Linkshoch Wonderful Movie

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

filmguru-42105 I saw this in the 1970's and recently viewed it again...it is still enjoyable. Richard Boone is great as a blind actor who plots revenge on his unfaithful wife played by Stella Stevens. Suzanne Pleshette and John Marley also play key roles. There is lots of suspense and LA scenes.

MartinHafer "In Broad Daylight" is an enjoyable made for TV movie, but in order to get the most of it you really need to suspend that nagging voice within you telling you how ludicrous the story really is. This is not a huge problem...but the story is very difficult to believe.Tony (Richard Boone) is a famous actor who recently lost his sight. As a result, he's working with a therapist (Susanne Pleshette) to learn to adapt to everyday life. However, during this time Tony learns that his wife is cheating on him and so he concocts a complicated plan. First, he starts pretending to do poorly with his rehab--pretending to get lost and having great difficulties finding his way outside his apartment. In reality, he's VERY adept at such things. Second, he works out an intricate plan to go to his lawyer's apartment and kill his wife since that's her lover. But to do this, he dons makeup and pretends to be a nice Greek man who can see just fine. While it seems to work very well, a cop investigating the case (John Marley) is determined to find out who killed Tony's wife.There are 1001 different problems which could have arisen during the complicated drip to and from the lawyer's home. Yet, inexplicably, Tony does a near perfect job...something a blind person MIGHT be able to pull off but unlikely....and even more unlikely since he only recently lost his sight. Additionally, the umbrella angle came off as a bit silly--particularly when Tony goes to retrieve it. Still, despite all this, it's an interesting little made for TV film and never bores.

blanche-2 This was a great script from the prolific Larry Cohen, who wrote episodes for "Columbo," "Arrest and Trial" (a forerunner of "Law and Order") and episodes for Kraft Suspense Theater and "The Defenders." He has also written feature films.I'd love to see this film again - I wish it would come out on video. It stars Richard Boone as a newly-blinded actor and Suzanne Pleshette as his teacher. Though the Boone character puts on a big show for Pleshette of refusing to accept his blindness, he coldly and calculatedly trains himself to act as a seeing man so that, in disguise, he can get rid of his wife and her lover.It's a suspenseful story, a fascinating character-study and all around great entertainment. For some reason, this kind of TV movie fare has gone out of style and been replaced by women at risk films, rather slow-moving versions of Robin Cook and Mary Higgins Clark novels and the like. But we mystery buffs old enough to remember the '70s remember - with nostalgia - this kind of film.

secragt Must disagree with the previous reviewer, who apparently only accepts Ingmar Bergman and Fellini as art and can't appreciate a good meat and potatoes thinking man's thriller when he sees it. IN BROAD DAYLIGHT isn't Fellini but it is definitely a suspenseful and rewarding early 70s crime drama featuring a memorable turn by Richard Boone as a blind man who pretends to be sighted in order to kill his philandering wife. Solid cast includes the timeless Stella Stevens, Suzanne Pleshette and Whit Bissell, all of whom turn in good performances. Perhaps there aren't the requisite car chases and gunplay associated with typical 70s crime drama, but this quieter revenge story is still absorbing and compelling from start to finish. More than anything, though, this is a character study of Boone's blind man coping with the realization of his betrayal and coldly calculating how to transform his helplessness and hatred into advantage and revenge. The clever premise is bolstered by real tension throughout and a satisfying Ulmeresque Detour-like ending, despite the previous reviewer's odd dismissal. This was actually a TV-movie produced by Aaron (LOVE BOAT, CHARLIE'S ANGELS, MELROSE PLACE, etc.) Spelling before he took up the lowest common denominator jiggly soap opera / action adventure mantle which built his 250-room Palace of Versailles in Beverly Hills. Too bad Aaron didn't continue down this darker, less commercial but more intriguing road, which tells the bleak story of a bright man who refuses to live his life in the dark. Spelling might not have built his huge palace making movies like this, but he'd certainly still have wound up with a couple ten bedroom mansions and a beach house, and we'd have a far superior filmography to enjoy. 8.5 /10