Alicia I love this movie so much

Stometer Save your money for something good and enjoyable

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

PeterMitchell-506-564364 This is one of those fine Aussie films that come along every so often, that we're truly blessed to see it. Real characters, real people, just like some of the good and great actors in this film, convincingly present. I must admit, I'm not really into tear jerker movies, and though this didn't make me cry, it made me recall memories of what it was like to be a teen. Another promising star was unleashed. Claudia Karvan, in her first film, was good, and her acting improved, years on, but still here, she was pretty good. A deserted child living with her grandmother in a caravan park in Eden, a bombshell arrives in the form of the deserted mother, Judy Davis, excellent, what else. A drunk, she tours with other dancers and a bad Elvis Impersonator (Frankie J Holden) a loser of a character, bloody good here, the head of this trashy group. As Davis's car has stalled, she takes residence in the caravan park, and becomes friends with, you guessed it, Claudia Karvan, who of course, doesn't recognize her mother, who left her when she was very young. But the grandma, mother to Karvan's father, definitely recognizes her, crossing angry grounds with her, warding her off from seeing her. Eventually Karvan, discovers the truth from a slip of the tongue by Davis' current boyfriend. So now we really have the really meaty bit of drama, that scene where daughter confronts mother, that moment of deliberation she can't lie when first answering "No". There's so many things, and real instances you can within this film, when being a teen, those private kisses, those self esteem issues, hair, etc. And too, disappointment, when you Nana says "No" to stuff. Frankie Holden is great in the second scene, the first has Karvan flat on her back on her board, on a cloud somewhere in daydream land. This film has memorable scenes that I recall now and then, while dozing off to movieland. The eighties were the best of times. I also too like the mechanic, who handled the lighter and cheerier scenes. The story and situations to decisions in this movie is handled with sheer realism. Careful film making like this should run more frequent with films of this type. And in the ending too, this counts double. I'm glad Davis's decision was the one I wanted her to make. For Aussie lovers of drama, this is a must see, a fine feature film of value. And for Karvan, this is a great vehicle, to have for a starting point, and on a resume.

Steve Skafte There's a certain allure I've always found in discovering the great unknown film. These discoveries have nearly always been dramatic stories. In my experience, unknown sci-fi, action and horror are unknown for very, very good reasons. I found "High Tide" on video at a junk store, mixed in amongst countless dozens of tapes of varying quality. Of course, that's the only place I would find it, as it is still not on DVD.While I was watching Judy Davis (as Lillie) throughout the course of this film, I was certain I was watching a great undiscovered performance. I had previously seen Davis in several small parts - and one starring role in "A Passage to India". But, although she was great in that film, "High Tide" is a different animal entirely. Judy Davis' performance is stunning, I cannot say enough good things about it. She shares an amazing on-screen relationship with young Claudia Karvan (as Ally), this film's other great actress. There's a lot of drama and quiet humanity they share together, the details of which I won't reveal here (see it for yourself!).There's too much good in "High Tide" to cover in one review, but the film speaks well enough for itself. Laura Jones writes stunning dialogue, beautiful words for the mouths of real people. Gillian Armstrong directs her actors toward a growing, powerful honesty. She turns everyday things into powerful, human depictions. I felt so alive and changed by the story this film tells. It's a weightless and strong depiction of running and staying put. You're welcome to make a choice.

jcrawford-15 This film, though, critically acclaimed, has of course not yet been released in the U.S. on DVD, like another great - Christine Lahti's "Housekeeping", out the same year. But if you can support Region 4 (Australian) DVD's, this little masterpiece should be in your collection. There are still some VHS copies available on the internet as well.Davis is complemented by a great story, as well as memorable performances from her supporting cast, especially Claudia Carvan and the late, great Jan Adele. Amazingly, or maybe not, this film and its stars went unacknowledged at Academy Awards time, as did "Housekeeping", but treat yourself to both of them - you will be glad you did!

HairynosedWombat This is not the stuff of soap-operas but the sort of conundrums that real people face in real life. A testament to the ensemble and director for the powerful story-telling of fallible characters trying to cope but not quite succeeding.