Steineded How sad is this?

Beanbioca As Good As It Gets

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Mandeep Tyson The acting in this movie is really good.

parvatik The plot revolves around a man trying to erase his memories of loss/grief and he spends an year in a isolated (but very beautiful) place and takes up a project to bring back a dilapidated sail boat to glory to forget his sorrow. Very good capture of emotions, you have the very best actors giving an awesome portrayal. Almost all characters are undergoing/exude some form of grief/sorrow. However I didn't quite connect to it, the director should have explored the characters of the Superstore girl and also the waitress further.I felt it was abruptly ended. The audience is kept wondering what happened and why?Very good camera work especially focusing on the changing seasons. Its done very wellI would give high marks for the acting and portrayal of grief and the awesome photography, but the movie didn't connect with me and felt awfully slow & documentary like focusing on the grieving process.Not a movie to watch if you want to watch something cheerful and want the movie to pep you up

The Pinksock It's a quiet movie. The motor on a sailboat is called an iron genny not an iron spinnaker as Lucas refers to it in the movie. Genny comes from the word genoa which is a sail, like a jib, only it's leach extends aft of the mast. Also, no sailor spins the dock lines in a spiral like Lucas does. That's a stupid habit of power boaters. Anyway, I watched because I like sailing. Not much to glean about sailing though from this movie. The point of the moving has nothing to do with sailing. I liked it though because Lucas was trying to find the answers at the bottom of the bottle. I can appreciate that. If I were to sink into a depression and come to grips with loss I'd make sure it was in a warm place. The Great Lakes are not a recommendation for a long sulking and healing.

rboy8 well...lets see. i admit to being an avid movie-holic. (i am currently on a 12 frame program). i honestly don't know what movie the other people found in their DVD container. the only way i could rate this movie on the high end of the scale is to drop massive amounts of ecstasy and view the entire film through rainbow colored glasses. what an insult to waste the talents of such experienced good solid actors with this drivel. i am the first to admit that the cinematography was solid but most of it was a little too derivative. i would like to think i understand the concept of still photographic images on film, but after awhile it became rote and lost its initial impact. i pretty much had the film figured out in the first 10 minutes. (i did not know the car accident where the lead character loses his entire family was due to an illicit affair he was having.) just about everything that transpired was telegraphed way ahead like when you fighting someone that pulls their arm way back before they strike. don't get me wrong. i like thoughtful, insightful, quiet character driven movies. just don't mistake this leaden, draining, bloated jackwagon of a film as one of those kind. if i had a choice between watching this movie or paint drying, i would definitely go for the wall. if you are still not deterred from wasting any of your precious time and still wish to view this throughly turgid affair after reading this piece, don't forget to go to the hardware store first and pick up a few gallons....just in case.

R Smith A man arrives at a dock, in suit & tie and carrying his suitcase, buys a boat as-is, he seems haunted but we don't yet know why. If you've ever experienced deep grief or a need to hideaway and heal, this film will have a deeper meaning for you, if you've not yet experienced those tortured emotions in life you may not yet understand fully the emotional depths this film represents. I've been there, I am there, and felt the film all the more meaningful for my own experiences. The waterside setting is magical and the story plays against the backdrop of its setting (Traverse City, Michigan) and Henry Wadsworth Longfellow's poem, The Children's Hour, which given Longfellow's own sad history gives the film even deeper resonance. The typical Hollywood films you'll barely remember a month later but Hide Away will have a lasting impact and this, this, is the film you want to see this Summer. Best work I've seen from Josh Lucas and James Cromwell is, even more than usual, so very memorable as The Ancient Mariner. I'd originally rated this film an 8 but, after viewing it a second time, I changed my review to a 10. Now I'm left wondering what my own boat is...