Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Steve Skafte I guess my main problem with "Honeydripper" was the lack of real conflict or dramatic central theme to the story. It's a quiet small-town drama of the sort I usually love, but with the sense of being a bit of an afterthought. Rather like a story that was written on a slow afternoon when nothing much else was going on. That might work for something of a little more personal nature, but this is a film of archetypes and experiences, not of one-on-one human interaction.So what is good about it? When Sayles' direction is at its best, "Honeydripper" is a heavy and real film. Best scenes are when the characters tell stories to themselves, and any scene with Keb' Mo'. Danny Glover is real good too, as is Stacy Keach (even with Keach playing the sort of role he always does). But by the end of the film, it all starts to feel a little arbitrary. By the final scene, we get the sense that not much happened, and something should've. It's in no way not worth watching, though. Give it a shot.

hcoursen I tuned into this one while trolling for a film and became immediately absorbed. The film interlocks several plots, as 'The Waltons' used to do -- the problem of keeping the night spot out of the hands of the criminal creditors, the issue of the unfulfilled wife (nicely mirrored by the alcoholic white woman for whom she is a servant), young love developing between the guitar player and lovely China Doll, a dispute between two cotton pickers (one a city slicker, the other a local field hand), the sheriff who, of course, is a racist but who loves un-spiced fried chicken, the inevitable tug of fundamentalist religion on the underclass of a rural town, and two waifs who end the film with a mime of the musicians they hope to be. I confess that I was stationed in southern Georgia a little after the time of this film and found my own experiences coming back vividly. It is a warm film, drawing on an ominous set of possibilities lurking behind the action, and it doesn't cheat with its interlocking happy endings. What a surprise!

Cliff Sloane This is a story right out of the "Hey, kids, let's put on a show!" cliché. One implausibility piled on top of another in a "feel good"/"right will triumph" pattern that is SO OVERWHELMINGLY dominant in American movies. John Sayles has long been one of my favorite directors/screenwriters, so the foolishness of this movie came as a shock.What happened? Where has the creator of "Casa de los Babys" and "Lone Star" gone? What happened to the creator of such exhilarating plots as "Limbo" and "Passion Fish"? I can only guess that he farmed it out to one of his kids, or an intern, or something like that. This movie fits in more with the rush job of the Scorcese-produced blues films than with a Sayles project.Here is my "disclosure" statement. I have been a working musician and have spent most of my adult life in the company of musicians. This movie reveals some of the biggest complaints musicians have about their portrayal by non-musicians. The biggest is that non-musicians don't understand the role of rehearsals, individual practice and the huge amount of work and effort it takes to seem "talented." This movie is another example, and a rather extreme case at that.I also have a question for Keb Mo. Why do you sign on to so many projects that undervalue your efforts? I am thinking of the NPR Blues History radio series and now this. Don't you have more leverage than that?

Michael O'Keefe Picture 1950's Alabama at harvest time. Tyrone Purvis'(Danny Glover)former swinging little juke joint, The Honeydripper lounge, whistles a lonesome long-gone blues. Business is no business and he may be forced to shut 'er down. But wait, he may be able to save the Honeydripper with just one big ass rockin' Saturday night. He will hire the legendary Guitar Sam to be his champion. But any news is just more bad news...Guitar Sam can't make the gig for being in the hospital. So the story goes, Tyrone must quickly find another guitar-slinger to save face and his Honeydripper. A versatile cast featuring: Lisa Gay Hamilton, Charles S. Dutton, Vondie Curtis-Hall, Mable John, Gary Clark Jr., Keb' Mo' and Stacy Keach. Volatile soundtrack featuring electrifying rockin' blues from the likes of: The Aces of Spades, Gary Clark Jr., Mable John, Keb' Mo', and even Hank Williams.