AniInterview Sorry, this movie sucks

Wordiezett So much average

Console best movie i've ever seen.

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

ss336 This is a true masterpiece. One that brings together Greco-Roman culture, traditionalism vs modernism and the struggle of indigenous cultures against global capitalism, mirrors as mystical adjuncts to mundane life, future shock and so much more...The opening scene: the camera shows a woman in the window of a house. The camera moves back and we see that the house is being demolished by bulldozers. The woman is crying hysterically, and her face is full of anguish.. or is that a state of spiritual ecstasy? We can't easily tell the difference, as the Knieper music score modulates with a Mishima-like nervousnous. The camera moves up and higher, and we see the poor woman's home is an insignificant sacrifice in the cause of the towering skyscrapers and ultra-modern urban business landscape. The changing face of Brazil..The photographer main character is a witness, who occasionally, reluctantly 'steps out of the frame' and takes part in the great collision of colour and experience of Brazilian life, mostly focussing on the theme of 'evading death', which is said to be a 'male illusion' but which is intimately connected to survival - from the street junkies and prostitutes to the 'train surfer' youths he seeks out. Our encounter with Greek themes of manliness and justice and, most of all, tragedy and revenge, comes when the main character photographs an attempted robbery and a street 'duel' with knives that leaves 2 people dead at the hands of a man who appears to be of substance, and who is known to us only as 'Hermes' - the name of a Greek god and a clear allusion to Dumas's Three Musketeers. Debt is a theme 'we do like the Greeks and the Romans', 'you owe me', 'my debt is paid', 'I have come to pay my debt', masculinity is another (the disgust felt towards a man who murders women and marks their faces), and also revenge - blood for blood.The mirror - used as a training tool when training with a knife, but behind the mirror a young woman observes disapprovingly. She is us, or a part of ourselves, that has ceased to be sensation-seeking witness and has taken an active stake in the horrible nitty-gritty of the world of real life and flesh. We observe much as she does, except from behind the camera.. There is also karma - a fat rapist with a penchant for stabbing people downwards in the heart meets the same fate, the last words he hears being unintentionally a version of the torrid threats he himself used to issue. All along, there is the nervousness, the fear, the theme of being outside or inside, always reminding us of the smashing of the house and its walls of safety. After our hero exacts revenge for the sake of his friend, he feels himself a total and complete outsider, and his photography habits change so that he photographs the mundane human experience of love between a man and a woman. No longer does he photograph the human juggling with imminent death: he has experienced that as an insider but has changed. And yet he can't go back...At the end, Hermes is of course the protector of travellers but the hero becomes an unwilling nomad who really seeks stability and married life, but can no longer have it. Like Hermes himself, who wants to return to his own country... Very moving, and brilliant.

mhartley-1 The path of a pacifist photographer being seduced by the need for justice and the intrigue of a hitherto unknown world of professional assassins plying their trade via the intimate and all-too-personal death delivered by a knife is a very deep experience to watch unfold, and Peter Coyote does it to a tee.His inner revulsion to the horror of embracing this culture is offset by its fascination as well as the necessity of descending into it to find out the truth behind the killing of model/prostitutes. Slowly but surely you observe the influence of his gaining knowledge and confidence as he is tutored (by a master of the art he just happens to see and captures on camera one day plying his craft), all dragging him down to dive in completely.The plot thickens as characters are revealed and surprises are forthcoming, all leading to a fantastic final knife-fighting confrontation with the acknowledged master, someone he has known all along but not suspected.I saw this movie about 10 years ago, but never noted the title until I was trying to order it on-line, and now I have it in my collection. I highly recommend it for its combination of intense drama, revealing close analysis of the process of a sworn pacifist turned to embrace violence as a way of life, amazing fighting scenes, and an uplifting ending. Unforgettable.

risingson-2 I viewed this movie a few years ago and was impressed by the training scenes, however, I have always wondered where to get knives like the ones featured in the film, I cannot for the life of me remember their names even. Any help would be appreciated. I am a budding knife collector and follower of the art of knife fighting, I just wish there were more of it in the film. Anyone know of similar flicks out there I could check out? This is my first time ever submitting anything to this site and can't wait to start talking movies with people, they are after all, one of my greatest passions. Another reason for me to like this movie I guess is that I am in school to become a professional photographer!

jax-21 I believe this oddly successful film was also aired on US television (Bravo channel) as "Exposure". I have never seen it under the other titles listed. The knife techniques are very professional and effective, as is the explanation of selection of weapons.