Tedfoldol
everything you have heard about this movie is true.
ActuallyGlimmer
The best films of this genre always show a path and provide a takeaway for being a better person.
Derry Herrera
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Mr D d
This movie is a masterpiece into the mind of depression, as being a person with many non severe depressions, I found this movie in-sighting. Too sadly the subject of depression is a taboo and does not get the proper spot on the screen. This is a one of a kind movie that deals with that bravely and straight forward. With no doubt this movie is depressing, but I think it might help people in need,because it shows that you are not alone, and that many people have been in this situation. I recommend you to google the name "Andrew Solomon" which the movie start with his quotation, he have many interesting on the subject. Lastley I think that this movie got a low score is due the fact that people are afraid to deal with this subject.
dudespell
Ashley Judd's performance is so good, natural and real that make this awful movie almost a masterpiece by herself.On the other hand, the story is awful, full of clichés. For example, there are not even a single good man in this movie, in order of appearance:A narrow-minded husband.A rough doctor.An inpatient student.A quitter ex-husband.And even a rapist!Through out the whole story only a woman can understand a woman, and only women can be kind and supportive.This makes the movie more like a stereotypical, sexist propaganda against man, depicting the depressive Helen more as a victim than as a sick person who refuses to fight against a mental illness.In a world full of food additives causing depression, electroshock as the only option of treatment sounds like one more cliché.I really liked the slow paced and dark mood, though.
jimjonesjr-1
This movie is way too long for the events it depicts, and way too dark both in content and in the film. I understand the under lighted scenes are supposed to reflect the darkness of depression, but it's as annoying to watch two hours of no one bothering to turn on a light bulb as it is to watch the scenes being drawn out for time needlessly.I also found it was a completely predictable story.That being said the score was really good, as was the acting from everyone in this movie. If a half hour more was moved to the cutting room floor it wouldn't be missed and the movie would be better for it, but it would still be a movie few people will want to sit through, a dark drama on clinical depression.
gradyharp
Sandra Nettlebeck both wrote and directed this somber, intense study about clinical depression. The film is long, is a one-note song, and is in need of editing and lightening - or is it? What Nettleback has created is an atmosphere that very likely simulates the way the world is viewed and coped with by those who are suffering from suicidal depression. It is a lesson as much as it is a film. Helen (Ashley Judd) is a popular professor of music theory, and accomplished pianist, and the wife of handsome and successful lawyer David (Goran Visnjic), and mother of a charming teenager Julie (Alexia Fast) all of whom we meet at a surprise birthday party for Helen. But very gradually Helen begins to change from the ebullient happy woman to a more quiet, pensive, obviously injured woman. Concentration fails, she cannot get enough sleep, her connection to the world begins to crumble and finally she breaks into the depths of depression. Despite the support of David and Julie and denying the medical assistance of psychiatrist Dr. Sherman (Alberta Watson), Helen continues to sink deeper into the profound sadness of clinical depression. One of Helen's students, Mathilda (Lauren Lee Smith) seems to be one of the few people with whom Helen can relate: we are lead to discover Mathilda suffers from a similar disorder. The truth about Helen's medical history finally surfaces: she has had suicidal ideation and clinical depression in her past When married before to Frank (David Hewlett) and soon after the birth of Julie (?postpartum depression?) Helen required psychiatric hospitalization, her marriage failed, and she ultimately met David who has been the ideal husband and father for Julie. Helen escapes her home, is hospitalized and undergoes shock therapy after a suicide attempt - her only apparent understanding contact is the nebulously drawn Mathilda. How Helen emerges from her illness and reorganizes her life is the ending of the film. The film benefits greatly from the moody musical score by Tim Despic with the aid of James Edward Barker ( and Schumann and Schubert...) and the mood is kept appropriately dark by the cinematography by Michael Bertl. The quartet of actors - Judd, Visnjic, Smith, and Fast) - are outstanding as is the well selected group of actors for supporting roles. But for this study of the depths of depression - mostly dark scenes of Helen lying in bed or weeping - is, at two hours, a bit more than an audience can handle. In order to appreciate the quality of this film the viewer must accept the fact that the main point of the film is a study of the crippling illness of depression. And that it does extremely well. Grady Harp
