SoTrumpBelieve
Must See Movie...
StyleSk8r
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
InformationRap
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
oloiatao
I only watched this picture because of my current obsession with Charles Dance. It's a very strange film, rather too artsy and noir for my taste, but in general a pretty good picture.A few items: far too much is made of the "hidden city" component. Any older city has subterranean tunnels and chambers. Disused subways, dry drains, utility shafts and connectors, power cable channels, catacombs, and sewage pipes form a veritable honeycomb beneath a city's surface. Not secret so much as not relevant to the daily life of ordinary people. That these areas might be useful for file storage is sensible and efficient. The more intriguing mystery for me was why the writers writers (who otherwise did an excellent job) failed to give us explanations to these questions: Why would an intelligent, sophisticated, educated man disregard several days' worth of scheduled meetings in order to assist a complete stranger in an ill-defined quest for information of questionable value?Why, having learned the mysterious government secret, do the pair do absolutely nothing with what they've learned? It's implausible that anybody would go to so much trouble merely to satisfy idle curiosity.And finally, why do the pair decide to continue rummaging for secrets?On the plus side, "Hidden City" does include a very excellent performance by Charles Dance. I think that one of the more difficult challenges for an actor is speaking lines that convey information the audience needs but would never be uttered in real-life conversation. The film contains an astonishingly large number of such lines, and Dance delivered them so naturally that only when I'd finished watching did I realize. In fact, I can't think of a better example of that sort of acting. Well done, Charles Dance!
philipr09
OK, I saw this movie only once and it was ages ago.It is one of those that, while I didn't particularly like it, left a lasting impression.First and foremost, it is a London movie -every bit as much as 'The Long Good Friday' (1980), 'Pool Of London' (1951) and so many more, where the city is really the star. I am a sucker for London films!Secondly, it belongs to a loose-knit family (genre?) of films that seem to have their origins in that time (late 1980s). The principal characteristic of them is that they take the standard 'noir' elements and run them 'all the way up to 11' , until they become saturated with a nightmare sense of impending evil and conspiracy. EVERYTHING takes on a threatening aspect; each word, action, step and object becomes laden with menace. 'Defence Of The Realm'(1986) pulled off a very similar trick, as did the contemporary TV series 'Edge Of Darkness'. Into the 1990s and Noughties this kind of 'X-Files Paranoia' thing became more prolific, for example 'The Forgotten'(2004).However, that vibe is something that Poliakoff was trading in long before then: his TV play 'Caught On A Train' (1980) nicely exemplifies it. Maybe he started it all! That said, 'Hidden City' doesn't come off all that well. I think the problem is chiefly with the casting, and the rather soft drawing of the central characters. I can't really believe Charles Dance as academic turned-action hero (Islington Jones?), capable actor though he is it seems a daft way to go, and at odds with the rest of the thing. The gimmick of weighing him down with the stereotypical 'feisty single mum and infant' combo in tow adds another surreal touch to the melodrama, one that could have sprung from the iBook of Doris Lessing on an average day (and I can't help thinking that she may have done a better job here). The plot is an absolute mess. Set in the (1980s) present, It concerns Dance's character being led a merry erm, dance piecing together the story of some obscure government conspiracy that occurred just after WWII. The only evidence of this exists in perplexing bits of 'extra' footage at the end of various ancient Public Information Film reels. No sweat, then!Time-worn hazards and difficulties are then laid on with a trowel: sinister spook-types, obstructive officials, characters whose sole purpose seems to be as unnecessarily cryptic as possible: all the usual suspects.After much too long, he produces a worrying jig-saw of a top-secret (presumably nuclear) project going badly pear-shaped, and the bizarre extent to which the powers that be (or were) resorted to in burying the truth along with the casualties. And anyone who had anything to do with them. And anyone who had anything to do with anyone...you see where this is going.You could file this under 'deservedly overlooked', but there are some very fine scenes: Bill Paterson (always good value), having a superbly unreal conversation with Dance while a disturbing shadow-show plays out on the opaque room-divider behind him, is delightful ("...I think that's so-and-so...") so by all means have a look.Best not dwell on any underlying diatribe about the nature and corrupting power of secrets, the celluloid image, or the sad fact that history is whatever 'they' want it to be. That is all plastered over as effectively as the remains of 'Project Magnificat', and just as ill- fated.Finally, there is what I assume to be a little twist-ette right at the very end, where the ancient footage Dance has been analysing briefly reveals the face of the cameraman: Jumpin' Crickets, he look just like Adolf Hitler! Go figure...
winsfordtown
'Hidden City' has become another good example how British films of the eighties have disappeared without a trace. Having found a rare video copy this film I have had the chance to reassess this possible lost gem. Cassie Stuart plays Sharon, a mysterious girl who turns up in the life of lecturer, Charles Dance with a mysterious piece of film placed at the end of fifties public information film. What unfolds is a genuinely interesting look at how Governments have so many secrets they can sometimes get lost. What is also interesting is how this gives an insight in to the early work of writer Stephen Poliakoff and how he still follows many of these theme in his later work more critically acclaim work. Unfortunately 'Hidden City' has dated in it's look and the plot just fails to hit the target. However it is certainly worth looking out for because just like the two leading characters the viewer is drawn into the film's theme of intrigue and mystery hidden in the bowels of London.
sound-chaser-1
One of the better British films of the last 20 years and criminally neglected - it doesn't appear to be currently available on video let alone DVD.Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully. All in all, it puts so much of recent British cinema to shame.And we go and bury it.
