Hellen I like the storyline of this show,it attract me so much

Alicia I love this movie so much

Mjeteconer Just perfect...

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Stephen Abell Here's part three of the Hellraiser Saga... Once again this continues from where the last film ended, though it's a looser connection. The battle between Pinhead (Bradley) and his original human self, Captain Elliott Spencer, allowed him to break free of hells shackles. Entrapped in a monolith, he is awoken by Sandy (Leigh), when an accidental cut splashes blood on his stone features. Revealing himself to JP Monroe (Bernhardt), an unscrupulous womanising club owner, Pinhead makes a deal to free himself from his confines and to help JP to achieve his dreams...This leads to lots of twists and turns in the storyline as you know you can't trust a daemon. The only thing which stands in his way is an aspiring investigative reporter, Joanne "Joey" Summerskill (Farrell), who's investigating the gory and violent murders which are appearing in the city.The first thing that becomes evident is the amount of budget available for this film. Instead of being kept within the confines of a house or a hospital, now we're out in New York City. Penthouses, apartments, clubs, restaurants, ally's and streets. The locations are so much bigger. This is good, as it gives scope for a larger story with more hellish violence and gore... and it nearly delivers. Nearly, because the scene where the Cenobites finally take to the streets is actually underwhelming. What was required were a few more Cenobites and quite a few more victims, both pedestrians and police. It's nice to have explosions... I just wanted more.The acting is okay, Bradley still stands out and is excellent as Pinhead. Farrell does a good job as the reporter. However, it's Bernhardt and Marshall, who plays Terri, who have their bouts of woodenness. The direction too is quite different from the first two, gone are the artistic and atmospheric lighting for a more natural feel. This is okay, but the film does lose a little of its mood and spirit, which added strength to the first two movies. I can understand the need for doing this. If you expand the daemons universe to include a lot more of reality then it stands to reason to get that feeling across would be to lose the more imaginative aspects of the filmmaking. That said there are still quite a few iconic shots, such as the entrance of Pinhead at the club and later in the church, and nicely thought out camera shots and angles.Though I didn't find it as good as the first films it's still as enjoyable, though for different reasons... and as Pinhead would attain, variety is the spice of life.Another good thing is that this film actually works as a stand-alone, you only need a vague idea about the previous stories; whereas, Hellbound actually made you feel as though you should have watched the first film before viewing. So for that reason, I would recommend this to all horror fans and newbies alike. This is a well written, structured, and acted film... which has its fair share of tension, fear, and suspense.

trashgang First of all, be sure to see the full uncut version of 96 minutes, mostly you will find the cut version of 91 minutes or TV version clocking in at 89 minutes!3 year after part 2 the franchise was back. Nothing to do with previous parts from now on every entry stood on it's own. Of course Kirsty (Ashley Lawrence) was back for a moment to lay a link to other parts but that's all. Away from the UK up to New York. An owner of a Goth club the Boiler Room bought a statue that delivers pain. A journalist witnesses the arrival of a victim at a hospital full of chains and his head explode. Off she goes with a Goth chick to see what is going on. Soon they discover the Channard archive.It takes a while before pinhead comes in. The thing they did was putting pinhead in lighting so the mystery and atmosphere of part 1 is gone, the same happened with Freddy Kruger remember. But they were clever enough to actually tell the story of Captain Elliot Spencer (Bradley) who becomes pinhead as we know. So we have the story taking place in NY and the story taking place at WW 1. To see the horrors of pinhead you have to wait an hour, but once he enters the gore do comes in. Not that bad after all this entry. If you are searching for the full uncut the thing added is more blah blah done by Captain Spencer and some gore at the trenches. Further you go deeper into conversations. It's also the first hellraiser with nudity. For me better than part 2 and pinhead at his best at the church. Motorhead was also used in the score.Gore 1,5/5 Nudity 0,5/5 Effects 2,5/5 Story 3/5 Comedy 0/5

Leofwine_draca I always get a kick out of watching HELLRAISER III: HELL ON EARTH, which remains an oddly enjoyable movie even though it isn't a patch on the first two in the series. Those were dark, gritty, and thoroughly terrifying horror films, whereas HELLRAISER III is a slick and superficial gore-fest typical of early 1990s Hollywood horror film-making. It's very similar in look and feel to WARLOCK: THE Armageddon and WAXWORK II: LOST IN TIME, other sequels that director Anthony Hickox made during the era. It's lost the disturbing independent vibe but replaced it with superficiality and style.The story this time around sees Pinhead trapped inside a weird statue which ends up being purchased by a sleazy womaniser who runs a nightclub. Before too long, the hellish demon is free to cause havoc once more, this time wandering Earth to claim more victims. The only person who can stop him is Terry Farrell's random protagonist, who just so happens to have possession of the powerful puzzle box.HELLRAISER III most noticeably features plenty of black humour which was missing in the gruelling first two films. My favourite part of the film is the way in which the human characters are turned into Cenobites, each with their own look and special power. The guy who shoots CDs is hilarious as is the cameraman with a literal camera in his head. There's plenty of sloppy gore on offer here and the special effects are pretty good, although Pinhead's "look" is a bit off and he lacks the menace he had in the first two movies. Doug Bradley just doesn't cut it as he did previously.The rest of the cast are little better, with Farrell out of her depth and the others giving occasionally laughable performances, although Paula Marshall is surprisingly effective in her smaller part. Kudos to the special effects team who create all manner of nasty mayhem involving hooks, chains, and other body-flaying scenes of carnage, with the nightclub massacre a particular highlight.

John Ross think a Hellraiser movie should be about the Cenobites and that's what this movie does it finally releases Pinhead into our world which is a fascinating idea the embodiment of Hell being seen by the general population and not just someone who opens his forbidden box. If you haven't seen this movie yet you really should, this to me is a very competitive film as my favourite in the Hellraiser series.Hell on Earth is one of the most fun entries in the series. For fans who simply want to watch Pinhead and the Cenobites cause chaos on Earth, then director Anthony Hickox delivers on that front. Mythology is at the forefront here, An entertaining horror extravaganza.