Hairbrained

2014 "This is Eli Pettifog. He's got a score to settle, and it's going to get hairy."
5.3| 1h37m| PG-13| en| More Info
Released: 28 February 2014 Released
Producted By: Love Lane Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A fourteen-year-old genius gets rejected by Harvard and ends up at a much lower ranked school where he makes friends with a mature student.

Genre

Fantasy, Comedy

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Hairbrained (2014) is now streaming with subscription on Prime Video

Director

Billy Kent

Production Companies

Love Lane Pictures

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Hairbrained Audience Reviews

Clevercell Very disappointing...
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Gino Cox There is a difference between genius and an encyclopædic recall of trivia that the makers of HairBrained either fail to appreciate or failed to convey. Overall, the movie is a reasonable diversion with a few humorous moments and decent performances by Brendan Fraser and Alex Wolff. Production values are on the level of a television program. Most of the shots are static with more motion from the jiggly-cam camera movement than the actors. The plot is contrived. Wolff plays a thirteen-year-old genius who feels outcast but lacks the common sense to cut his comically exaggerated Afro that seems better suited to a Mel Brooks farce or one of the Police Academy films, and adds nothing to the narrative other than a raison d'être for a lame title that itself has little to do with the story. He looks and moves like a wannabe rock star, but his musical talents seem limited to playing a toy xylophone. The greatest contrivance is the rule book for the competition, which includes harebrained rules that provide deus ex machina plot twists. The Whitman College team has an alternate contestant, whose presence facilitates two plot twists, while the Yale team has no alternate, which facilitates another deus ex machina plot twist. The questions posed to the contestants more often seem drawn from trivia games than designed to assess intellectual acumen. Most are answered from memory by the contestants. A notable exception asks for the longest English word that can be played on a musical instrument. Several characters mouth words as they attempt to compute the response. But it seems hollow as it doesn't seem credible that they would be able to consider every possible permutation of seven letters that spell words. Nothing in the movie seems quite real. We see the students doing homework, but never attending classes. We don't see any professors. Wolff's character is bullied, but not with any conviction. Brandon's character can pay full tuition, offer a thousand-dollar reward and purchase a commuter van, but he can't replace his decade-old car or even repair the soft top. Other contrivances include the enrollment of a student known to Fraser's character and the handling of a bet. The central love angle seems credible, but two other romantic subplots don't seem realistic. One involves an older student who aggressively pursues Wolff's character, only to inexplicably morph into a friend and confidant. The other involves Fraser's character breaking off a romance with a college student (played by an actress who looks to be in her mid or late twenties) because the inappropriate age differential seems weird. The script is largely formulaic. There are mildly amusing moments, but the writers never push the envelope, except with a few homoerotic sight gags that seem more uncomfortable than funny. The protagonists arrive at the conclusion through plot contrivances and regurgitation of knowledge they apparently had at the beginning of the film. The conflicts they overcome are largely internal, such as shyness and self-doubt. The moral seems to be something to the effect that personal victories don't require external validation. Whatever the film is about, it has nothing to do with being harebrained.
zif ofoz This - "I want to be a funny movie" - almost gets there, but falls short. It's got good script, plot, photography, settings, characters, but it stumbles along and I think the trouble is with the editing. The entire movie is choppy bits of story and few scenes flow well into the next. I'm at a loss to clearly express my feelings; just as this movie is at a loss to be really good.Wolff and Fraser make a good team but the experience of Fraser's background in acting make Wolff appear a bit amateurish (but that is understandable by his age) it just was another problem for me to like the end product.It's fun enough to rent.
Juan Christian Aguirre Contreras I'm sad to say this movie isn't worth the time or money. It is poorly made, boring and just too dull. Alex Wolff doesn't know how to act, seems like he's trying to hard and turns plenty of sequences down by overacting. It's a shame to see Brendan Fraser so far away from his golden years, I mean, he wasn't great but at least did good movies for his target, (George of the Jungle, Bedazzled, The Mummy) but in this try he just flopped all the way, felt totally lost and just trying to get over with it. The script feels underwritten, the characters were like bad cartoons, just uninspired copycats of other great characters from much better movies. At some point I felt I was watching a really under-made Wes Anderson movie. I understand It's an indie film... but please don't make your work look so cheap. No extras, impossible situations, bad acting and an underwritten script. I don't know Billy Kent and there's not much about him on IMDb... I hope at some point he can manage to do a better movie. Just don't watch it and keep your good memories about Brendan Fraser and the kid from The Naked Brothers Band.
rooag I actually liked this movie, although I can see why others wouldn't. When I started watching, I thought it was a Brendan Frasier film, but it is most definitely not. Although he does a fine job in it, he is most definitely in a supporting role here. The acting was all around pretty good and the jokes, although a bit obscure, were quite good. It seemed to be fairly well written, and definitely had a certain " feel " to it from beginning to end. My suggestion would be that if you enjoy Wes Anderson films, you'll probably enjoy this. It's not quite as Quirky and odd, but definitely has the same vibe to it. Would definitely recommend for a rental.