Karry Best movie of this year hands down!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Mandeep Tyson The acting in this movie is really good.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Nigel P 'Hawk the Slayer' is a modestly budgeted sword-and-sorcery horror that has garnered a cult following and the promise of a number of sequels that have yet to materialise. The ending certainly indicates that the story is not yet over ...The cast is a very good one: Jack Palance delivers a typically enthusiastic performance as the half-faced Voltan, and there's Bernard Bresslaw, Patricia Quinn, Christopher Benjamin, Annette Crosbie, Shane Briant, Roy Kinnear, Harry Andrews, Patrick Magee - and John Terry as the very earnest Hawk. Many of these were very familiar faces on UK television at the time.I remember reviews at the time being scathing, and now it is viewed rather patronisingly as 'so bad it is good.' I'm not at all sure either is fair. It is very 'of its time', directed (and co-written, by Terry Marcell) very much like a television project and features a terrifically cheesy soundtrack (by Harry Robinson) reminiscent of Jeff Wayne's 'War of the Worlds'. It is played with gusto by the cast and features some mystical-looking locations and sets, often enhanced by the mist from an ever-present smoke-machine. The effects aren't always impressive, but there is a sense of infectious, sly humour throughout that discourages us from taking things too seriously. So if you laugh at this, it seems to me, you're laughing with it rather than at it.With such an eccentric mix of characters and a ranting, spitting, snarling villain, it is perhaps inevitable that Terry's ever-stoical hero is the blandest of them all. Yet other players flourish - Giant Gort (Bresslaw) and Baldin the dwarf (Peter O'Farrell) share such a good rapport, for example, ensuring that Palance isn't allowed to entirely overshadow everyone else.

Phil Hubbs I'm not sure but this could of been the acorn that sprouted the idea for the titles in the Conan flicks, bare with me. There was a sequel intended for this film that would have been called 'Hawk The Destroyer' (1981), so you can see the obvious similarities with film titles going on here. Probably a coincidence admittedly but I also think this could of been the first swords/sorcery/barbarian type of film that jump started all the rest during the 80's.This is a hard film to review truth be told, its extremely dated and by the looks of things they didn't have a huge budget to play with. The whole thing is a mixed bag as you would expect being a very old fully British, possibly cheap, production. There's a bit of a Tolkien and Dungeons & Dragons influence about the film if you ask me, the plot is your average sword n sorcery affair with a hero trying to avenge the death of his father and love at the hands of an evil warrior (his brother). The evil bad guy wants the power of the mindstone which his brother (the hero) has power of, so he kidnaps an Abbess to lure him. The hero forms a small band of warrior friends...a giant, a dwarf, an elf and a human peasant, the hero himself being a human of course. Each of these men have unique skills in combat with a big hammer mace thing, a whip, a bow, a crossbow and a sword.When I say a Tolkien influence I only mean as far as the characters and fantasy locations, dare I say a certain Mr Jackson may have pinched some visual ideas for 'Legolas' using his bow at lighting speed from this film?. When you see 'Crow the elf' battling there is definitely a similarity in concept that's for sure, although the visual method used to achieve this in this film is pretty crude naturally. Mind you this elf is so damn fast with his bow and arrow there is virtually no need for any other heroes. Other characters aren't made up with special makeup or prosthetics, the giant is played by Bernard Bresslaw who was a tall man, the dwarf is played by a short actor (not a little person), the elf has a small amount of prosthetics for his ears and that's it. But as far as monsters and dragons etc...this film has none of that, its actually a very grounded fantasy which I think leans more towards old English folklore and possibly a touch of wicca and paganism.The musical score kinda typifies this if you ask me with a very odd mix of styles. At times we get this typical 80's pop fused with electronic synth (I think) that to me sounded like melodies from an Abba album!, needless to say I don't think this score fit the film. Other times there is a much better softer score using more traditional instruments to create this olde worlde fairy-esque sound that would suit an old English fable to a tee.I hate to say it but I couldn't help but snigger at some of the things on display in this film. Like I said the visuals are weak, it looks like they've filmed everything in some local woods and shrublands just behind Pinewood studios. The sets are very obvious, very small and tight and sparse on detail, hair styles are still very much 1970's, some costumes are OK where as others look like they've cobbled anything together and I'm pretty sure they retrace their steps with locations a few times. The only expenditure appears to be the use of that swirly double ring thing that was used in 'Superman' as a force field to trap 'General Zod' and co.The other thing that is highly amusing is the fact the big bad evil tyrannical baddie is played by Jack Palance...and even in this film he's old!. This guy has no special powers or weapons, he's just a badass apparently but you don't really buy it frankly. He has a nasty burn on his face so he wears a nifty helmet but that's it, he doesn't look intimidating at all. Mind you the hero is pretty bland himself, he barely talks, looks boring, but he has the mind power to wield his magical sword combined with the mindstone...not that it makes much difference really, just means the sword can float to his hand.I don't want to give this film a low score because despite the dated visuals, cheesy ass fights and effects it does look like people have really tried to make an effort here. It does come across to me that the crew have done their best with the little resources they had which deserves kudos. It is very easy to just churn out any old loin cloth fantasy crap by just tossing in a few blondes with big boobs to attract an easy male audience and slapping in some blood and gore. But I think effort was made here and it does show. A cult film long forgotten, thou should seek it out.6/10

