I Want Your Love

2012 "Initimate, sexy, unflinchingly honest"
5.2| 1h11m| NR| en| More Info
Released: 12 July 2012 Released
Producted By: NakedSword
Country:
Budget: 0
Revenue: 0
Official Website: http://www.iwantyourlovethemovie.com/
Info

After a decade of living in San Francisco, Jesse is forced to move back to his Midwestern roots because he can no longer afford the city. On his final night in the city, friends and ex-lovers gather for a going away party that promises to heighten Jesse's already bittersweet feelings about leaving.

Genre

Drama

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Director

Travis Mathews

Production Companies

NakedSword

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  • Top Credited Cast
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Courtney Trouble as Courtney
Peter Knegt as Peter

I Want Your Love Audience Reviews

Evengyny Thanks for the memories!
GazerRise Fantastic!
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
firstaidfilm You must consider the budget of this film and the fact most of the players are not actors and never performed in front of a camera before. This is what makes this film so amazing I think. Yes the story line is a bit weak, and we never get to know who the players really are in depth. This film is shot really well with a much higher quality look and feel for its $80K budget. Now what is it really? An Art film? A high budget Porn flick? To be honest i'm not really sure myself what slot this film fits in. I think it was the writer/directors full intention to blur the line between the two. The sex in this film is artfully filmed in low light unlike most main stream porn films, and not quite as graphic but graphic enough to give it at least an X rating nothing sexual is simulated here. It is really worth taking a look at this film if just to watch the first time players do such a good job before the cameras both acting and having sex. The other point I would like to make is the players are not your common buff porno types but real looking every day people that add to this films more realistic look and voyeuristic feel of this culture.
lovefaithtruth A contemporary view of gay men struggling to define what real is - for themselves, their love relationships and their career. This is a story about a protagonist who is having a hard time reconciling with his life choices that form a symmetrical pattern with his art and his relationships - both lead to his restlessness and dilemma of giving up what might actually be important. I won't say much as I don't want to spoil but the fact there are gratuitous scenes of sex in this movie actually, in my opinion, reflects the boldness of the director to take on the subject head on. Of course there is easy sex available in the life of the character and that reflects the dilemma of the main character. Male genitalia and orgasm in a movie about a gay man in Sf - and what's wrong with that? The supporting cast is amazing in their realistic performances. It's shot almost in a documentary style and that lends a credibility to the whole aspect of story telling.Finally a movie that does not wrap up a story of gay humans in a neatly predictable package and serve it to us. Of course there can be improvements and yada yada but in 2012 this is a movie about an artist searching for his meaning of life. And he is gay. And he is in Sf. So prudes you've been warned.Oh and as far the story being meaningless, no plot etc is concerned, we could have had a more dramatic fleshing out of what the existential crisis is but I don't feel it needs further explanation. But that's only my opinion. Whatever. Watch it.
didier-20 I was having problems with this film. It sagged heavily half way through. However it did continue to produce flashes of originality, the main points i list below: 1. Whilst struggling to stick with the film (see below), in an attempt to scrape the bottom of the barrel, i was gratefully amused for the slogan 'lesbian bed death' - referring to the condition of the cessation of sex in long term relationships. 2. The film documents a kind of fin de siecle moment for a San Franciscan gay generation who interestingly are not particularly defined by any significant notion in the political struggle for gay rights; a detail which is startling for the fact of it's final appearance after effectively 60 years of multiple generations entirely defined by successive phases of political struggle. The film also focuses on the twilight of youth, where the protagonist, Jesse, sensing his impending maturity into full adulthood seeks to return to the place of his youth and to leave the city which has defined the first part of his young adult experience. It is a timeless right of passage and small details capture that strange sense of change and reappraisal with a quiet sophistication. 