anshul2001anshul
This is one of my all time favorite and I have been watching it every year since my last year in college and every time I find it refreshing, more so because environ around us in big colleges and metro is so out of place or cut off from real India. What I like : 1.Opening sequence how the vice chancellor is helpless 2. conversation of minister and student leader signify how the link between college politics and real politics run. Many of top Indian politicians were once active student leaders. 3. Heroine's and Heroe's father play their part well and in real life people are like that 4. Movie plays on Bengali stereotype of being coward( hero's friend can't protect his mother) 5. More importantly movie builds on Indian idea of politics being a means of granting favors : politicians to budding leaders (!) , politicians to their sidekicks 6. Indian middle class , father -son tension , husband dominating over wife and a desire to remain away from politics and goons. 7. Love between jimmy and hrishita is so real and this is how things used to be once in small towns quite different from metro before arrival of mall, café and multiplex culture . 8. problem of successful transition in political families and how well meaning people get caught in politics 9. cinematography is fabulous which makes full use of environ :university , Allahabad & Ganges ,middle class home. In fact i would suggest to someone who wants to study small town India watch this movie instead of reading tons of books.
Prateek Dham
Firstly,I'd like to know more about this director Tigmanshu Dhulia.And why hasn't any producer taken notice of his talent till now.The lad has made such a fine movie that from what I see,this has put the Oscar winners to shame!And no freaking major recognitions for this movie in the country in which it was made and also which it has depicted so perfectly in its lens.Such movies are hard to make,and probably even tougher to get recognised.Isn't it?Irfan Khan has broken all the acting fronts through his debut performance as Ranvijay Singh,a wannabe politician,who takes up against the reigning student leader in his university,the character being portrayed so flawlessly by Ashutosh Rana.Irfan Khan has immortalised the character and the movie itself,at least in the hearts and brains of the ones who've seen this flick.Despite hailing from the state of Rajasthan,he's played the part of a UP guy and perfected the accent so easily,it makes you stand up,take notice and applaud the efforts.Jimmy Sheirgill is good as the lead,but Hrishita Bhatt leaves a lot to be asked.She was arguably the weakest link in the movie,which was dominated by the great performances and the dialogues of its characters.When I saw this movie,I became Irfan Khan's fan,and I can assure the same fate for any other cinema lover!This movie is as realistic as it can get and I simply love that for Indian cinema.
babli
We, who live in metros, away from the rest of India need to be reminded sometimes that there lies a larger India outside the metros. We, who criticize politicians and call politics 'dirty' and never vote out of laziness and apathy yet disguising it brilliantly as our only act of protest against the corrupt system, need to be reminded that politics does run the country. And if we don't, someone else less worthy will take the reins in their hands. We, who watch films to escape from our otherwise dreary, tiresome, collapsed lives need to be reminded that possibly film can mean more than a sneak preview into the lives and lifestyles of the rich and famous. Haasil, does all that. And more. Now while the film is not without its problems, lets begin by saying, it's a refreshing, thought provoking change from the regular onslaught of dancing on European alpine valleys; zipping on Mercedes Benz; parties - poolside in the lush greenery of palatial mansions and of course, designer clothes on designer bodies. Set in a university in Allahabad, Uttar Pradesh, where the Director Tigmanshu Dhulia himself studied, the film revolves around two rival political gangs in a college. One headed by college veteran and students' union president Gauri Shankar (Ashutosh Rana), and the other by an aspiring politician Ranvijay Singh (Irfan Khan), encounter each other constantly in corridors of the university, the labyrinths that control student political power. While Aniruddh (Jimmy Shergill) and Niharika (Hrishitaa Bhat), both students of the college, fall in a simple and 'looks real on screen' kind of love creating a parallel narrative in the film, the plot thickens, as Aniruddh, after turning a deaf ear to the warnings of his friends and lover, gets slowly sucked into the world of Ranvijay's politics. He blindly places his faith in Ranvijay, who uses him to win votes from the `a-political' students. One thing leads to another and before he can realize what is happening, Aniruddh finds himself neck deep in the game of power politics which leads back to the rooms of ministers and the state. Let's take a look at what I like and what I don't in Haasil. I like: 1. The story, though not original, is a refreshing change. 2. The editing is neat and the narrative flows on perfectly. 3. The extremely real life dialogues give it a sense of being rooted 4. It has no stars, just characters. The actors perform these characters well. Irfan Khan as an upcoming, ambitious, brash, fearless student leader and yet nervous of his appeal to the other sex is brilliant. One wonders what's it with Bollywood, which can't nurture such talent! Jimmy Shergill, as a young boy from a middle class family of a small town finally gets to do in this film what he has never got a chance to do before, act. Hrishita Bhatt as his coy yet strong-minded girl friend is promising. Tinnu Anand as Jimmy's father needs a special mention. He performs the role of a father constantly aware of the growing gap between him and his son attempting to bridge it, yet not quite succeeding is believable. Ashutosh Rana as the president of the student association fails to impress beyond the stereotype he is being made to perform lately. 5. The film makes 'love' watchable again on screen. It is sensitively handled, looks believable and does not pretend to be anything other than it is; i.e. two college mates being attracted to each other and falling in love! Jimmy's impulsive kiss on Hrishita's cheek followed by a nervous 'sorry I'm really sorry'; the scented letter that makes her go into a bout of sneezing; the newspaperman turned love-letter delivery boy; the cycle and the ricksaw; the arguments in the old dilapidated movie hall where they meet secretly; all seem out of real life 'falling in love'. 6. The music scores are good and worthy of an ear though failing to make a lasting impression. Yet, it complements the film well. 7. The Director's involvement with the film, his personal experience with student politics in a small town is evident in the film. Even his understanding of the town of Allahabad, with its huge population of out-of-Bengal Bengalis, who have lived there now for ages and have managed to mingle with the locals yet keeping their festivals and customs alive prove that he has studies the city. 8. It is small budget. It cost just Rs 4 crore and it is doing pretty well inspite of the lack in advertising and promotions moneys. I guess word of mouth still works. I did not like:1. It gives in to the stereotypes and conventions of a mainstream Hindi film time and again. We could have done with fewer songs for instance, or less number of change of clothes for the heroin. 2. Irfan's character, its gray edges came out beautifully in the first half till the director decided to make him the ultimate villain and willfully simplified his emotions midway giving him no chance to redeem himself. 3. The introduction of the mosque, the `good Samaritan' Muslim friend and the song in the mosque ending with Jimmy's verdict on how friendly Muslims truly are inspite of popular belief, seems tokenistic and banal. If anything, it seems to be working against the very purpose it was meant for. And that I guess is the problem. When one tries to achieve a purpose in a sequence with no links to the main story it looks imposed, banal.
