Hellen I like the storyline of this show,it attract me so much

ThiefHott Too much of everything

Mjeteconer Just perfect...

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

kc1328 Based on other reviews I was looking forward to seeing this "lost" film. It was disappointing. The plot was simplistic even by B movie standards. The main protagonist Eddy Roback is in no way romanticized, there is not much character development or background or back-story which means he is just a vicious thug. The director built tension well; there were some interesting scenes such as the scene in the dept store where he temporarily abducts a kid for cover, adding sociopath to this thugs character. Dane Clark added little more than brooding and visceral reaction with minimal dialogue, he brought little to this role, definitely not a leading Man. This is a unique film noir in that its set in Paris in English but that's about the only reason to watch this movie.

LeonLouisRicci Long Lost Foreign Film-Noir that wasn't available for Viewing in the US until 2001, it finally arrived and was well Received by Critics and Favorably Reviewed by Film-Noir Enthusiasts.It could be called a Cinematographers Movie because it is Literally Drenched in Fog, Shadows, Rain, and Darkness. Almost all of the Movie takes place at Night except the Beginning and the End.Cigarettes dangle from Luscious Lips, smoke and fog swirl as the Title Character is on the Lam after Escaping the Clutches of the Law that is only a Step Behind. Things weave in and out of Dingy Establishments, such as a Bi-Sexual Smut Peddler's claustrophobic Apartment loaded with Girly Photos on the Wall and a Fluffy White Cat who turns out to be a real Friend to this Pathetic Person.The two Leads, Dane Clark and Simone Signoret are Fantastic and the Supporting Players are all just Fine, but it is the Ambiance and the Gritty Tone that makes this a Joy to Watch. Ironically it was the French Film Critics that noticed and Coined the term Film-Noir, and here there Brainchild came Home to Roost. It was Welcomed with this Allied Collaboration and Delivered one of its own, True to Form for the Genre and added a Fine Entry for the Pantheon.

bkoganbing American expatriates actor Dane Clark and director Frank Tuttle shot this gripping noir film which does not for one split second let up in the tension department. From the second American criminal Clark escapes police custody and becomes a fugitive you're held to your seats be it the theater or your living room couch.Unlike films where the man on the run is romanticized, not so in Gunman In The Streets. Clark is one dangerous man, at one point when he's trapped in a department store in Paris, he grabs up a small boy and uses him to shield his identity, the gendarmes not thinking that their quarry would have a child. The tension is pretty rough there as you wonder if someone will recognize Clark and bullets start flying.Simone Signoret plays the gangster's moll as tough in France as they are in America. She's moved on to another American, newspaper reporter Robert Duke. Duke loves Simone, but loves a story more as he agrees to help Clark escape. In the end Simone can't stay away from Clark.Two more roles of note, Fernand Gravey plays the determined police inspector pulling out all the stops to get Clark and Michel Andre who plays a part Peter Lorre would have had here on this side of the pond, the man looking to sell out all.Gunman In The Streets is a gripping noir thriller and the climax very much similar to White Heat.

noir guy This gripping 'lost' gangster movie (finally being released on DVD, having never been theatrically released in the U.S.) was filmed in Paris by acclaimed noir director Frank Tuttle (THIS GUN FOR HIRE, THE GLASS KEY). It stars Dane Clark as U.S. army deserter-turned-gangster Eddy Roback who is sprung from a police van by his criminal cohorts whilst being transported to the courthouse. Wounded in the gun battle, Eddy looks up former flame Denise Vernon (Simone Signoret), in the hope that she will obtain the necessary cash for a flight across the border. However, with the dogged police and Denise's new beau, a crime reporter named Frank Clinton, on his trail, time is running out for Eddy as he attempts to rely on his former criminal network and moll to secure his passage to freedom. Shot on authentic locations by noted cinematographer Eugen Schufftan (EYES WITHOUT A FACE, THE HUSTLER), this is a gripping man-on-the-run crime movie, and rattles along at a fair clip, aided in no small part by the performances; especially Signoret as the tragic moll and Clark as the pitiless hard-boiled criminal. The Gallic setting lends an effective air of authenticity and doomed romanticism to an oft-told tale, and this previously rarely-seen genre movie is well-worth seeking out.