GurlyIamBeach Instant Favorite.

GrimPrecise I'll tell you why so serious

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

MartinHafer In the 1930s and 40s, B-mystery films were very, very common. There also tended to be some cliches in most of them, such as having a cop (or cops) who is a total idiot and a guy who announces he's going to tell the police everything...and you KNOW he'll soon be dead before he can do so!! This picture has both of these but still manages to be entertaining and novel on occasion.The most novel thing about the story is the initial crime. Someone has stolen state secrets...specifically, Britain's budget before it is officially released. Why could this be a problem? Well, someone knowing about this spending could capitalize on it in the stock market. But when this doesn't happen, you know that there's a bit more afoot.The Inspector is played well by Gordon Harker and he is assisted with an absolute idiot, Sergeant Bingham (Alastair Sim). Again and again, the Sergeant reveals his stupidity and Hornleigh solves the case with just about no help whatsoever from Bingham. Per the genre, Bingham is the comic relief cop.Is it worth seeing? Yes. While far from a must-see, it's a pleasant little crime picture. And, if you like this, the studio made several other Hornleigh pictures....though I have yet to see any of these.

hwg1957-102-265704 The first of the Inspector Hornleigh films this is a good mystery story concerning the death of a man in a boarding house in London that develops wider ramifications as the murder is investigated by Inspector Hornleigh and Sergeant Bingham leading to the uncovering of the murderer, which was a surprise to me. It is well paced and has some great lines of dialogue that made me laugh out loud. The comedy and mystery are nicely balanced. It was directed by Eugene Ford, an American who had directed some good Charlie Chan films in the USA. Inspector Hornleigh is ably played by Gordon Harker who is grumpy but has a good line in sarcastic wit. Sergeant Bingham, his enthusiastic but incompetent assistant, is played by the great Alastair Sim who later on in his career would be even better (and promoted!) as Inspector Cockrill in 'Green For Danger' and Inspector Poole in 'An Inspector Calls.' Familiar actors like Wally Patch, Steven Geray and Gibb McLaughlin make good supporting characters. The other members of the cast are OK.A fine comedy mystery that will keep you entertained.

GManfred I am a sucker for a good whodunit, and "Inspector Hornleigh" was an excellent one. It had an elaborate plot and I could not guess the murderer until... come to think of it, I didn't guess the murderer until it was revealed at the end of the picture, so well-written was the screenplay. And, brother, it was written, and written, and...This picture was loaded with dialogue, enough for 2 or 3 pictures, but in the end I felt it was all worth it. I enjoy Gordon Harker more each time I see him and he is very convincing when playing a police inspector. Here he is Insp. Hornleigh of the title, and he was every bit as good as he was as Insp. Elk in "The Frog" (1937). He is aided by Alastair Sim, playing his weak-minded sidekick police sergeant. Speaking for myself, I did not mind his antics, as films of the 30's and early 40's often tried to blend comedy and mystery, more often than not a futile effort, I have found. But it worked here.The rest of the cast was competent, although two of the suspects looked very much alike, causing occasional confusion. Another reviewer mentioned that the sets looked cheap - that may be, but I gave it a pass and was not conscious of an effort to pinch pennies in any phase of the production.All in all, a worthy effort and worth your while, because I always feel that, ultimately, the play's the thing, don't you?

JohnHowardReid In 1939, Fox amazingly went to all the trouble to send Eugene Forde to England to direct Inspector Hornleigh. Based on a totally boring BBC radio series by Hans Priwin, the movie had a Poverty Row budget that even Monogram would be ashamed of. Virtually nothing was spent on sets or effects, the extremely limited budget being roughly divided 50% on the cast, 30% on technicians and only 20% on studio overheads. The title character was played by Gordon Harker (who did a reasonable job, considering the wordy, almost actionless screenplay), while Alastair Sim was cast as his incompetent assistant, Sergeant Bingham. Although this movie has its fans, I was not impressed. Sims over-acts and over-reacts to a most irritating degree, while the minor characters make no inroads at all into the suffocatingly dialogue-bound screenplay in which a host of tedious, z-grade thespians propound no mystery worth penetrating. The only player who comes out of this melange of boundless talk with any credit is the lovely Miki Hood who not only manages to survive Philip Tannura's warts-and-all photography, but still contrives to look attractive and retain the viewer's interest even when mouthing the most inconsequential lines.