TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

blazesnakes9 Clint Eastwood has been known for playing macho tough guy roles in the late 60's and 70's. His roles ranged from playing a lone gunfighter in the spaghetti western trilogy directed by Sergio Leone, to playing the street-wise police detective Harry Callahan. Now, he plays a different kind of role. One that is more softer and more touching than ever before. Eastwood stars and directs in Honkytonk Man. Honkytonk Man tells the story of a down and out Depression country singer, who's wounds up taking his nephew on a cross-country road trip to the Grand Ole Opry, where Eastwood wants to try to get a record. Along for the ride is the little boy's grandfather, played by John McIntire. When the trio go on their trek across the country, they stumbles into different kinds of misadventures that teaches Eastwood's nephew lessons along the way. Lessons that include life and death. Even love in that matter. The nephew, by the way, is played by Eastwood real-life son, Kyle. He gives a very fine as Whit. There is a lot of times in this movie that really press gently on the Eastwood persona. This is something that surprises me and any other movie goer who follows Clint Eastwood's movies. Honkytonk Man was the second Eastwood movie to be released. The first was Firefox, in which he plays a air pilot, who hijacks a Soviet spy plane. And, when Eastwood sings in this movie, he really does try to put in a lot of effort when he is performing on stage with the audience. The movie is also bittersweet with the relationship between Eastwood and his nephew. Like I said before, this is a change for Clint Eastwood. He drops his tough guy persona and turns it into a completely character. This may compared to his other film he did called Bronco Billy, in which he plays a rodeo cowboy. That film and this brings back some of those elements that Bronco Billy had and is inserted into Honkytonk Man. One more thing, I was disappointed that this movie didn't get a lot of attention. This film was a box-office flop, compared to his other film, Firefox, which grossed more money than this movie. There are a lot of fine performances in Honkytonk Man coming from Eastwood, Eastwood's son and also McIntire. ★★★ 3 stars.

lost-in-limbo An under appreciated 80s effort (being Eastwood's ninth stint directing a major feature), which rarely gets a mention and if so it mainly gets a "meh". This Clint Eastwood directed/performed feature 'Honkytonk Man' shows much more a vulnerable Eastwood in a very dramatic role (of an aging, alcoholic drifting country singer) that asked a lot from him. Set during the period of the great depression that ravaged the 1930s, Eastwood manages to capture the authentic atmosphere and dusty locations of the times with Bruce Surtees's earthy photography and his very-grounded direction, but also letting the harshness move over for some very sentimental openings that never manipulate the situations. There's a real homegrown feel, mixing elements of a coming of age story to someone longing to be somebody and this is all coming together to learn not to take everything on face-value. We watch two people, fulfilling a dream as it ignites the passion leaving to a series of adventures and an insightful script exploring the interactions. It's an inspired turn by Eastwood, but his son Kyle Eastwood is just as impressive in a sincerely down-to-earth performance as the young lad Whit, the 14 year old nephew that makes sure that he gets his uncle to the Gran Ole Opry stage to do his thing… albeit trying to keep him sober to perform. Along for the journey you'll find the likes of John McIntire, Alexa Kenin, Tim Thomerson, Barry Corbin, Macon McCalman, Joe Regalbuto and Charles Cyphers making up a splendidly admirable cast. A very heart-warming Verna Bloom and sturdy Matt Clark do leave their marks as Whit's worrying parents. While rather long, the chemistry makes sure the story marvelously flows and the relax temperament lets the emotional factor seep in. I don't know, but I found it hard not to like. The score is a perfectly delightful country twang featuring numerous names in Marty Robbins, Frizzel and West, Ray Price, Linda Hopkins and supervised by Snuff Garrett. Let's not forget Eastwood himself adding to the arrangement.A wonderfully brassy and enterprising Eastwood fable.

James Dylan This movie has an okay story, a bit in the road-trip theme, and Eastwood's son, Kyle, is an okay actor, but the other actors don't impress me much. Eastwood didn't seem to care much about making the movie an authentic "period piece", and you will often see details in the background from modern times, as well as the haircuts, which are obviously from the early 80's. Several times he shows musicians and they seemed to put the least amount of effort into looking authentic. At the Grand 'Ol Opry, the female singer who is on after Eastwood is singing in a modern style, and anyone who listens to music from the 1930's knows that doesn't fit. Even the music the bands are playing has a 70's/80's sound to it. Maybe they should have got T-Bone Burnett as musical director! They could have had a band on in the vein of the Carter Family, instead. I guess they had a limited budget and it shows, but it could have been a much better movie than it turned out to be. Other things I noticed were, the cement curbs in the really luxurious looking cemetery in the film with all the green grass and trees...excuse me, this is in the 1930's, and as far as I can tell, most graveyards didn't look that maintained, as there was little money. Little things like that that kind of ruin the illusion of a rough period in the US. Even the cars sitting outside the Ryman Theater are highly polished and obviously collector pieces rented for the film and the owners didn't want to get any dust on them. With all the detail Eastwood put into his later masterpiece films, I am a little disappointed, but it is still a decent movie, I gave it a 6 out of 10.

dgpdolphin I was Totally impressed with the realism which was magnificently captured and depicted throughout this movie! I found many occasions throughout the entire movie to laugh and thrilling times of holding to the arms of my chair intensely sitting on the edge of my seat.. and yes definite moments of genuine sadness!The young lad who played Hoss impressed me with how well he portrayed a lad of the time! I believe this young man has fabulous qualities. I Sure am looking forward to seeing more movies with Him. I applaud Clint Eastwood who portrays realistically a trueness of his character role.... But enough before I give it away ... Definitely worth Seeing again! Personally I would like to see on Screen most of these actors and actresses again in the near future! Definite Congratulations also for the choice of songs and to all the singers and writers with thanks also for all those who are off screen making a movie such as this possible to be viewed!