Hells Angels on Wheels

1967 "The shattering true story of the Hell's Angels of Northern California! The violence...The hate...The way-out parties...Exactly as it happens!"
5.1| 1h35m| NA| en| More Info
Released: 01 June 1967 Released
Producted By: Fanfare Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.

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Director

Richard Rush

Production Companies

Fanfare Films

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Hells Angels on Wheels Audience Reviews

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
Numerootno A story that's too fascinating to pass by...
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
morganmpoet Most reviewers miss the point. Rush's film is a cinematic moment in time. The focus is a linear journey about certain events that take place over a very limited time frame of perhaps 4 or 5 days cinematically. In terms of plot it aims for a certain moment in time & it hits the mark.The choppers R first rate classic 60's builds, the scenery is great, Kovak's DP work is outstanding, Adam Rourke is the stand-out here, he holds his own easily against Jack in all the acting chops departments & Sabrina Scarf is amazingly sexy. Stu Phillips & The Poor provide excellent musical coverage & every player does a great job at being who thy R supposed to be. The fights R fun & the magical moments R numerous, for instance, Poet's decision to go with the Angels under a distant moon while sitting on his chopper at a carnival, ambient street sounds & conversations abound around other character interactions just like in real life.If U like biker flicks this is the real deal. The ending is rushed (no pun intended) that's the bummer part but the ride there is great fun. One of my personal favorites maybe cause my parents had me n my sister in the back seat of the Drive-In while we saw this many years ago the very first time. I forgive this film a lot perhaps but it's right up there in my top 5 BIker films of all time.
sparker-26 For what this film is, it's great. No better 'genre' film exists. One of the reasons is that Sonny Barger himself, founder and still President of the Hell's Angels, is in the film's opening scene, kicking over his bike and proceeding to run over a flower bed in a city park! That's how bad these guys are! Barger is in the film throughout, and the producers probably had to pay Sonny and his 'club members' a pretty penny in order to use them and their official 'colors' (the H.A. logo, etc). Sonny also "starred" in "Hells Angel's '69", about an Angel's attempt to rip-off a Vegas casino, and appeared in almost any film where the "Angel's" name and logo were needed. Barger is still alive and runs and owns 'Sonny Barger Harley-Davidson' in Oakland, Ca, where the Hell's Angeles were born. He's probably been in in prison for 35 of the last 40 years. Barger is the nice fellow who got the'club' into drugs, gun-running and other nefarious money-making schemes, though for the most part ALL the Angels were true scum of the earth. Notice there are no apparent people of color in the movie, though Barger himself is Hispanic. "HA" has been a white-supremacist group since it began, arguments claiming otherwise notwithstanding. They are still associated with the "Aryan Brotherhood" in California prisons. Using "real" Angels means we get to not only see them in their usual habitat (acting stupid, drunk, stoned and, mostly, violent) but we also get to see their bikes, true relics of another age, some of which are probably in the Smithsonian, or at least Harley museums around the world. I was amazed that none of the bikes appeared to be of the extreme "chopper" variety with extended front forks allowing the rider to hang from the "monkey bars". As much as corporate Harley-Davidson said they officially hated these 'clubs', they took care of Sonny throughout the years. This film was made in San Francisco during the infamous "Summer of Love", 1967. As the other poster mentioned, Nicholson and Roarke also star in "Psych-Out!", with Nicholson as an LSD dealer whom the Feds are hot to catch.
whpratt1 Always like Jack Nicholson and some how missed this picture when he was very young and starting on a great career of acting. For some reason I did not feel like he fit very well in his role as a recruit of the California Hell's Angels. Jack gets roughed up and beaten by a bunch of swabbies in a carnival, who made the fight a Three Against One sort of battle. When his newly acquainted friends of the Hell's Angels find out, an all out war gets into progress. As you can expect, there are plenty of hot to trot sexual gals with the gang who seem to go from one guy to the next in order to please and make them comfortable, no one woman for each guy. However, there is an exception, a couple wants to make there love making official and practically drive their bikes right into a church near Las Vegas, Nevada. Just remember, this film was produced in 1967 and it was a big shocker in those DAYS !
Jack Spencer Not to say I didn't enjoy this movie, I love the Hells Angels and all the books and movies about them. This was a good story, but it could have been told in 10 minutes. The other hour and 50 minutes, is silly, and boring. But it does have redeeming qualities, which makes it worth watching on late nite TV. Jack Nicholson is good in a very early role,(see what he was like before he started to take himself too seriously!) the girls were hot, hot, hot, and there is a great scene at the start, that shows Sonny Barger in his early days. But scenes of guys driving around in circles on their bikes, to the weirdest music I ever heard, shows that the director was a film school dropout!