FlashCallahan Hawk,, after seeing both his father and bride die at the hands of his malevolent brother, Voltan, sets out for revenge and the chance to live up to his title. Tooling himself up with the "mind-sword" and recruiting a motley band of warriors: a giant, a dwarf, a one-armed man with a machine-crossbow and an elf with the fastest bow in the land; Hawk leads the battle against Voltan to free the land from the forces of evil and avenge his loved ones......This is one of those movies that you have heard about and know that it has a cult following, but have never had the opportunity to get to see. On the rare occasion when it popped up on TV (the horror channel of all places) I had no choice but to put it on my planner and watch it.It's a daft movie for sure, but it has some really funny moments, and some of the casting is pretty genius, such as Bernard Bresslaw as the Giant. If the movie were made today, it would be compared to LOTR as the main characters are so alike, but back then it had similarities to A New Hope, so it was called a rip off to that movie.Palance steals the show right from under everyone's feet, his spouting of lines is beyond camp, and these sort of performances were rife in the early eighties.The rest of the cast are forgettable, just full of people that you would have seen in British sitcoms throughout the nineties, and people wearing silly ears and firing hilariously edited arrows.Not for everyone that's for sure, but if you like movies like Krull, Deathstalker, or just general films of people walking through woods, this is for you.

benjyuk A charismatic hero that makes Tommy Wiseau look like a one-dimensional corpse, non-stop action, an enthralling plot, SFX which render Transformers 3 a SyFy production in comparison...at this point I woke from my slumber on the sofa and stared in disbelief that this movie was still running. It had all been a delightful dream, my body saving me from the torture of facing this ordeal without a break. The most entertaining 20 minutes of the film was when I had slipped into a coma of boredom from being subjected to John Terry's emotionless presence and the ridiculous sound effects that sounded like they were made using the sound effects on a pre-school Casio keyboard.The editing on this movie was a joy to behold. The brilliant use of re-showing the same scene but being sped up just to give the impression that the crossbow was being shot in some rapid fire mode is just underused in today's movies.The interesting debate this movie brought about was - what makes a bad movie funny? Me and my friend watch many bad movies as they are unintentionally the best comedies. Classics such as The Room, Troll 2 and Hercules in New York and so this had the potential to be comedy gold, but instead fell into the deep pit of silly string and pre-school keyboard sound effects and joined the only other movie that has sent me to sleep on that same sofa, McBain.After the film had ended, I was left in a state of confusion and anger. Only one thing could restore my faith in awful movies, the dulcet tones and infectious chuckle of the Croation cyborg himself, step forward Mr Tommy Wiseau. After 30 seconds of The Room, my faith had been restored and i was more entertained than I had been during the entire ordeal of Hawk. If Tommy Wiseau was the lead of every movie, the world would be a better place.