Wordiezett So much average

GrimPrecise I'll tell you why so serious

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Uriah43 Like the proverbial cat with nine lives "Ilsa" (Dyanne Thorne) is back and she has returned to the vocation for which she is best qualified--as the warden of a Soviet prison in Siberia known as "Gulag 14". Further, considering that the year is 1953 and Joseph Stalin is the leader of the Soviet Union, Ilsa pretty much has a free hand to do whatever she wants to the prisoners. That said, true to her nature, that means this movie will consist of plenty of torture and brutality along with a few sex scenes involving the beautiful Dyanne Thorne. Unfortunately, unlike the previous two films in the series ("Ilsa, She-Wolf of this SS" and "Ilsa, Harem Keeper of the Oil Sheiks") none of these scenes were as polished as in the two preceding movies and as a result this particular motion picture failed to achieve the same standards. In my opinion, it was unnecessarily raw and sleazy and lacking in both eroticism and depth. I have rated the movie accordingly. Followed by the 4th (and last) film in the series, "Ilsa, The Wicked Warden".

The_Void The Ilsa series apparently has something of a cult following, which is unsurprising as sleazy stuff like this is often well liked. I can't say I'm a part of that following and in fact have only seen one Ilsa film (Jess Franco's Ilsa, The Wicked Warden) and dint like it much. I can't profess to be a big fan of this entry either, although I do have to say that I enjoyed it more than my first taste of Ilsa. The thing I liked most about this film is the way that it doesn't follow the familiar sleaze plot line. Initially it feels like it might do as we focus on a Russian prison camp in which the prisoners are treated badly and often killed at the hands of it's warden. Things go wrong for Russia in the war and the wardens flee to Canada, where Ilsa starts up her own brothel and later comes back in contact with one of her rivals during the 1976 Olympics. The film is hardly genius, but I get fed up of seeing people brutalised in sleazy prison camps so the change of setting seen in this film is certainly very welcome. Director Jean LaFleur does not exactly go easy on the sleaze, however, and the film does feature some really gory moments - including several scenes of death and torture, most of which are quite inventive and the fact that the film features actual Siberian tigers is to its benefit also. There's nothing included in this film that hardened sleaze buffs won't have seen many times before; but this is better than a lot of similar films at least.

Dr. Gore *SPOILER ALERT* *SPOILER ALERT*Ilsa. Sweet, voluptuous Ilsa. Large breasted, woman of my dreams Ilsa. She's been a Nazi, a Harem Keeper, and a Wicked Warden. Now she is a Tigress of Siberia...and Montreal? Welcome to the weakest of the Ilsa movies. It's a sad, sad day. I still love her though.Ilsa runs a gulag in the middle of Siberia. This time she tries to break male prisoners for Mother Russia. My favorite scene was having the two prisoners arm wrestle with two chainsaws on either side of them. Whoever is weakest will lose a hand. That was deliciously gruesome. At the movie's midway point, it shifts gears and moves to Montreal. Now Ilsa is Madam Ilsa, running a prostitution ring. Her past catches up to her in a big battle at the end.This movie has two big, obvious problems. One, the Ilsa movies are based around Ilsa dishing out torture to FEMALE prisoners. Obviously that allows for more delirious exploitation. The prisoners can be naked most of the time and Ilsa can rip off her clothes as well for the cherry on top. Here, she's running a MALE prison camp and no one wants to see these guys naked. Except maybe Ilsa. This is the movie's fatal mistake right from the get go. The other problem is sticking a prison movie in freezing winter weather. Ilsa is wearing a fur coat through most of the first half and no one wants that. I think the movie realized both of these errors too late. The movie shifts locations to Montreal in the second half so Ilsa can get some naked prostitutes working in the movie immediately. The fact that the second half of the movie isn't even a prison movie anymore is another letdown.So is there anything good? Yes. Her name is ILSA. She gets naked about three or four times. She also has three short sex scenes. Nothing to get too worked up over but they're still nice. There are a few interesting exploitation scenes along the way too. Worth a look if you love ILSA movies. If they're not your bag, don't bother.Ilsa is great. The movie is a disappointment.

Thom-P Tigress starts out promising enough with Ilsa as the kommie kommander of a Siberian gulag. Between torturing political prisoners and feeding them to her tiger, the buxom goddess still finds time for some nightly romps with her rowdy guards and the results are often hilarious. Alas, proceedings take a turn for the worse when the scene shifts to a bordello in Montreal. I mean, when you think of all the gruesome settings in the Ilsa series: a Nazi P.O.W. camp, a Middle Eastern slave harem, an asylum in South America and said gulag, a Montreal bordello really pales in comparison. Furthermore, Ilsa's torture techniques are now performed via a (yawn...) mind control chamber. Instead of physically tormenting her victims, she inflicts psychological torture which results in several highly forgettable hallucinatory sequences. But the producers really missed the boat when they decided to play the latter half as a straight action drama with very little of the campy flair which made the series (and the first part of the movie) so entertaining. Another big mistake was to forego Ilsa's classic transformation from cold-hearted vixen to vulnerable lust-bunny. One of the most appealing (and humorous) aspects of her character was the fact that this femme fatale could be brought to her knees and made a love slave when the right "stud" came along. In Tigress, she's just a one-dimensional sadist from beginning to end. Also missing in action are Ilsa's prerequisite pair of lesbian henchwomen, which makes one wonder if the producers even bothered to watch the first two movies! Even the ending, when Ilsa gets her usual comeuppance, seems largely uninspired and comes across as if they simply ran out of ideas. All in all, Tigress is worthwhile viewing only for true fans of the series. To the uninitiated, I'd suggest Harem Keeper or She Wolf for your first taste of Ilsa's whip.