Hero

2015 "Rebels. Love. Freedom"
3.5| 2h25m| NA| en| More Info
Released: 15 September 2015 Released
Producted By: Mukta Arts Ltd
Country:
Budget: 0
Revenue: 0
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Info

After meeting the chief of police's pretty daughter, a gangster kidnaps the girl. During the journey they fall in love and the gangster decides to set her free.

Genre

Drama, Action, Romance

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Director

Nikkhil Advani

Production Companies

Mukta Arts Ltd

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Hero Audience Reviews

Scanialara You won't be disappointed!
Matialth Good concept, poorly executed.
Comwayon A Disappointing Continuation
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
i-m-sunilthorat Sooraj Pancholi does a headstand on a platform of nails, drives a bulldozer through a wall, slams dudes through solid objects, does a laser dance in a disco and swings Athiya Shetty (who has taken three selfies within 15 seconds) around like a weapon to knock out a giant baddie. These are the first few minutes of Hero, directed by Nikhil Advani, and if there was any justice in this world, the film would have ended there. Unfortunately for Pancholi, Shetty and all those watching Hero, the world is cruel and unusual. It's difficult to say what debutants Pancholi and Shetty are capable of because Advani's remake of Subhash Ghai's Hero starts off as awful and ends as boring. There are about two genuinely emotional moments in the film's 131 minutes. In these, one senses Shetty in particular may just have some acting talent, but Advani and his screenwriter Umesh Bisht would rather bludgeon the audience with stupidity than give the newcomers an honest chance at winning us over. Film poster of Hero. Image Credit: FacebookFilm poster of Hero. Image Credit: Facebook Hero is a '80s' film that should never have been taken out of the vault. The dialogues, peppered with outdated flourishes like "imaandari ka pilla" and "aaj main surprise nahin, shock dene aaya hoon", are melodramatic. The only twist in Hero is when Shetty ties up her hair. The fights are unexciting. The cinematography is dull and the songs sound like wailing cats in heat who have been auto-tuned. Salman Khan's "Main Hoon Hero Tera" is the only example of melody in the soundtrack and Khan displays more acting in the sweet, little video of the song's recording than he has in most of his blockbusters. Sadly, he shows up only at the end. There's a lot to endure before you get your Bhai fix. Sooraj (Pancholi) is a thug whose bulging muscles hide a heart as mushy as a roasted marshmallow. When he isn't bodybuilding or beating up people, he's helping the needy. For no fault of his own, he lands up in the middle of a glowering contest between baddie Pasha (Aditya Pancholi) and Inspector General Mathur (Tigmanshu Dhulia). Pasha tells Sooraj to kidnap IG Mathur's daughter, Radha (Shetty). Since Pasha is like a father to Sooraj — apparently, Sooraj's mother was like a sister to Pasha, which hints at a rather incestuous family tree, but never mind those details — our buff hero spirits Radha away. It helps that Radha has the intelligence of a dull four-year-old. Despite having two policemen in the family (her father and brother), Radha finds nothing odd about a Mumbai police inspector taking her to a safe house in Jammu. It also doesn't bother her that she's in a wooden hut, in the middle of nowhere, with five strange men she's never seen before and that these 'policemen' don't let her call home. There are snowball fights, drunken nights around a bonfire and an occasionally shirtless Sooraj to ogle at ... what more could a 20- something PYT want? Along the way, a man starts singing in a girl's voice, Sooraj and Radha fall in love, Pasha roars mightily, IG Mathur bays for Sooraj's blood, and a bicycle discovers its inner Rajinikanth and neutralises a bullet. And then, as if 115 minutes of the film's barely-there plot wasn't enough of an endurance test, we get a song that recaps all of the first half and parts of the second half. By the time interval strikes, you've got to feel bad for young Pancholi and Shetty. Sooraj and Radha may be sporting bruises that look like the make-up team was using lipstick to make tally marks — perhaps to show how many days of shooting these two newcomers had survived? — but the real wounds are deep. Varun Dhawan and Alia Bhatt got the vapid but glossy Student of the Year. Ranbir Kapoor and Sonam Kapoor got the nonsensical and lavish Saawariya. The son of Aditya Pancholi and daughter of Sunil Shetty get Hero, a film as B-grade as their fathers' filmography. Hero is ill-conceived, outdated and lazily made, with neither director nor crew giving a hoot for details like continuity or logic. Pancholi and Shetty deserved better; not because they're star kids, but because as actors they commit as much as they can to the colossal ineptitude that is their debut film. Yet, rather than being a cakewalk, Hero is actually a serious challenge for both Pancholi and Shetty. Shetty has to showcase herself in a role that requires her to play a bimbo and make sure she doesn't blink when the wind machine blows her hair away from her face. This is a shame because with her athletic frame and deadly cheekbones, it's easy to imagine Shetty as a desi Lara Croft. Pancholi is making his debut at a time when Bollywood has a set of versatile young actors who are proving to be adventurous in their choices and versatile, but all this young man gets to do in Hero is show off his musculature. Unfortunately for him, every hero in Bollywood seems to have abs and the bland character he plays in Hero makes Pancholi look like a pale replica of Salman Khan, but without Khan's charisma. On the plus side, things can only look up for Pancholi and Shetty after this, because it's going to be tough to find a project as forgettable as Hero. Here's to their future.
