera work is very good. The beginning is a little slow, but most of the film is powerful. I have no complaints except that maybe there was a lot of stuff that was done for shock value. I am sure this film will get him some attention and more work. I recommend this to people who like films with drug and violent themes. There are some messages in it, but this is not a highly intellectual film. I don't normally write reviews, so I hope this is helpful.-J
