Moustroll Good movie but grossly overrated

Stevecorp Don't listen to the negative reviews

Fairaher The film makes a home in your brain and the only cure is to see it again.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Charles Herold (cherold) Do really awful people have a strict moral code and deep conscience? I'm going to guess no, but In Bruges suggests writer/director Martin McDonagh might disagree.In Bruges begins with two guys checking into a hotel in Bruges. They have come to wait an unspecified amount of time to speak to someone. They go sightseeing. One man loves Bruges, the other finds it tedious.This is maybe the first third of the movie, which is sometimes amusing but doesn't give you much to hold onto. Then a flurry of things happen and an elaborate, ingenious story kicks in. And that part involves terrible people being shockingly full of scruples.The film is very well acted and generally amusing with some dark and occasionally suspenseful moments, yet I was never fully drawn in. The ingenuity of the story and moral code of the protagonists felt like dramatic devices rather than something that comes from real life experience. A false clever plot and unlikely characters is not inherently unworkable, and I think the problem is less the script than that McDonagh can't quite figure out how to flesh that script with human complexity (something he successfully did in "Three Billboards Outside Ebbing, Missouri.")I enjoyed this well enough, but I wouldn't say it's something you should seek out.

jack-mahoney-141 Dark humor, lovable, tortured characters, witty dialogue, tear-inducing drama. It's cliche but this is my favorite movie of all time, so far. Also check out The Guard and Seven Psychopaths for other films by this director.

okankyaa I love! i feel different because this film is very impressive with everything, imagery, acting..

classicsoncall Not your typical assassination flick, as the film combines elements of ruthless violence and squeamish humor side by side. The character of Jimmy the dwarf (Jordan Prentice) was a nice touch to provide all that conversation about midgets committing suicide, a topic apparently that hit-man Ray (Colin Farrell) couldn't get enough of. For a couple of assassins, Ken (Brendan Gleeson) and Ray displayed a lot of honor and integrity in the way they conducted themselves. They must have taken their cue from boss man Harry Waters (Ralph Fiennes), who honorably killed himself at the end of the picture when he wound up shooting Jimmy by accident. I would have expected nothing less, although to be accurate, Jimmy wasn't a kid, so Harry would have had some leeway there. I'd have to assume Ray made it back to London at some point, seeing as how his narration closed out the picture, but the ending could just as easily be left up to the imagination of the viewer. I'm pretty sure he made it myself though, with a return trip to Bruges in his future for some more culture and fun.