mohulghosh Why do every star-kid believes that it is his/her fundamental, God- given right to become an actor? Both Sooraj Pancholi & Athiya Shetty fizzle out, deliver a sub-standard performance which should never have occurred. The only saving grave of the movie is the intense confrontation between Aditya Pancholi and Tigmanshu Dhulia.. except that, the movie sucks. Completely illogical concept and logic of the screenplay. Even if I assume that the targeted audience of this movie is a 17-year old kid, there is no way you can show Mumbai to Kashmir journey completed in 2 hours or a bullet wounded guy, slipping into a fast flowing river, emerging with nothing but 2 cuts on his arms! The cliché:' Ek gunda kabhi IG ki ladki se pyaar nahi kar sakta' was repeated so many times, that it was cringe worthy actually. Dialogues are the worst part of this movie. And Salman bhai's hangover on the whole movie was actually way too much.. his song is played after every 10 minutes, and his style of action, dialogue delivery and antics is visible all the way to the end. As if Nikhil Advani had only been appointed as an obligation. Disappointing movie.. If you want to retain the magic of the original 'Hero', then don't watch it. 1.5/5
Nimesh Priyodit 1. the rating is complex number -10-10i, -10 for truly mediocre direction, and -10i (where i = square root of -1) for the best acting i could imagine.2. If pouting was cute, Donald duck would be the best heroine available.3. Sooraj Pancholi, meet Acting. Acting, meet Athiya Shetty!4. Let's make our children so capable, that they don't get into industry like this, made fun of, and booed by the audience.5. The only criteria for love in this movie was that hero was hunk. Replace him by me, and the heroine would run away at the speed of light.6. Subhash Ghai : Hero :: Ram Gopal Varma : Aag7. Sanjeev Kumar was a great actor, when he was fooling around in Hero (1983), he still felt graceful, unlike the joker here, who looked like retarded baboon.8. Thank you Subhash Ghai for brutally detaching me from my good childhood memories. now the only memories left are those of oily crispy potato chips and gold spot soda bottle being sometimes given to me in the theater.9. As per my theory of quality of art vs pleasure/thrill obtained, this movie falls in the exact trough of the curve. truly a median in all senses.10. the most famous dialogue is "Control alt delete Maar Na!", as explained, it would delete the password of computer, and also it'd restart it <- CS 10111. The magic trick by Aditya Pancholi should be shown in loop to people ingested mosquito repellent liquid / phenyl / rat poison. Will help them puke.12. Missed Amrish Puri. He was master of evil. And Shakti Kapoor. He was a genius.13. Sooraj Pancholi made Uday Chopra look as talented as Sanjeev Kumar.14. They should club all songs together at the beginning, so that latecomers to the movie may still enjoy the movie.15. I wish they reprise the dialogue from Gangs of Wasseypur, with Tigmanshu Dhulia's son in that movie replaced by these two puppets:Sooraj and Athiya, and Tigmanshu, holding both their chins says, "Beta, Tumse Na Ho Payega! Humko Tumhare Lachhan Theek Nahin Lag Rahe Hain!"
dineshprakash One of the major strength of original Hero, is its magical music, which is still far far better than this Hero tracks. It seems that either creative team was reluctant or confused while making this flick. Story wise, I could not understand it. Screenplay fetch irritating comedy and out dated love scenes, like male protagonist offers Jacket to female, that is in a club!!! Girl says that "Main Kabhi Akele Khana Nahi Khati" so that boy can join her!!! I didn't get the point, why she started loving him, perhaps for his six packs!! Oops eight packs. I.G whispers in criminal ear but just then pours water on his face in front of every one. What a contradictory behavior!? Film starts with typical super star type fight scene and a dance number. Any actor earns superstardom by time not by showing off. Girls brother sees that her sister is not on gun point or any forceful manner, she is riding as pillion then why did he not prefer to announce on P.A to inform her sister and clear all confusion, just because it has to be interval point!? Film moves to different locations just for showing the beauty of locations not for the requirement of script. You can easily find the bruise mark on male protagonist face, changing places and intensity in song "Khoya Khoya Dil". They took care about bruise mark at least but just forgot about gun shot. Movie is already slow and pre climax makes it just crawling. Performance wise Sooraj Pancholi as Sooraj is as flat as he could have been. Speaking lines is his only performance. Surprisingly Athiya Shetty as Radha looks beautiful in some frames and acts well too. She has a spark. Tigmanshu Dhulia is very good as I.G. Vivaan Bhatena as Ranveer Shekhawat is a damn good actor. Rare combination of good physique with apt performance. Music wise "Yadad Teri Yaddiyann" is melodious.