3. Characteristic of this generation's gay themed cinematic work, perhaps because of a diminishing sense of identity rooted in oppression and struggle, lies a problematic vacuum. Films such as this and also for example, The Lost Coast, also set in San Francisco, evoke a genre, which though not so much narcissistic, display a lack of capability or willingness to dream up a relationship with the future and consequently portray an intense over involvement in the experience of the present. This creates a genre which has a tendency to over dramatise what could be undeserving issues. Relatively minor events in the path of life are over magnified and their importance exaggerated with a post/adolescent preoccupation whose departure is at times long overdue. One is left with a sense of a potentially lost and tragic generation, who have been entirely defined by a profoundly conservative free-market ideology and show no sense of having engaged in any real spirit of rebellion. What we see is reassuringly quotidian, but also lacking any connectivity to a wider social context.It's essentially stuck at the inward looking. Jesse's departure offer's no sense that this wider malaise is due for a change. It's frustrating to sit through, because cinema in the past has been so much more than this. It raises the question, where are we headed as this generation comes to power ? 4. Something the new generation do offer and which is seen extensively in this film is the growing trend to show explicit sex as an extension of the cinematic language of emotional intimacy. This film raises the bar and pushes that to greater heights than the plethora of recent films which have exploded with a laid back approach to cinematic (gay) sex. However, because the last third of this film is literally saturated in sex it did raise an interesting question. As i gagged and squealed my way through the images i wondered if sex in cinema was like sex in literature; namely incredibly hard to do well. It's not enough just to show the whole ugly load. You need to do something cinematically. Certainly i would not say this is manufacturing moments of porn. But it was also uncertain what it's intention was other than to revel in a new found freedom to let it all hang out. period. That's just not enough. It's immature because as happens in this film, it detracts from the essential flow of energy in the work as a whole, especially for a film whose story is so incredibly thin on the ground. What happens is the sex becomes just another symptom of the portrait of a generation who don't really have anything to say for themselves at all and remain largely undefined and invisible as an entity.5. Regarding the title, 'I want your love', the meaning is ambiguous on inspection. Certainly the protagonist Jesse, spends the film contemplating the cessation or diminishment of his emotional bonds in general. He may be sensing a future to come where the definition of love is going to have to be far broader than his previous assumptions. The title could also refer to the short-sightedness and frustration of emotional bonds and sex in young adult groups in general. The people we meet here stand in contrast to the old 1970s and 80s San Franciscan gay 'communities' defined by a celebration of hyped up promiscuity as a mark of liberation and also the more recent era preoccupied with AIDS and death. But either way, it remains unstable as a title. It speaks more of insecurity, of a need unfulfilled rather than a love successfully acquired. To this extent it supports the idea of a new generation who remain undefined and occupy a vacuum, despite ironically, finally inheriting the legal right to fully love in public. Is this a depiction of a generation in shock at the arrival of the 'you are now normal' identity and it's options ?I gave this film 4 because i do remain impressed with this new breed of actor who is willing to share their body so intimately. I also gave points for the 'lesbian bed death' slogan. But i remain concerned at the appearance of yet another film which portrays an emerging generation caught in a sense of unarticulated and broody crisis about their sense of purpose.
RandyB201 If you like porn with a plot -- I do! -- then take a look at this movie. I was expecting an NC17 kind of movie, but when you include cum shots, sorry in my book that crosses over to porn. In that category, it might have been a 6 or 7 except for one small problem.I am a typical American in very few ways, but I really, really, really do not like point in time stories with no beginning, climax or end. I think of this as a European / International genre. I always feel cheated because just when I am engaging with the characters -- oops its over.Now, if you like this type of story and you also like porn with a plot, this movie will probably "WOW" you...My rating system: 10-The Perfect Movie 9-I will watch it over and over again 8-Ther is something special about this movie 7-Well above average 6-slightly better than average 5-Average Movie (Worth Watching!) 4-Slightly Blow Average 3-Boring / Well Below Average 2-So Bad I Got Up and Walked Out 1-I cannot imagine anyone liking this movie