Perry Kate Very very predictable, including the post credit scene !!!

Jeanskynebu the audience applauded

ChanBot i must have seen a different film!!

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

davidf-47280 I really don't know exactly how "not good" it is because I could only stand about ten minutes of it. Cliché from the get go, it seems to be a raunch fest of bad potty jokes and low sexual humor. I'm pretty sure I would have thought it was lame when I was in junior high. The movie was so shallow, I have to make stuff up to get the required five lines to submit a review.

BlueFairyBlog "Hell and Back" is one of the weirder stop motion films I have ever seen. This is not because of its visuals or choices per se, but because I'm not sure who it's for. It's not for children (Seriously, don't let a child watch this accidentally) and it's really not for teens either. Though much of the humor is more juvenile, the film is so self-hating and needlessly dire that it seems to be geared more towards exactly no one. Directed by Ross Shuman and Tom Gianas, "Hell and Back" is a little seen and greatly hated venture that will remain a blight on all those involved.The story follows three men (?) who work at a pier carnival, and have been best friends since childhood. Played by Nick Swarsdon, TJ Miller, and Rob Riggle, they seem to be ridiculously childish in their approach to life, but love each other like brothers. Two of the friends make a blood oath in front of a book with a crying devil, which sends one of them to Hell. The other two follow him to the bowels of the beast and try to save him from his untimely fate.The film delves into their misery right off the bat and makes several jokes, including one about an old woman's vagina, and is preceded by homophobia. While all those involved are accomplished (Mila Kunis, Bob Odenkirk, Susan Sarandon etc.) none of them are working with much, and therefore most of the jokes fall flat. The only time when Orpheus' jokes really land is when Nick Swarsdon's character gets off a zinger or characters are bantering. Otherwise a lot of this is simply obnoxious. It's unclear what is up with the Devil's facade, why we need a shot of Mila Kunis' purple devil in nothing but a tank top and underwear, why Orpheus is such a tool, why there is a distended running joke about male rape via a tree, or why the ending is so swift and easy, making the entire film pointless.There are some good jokes peppered here and there but for the most part everyone involved is just too good for this movie. I seriously want to know what the filmmakers are holding over Susan Sarandon for her to even think about giving voice to the angel Barb. Besides getting to see some pretty great stop motion and hear some okay one-liners, there's no reason you have to see this film.

Floated2 Hell and Back is a foul mouth R rated animated film which was in theaters for only a small limited released. Given its profusion of raunchy, R-rated, largely sex-focused jokes. Several of the jokes are not particularly clever enough to stick with. There tends to be little opportunity for Hell and Back to strike even a fleeting chord with viewers. And this brings us back to the inherent limitation of American adult animated films. Starring as the lead voices of the film are T.J. Miller, Rob Riggle, and Nick Swardson . Bob Odenkirk is animated as the lead devil. Mila Kunis and Susan Sarandon get in on the action, as Deema the demon and Barb the Angel, respectively. Danny McBride plays Orpheus, one of the few other humans to cross the plane into the underworld. The film's plot is rather weak and seems to have been something we would see from a television series plot. There just is not enough great jokes, but Hell and Back is quite entertaining to watch. Although predictable.

Neddy Merrill You wonder what the attraction is for the makers for "Chicken Run", "Box Trolls" and for the Bro Comedy "Hell and Back" to stop motion animation. It's not as if going through the painstaking and laborious process automatically yields a visual character superior to less labor- intensive production methods. So why not just make it a cartoon? Anyway, the plainly descriptive-titled "Hell and Back" lifts the way Satan from South Park is rendered whole, gives him "Breaking Bad's" Bob Odenkirk's voice and drops him in a bro comedy. There he trades the standard bro jokes (mostly homosexual panic quips) with the slackers who inadvertently fall into his underground realm. None of it is terribly entertaining but there are enough laughs to make it all fairly innocuous.