VeteranLight
I don't have all the words right now but this film is a work of art.
Console
best movie i've ever seen.
Derry Herrera
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Tayyab Torres
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Aparna Gangopadhyay
A tourist guide (Raju) helps a courtesan cum prostitute's daughter (later a wife of an archaeologist) Rosie, to make it big as a stage dancer.Raju breaks off all relations from his aged mother, friends from childhood – in fact his entire village – just to make Rosie achieve her dreams of dancing on stage.Of course Rosie was beautiful to look at too – the prostitutes are very clever – they only let the sperm of a good looking client to fertilize their ovum during the 'fertile' period of the month. This was they ensure the birth of good looking offsprings – for in their world – only physical beauty is important – they don't need good heart or nice behaviour – because they get paid for physical appeal only – poor things! So this village bred – more or less illiterate Raju – gets to sleep with a pretty female…who was also kind of experienced in 'sex' – remember she was married with an aged khadoos – she surely wasn't a virgin! No no – explicit 'love-making' scenes are not shown between Raju and Rosie in the film – just a slight hint – for it was shot in the 1960's – when we, the Indians, were very back-dated and hypocrites – and believed that skin flicks and 'humping scenes' should not be included in regular family films..in blue-films it was okay I guess!(not sure – was not born then…so cannot tell much about the hippy culture) Anyways, Rosie did not take much time to become famous. Most Indian males go crazy when they see a beautiful female jumping high & low wearing transparent thingies. She reached the big stage because she knew of some Indian classical dance mudras too…otherwise she would have remained a local stage dancer who are watched by drunkards and whistled at….like the present day bar dancers (dance balas) basically! Raju, who was born and brought up in dire poverty, was enjoying the sudden downpour of wealth – he soon became a drunkard and a gambler – so clichéd huh! Then he was jailed for forgery – then he was mistaken for a saint by illiterate villagers, then he died. End of story! Why are people so sympathetic towards this Raju guide is what I fail to understand! Guess what..this story – Upanayas – was included in the Hindi syllabus of Class XI in Kendriya Vidyalaya!! – no…not in my session..or else I would have barbarically raped it!! Lol!
prashant407
Guide is a movie wherein all the emotions and reactions of love is well pictured. A simple man falls in love for the first time and cannot accept failure, though his love was very unconventional.Failure in love makes him,"What worse can happen, I have already felt enough pain". He becomes Devdas and Dev D of modern times. His wants his love to see the pain and suffering he is going through.In an unprecedented event he went to jail and later realize that there are other things in life worth living for. In those days going to Jail is a serious character assassination for non-political person.When he came out of jail, he saw the world suffering from hunger and poverty. He preached self satisfaction and faith to common masses. The end was really heart touching, he fasted in desert till it rained and the people are blessed.The character is not a larger than life image of a Super Star, its a simple man with utmost humble and simple life. Love changes him, then dejection, then humiliation , then poor sections of society and finally he attends wisdom.The movie will also be remembered for its melodious songs and meaningful lyrics.Hats Off to Anand Brothers.
shafatqadri
My all time fav movie. Reviewing a classic gives you a thrill and is an extremely challenging rather than reviewing some crap movie which are churned out today.Navketan International have made some of the great movies like Jewel Thief,Jhonny Mera Naam, Hum Dono, Kala Bazar . But Guide is one of the biggest and most memorable movies under their banner. Based on R.K. Narayan's novel 'The Guide', the film is immortalized by director Vijay Anand's bold, unconventional strokes. Who would have dared to show a man and woman living together outside the sanctity of a marriage way back in the 1960s? The movie revolves round Raju (Dev Anand), once a successful tourist guide who hesitates to return to his hometown of Udaipur after his release from jail and decides to search for his fortunes elsewhere. He ends up in a remote village temple wearing over his threadbare clothes a saffron scarf which had once belonged to some passing mendicant and finds himself suddenly elevated to the position of a holy man. Raju's mother and Rosie reach there and watch helplessly as Raju slowly drifts towards death due to the fasting.The film is enhanced richly by the two central performances. Dev Anand gives perhaps his best shaded performance in the title role, playing him perfectly with just the right amount of grey and his perfectly nuanced performance won him his second Filmfare Award for Best Actor. Good as Dev Anand is, however, the life and soul of Guide is undoubtedly Waheeda Rehman. It was a daring role to play in those times, of a woman who leaves her stifling impotent husband and lives with her lover, a guide who helps her in her ambitions to become a famous dancer. Waheeda was in fact told she was committing professional suicide taking on this role.The other big star of Guide was its musical score by S.D. Burman. The film represents perhaps Burman Dada's greatest work and he is aided tremendously by Shailendra's lyrics and the flawless rendering of the songs by Mohd. Rafi, Lata Mangeshkar, Kishore Kumar and himself.Initially Guide had a tough time being sold because of its so called bold theme but thanks to Production Controller Yash Johar's perseverance, the film was finally sold and released to great critical acclaim and was a big commercial success. R.K. Narayan was most unhappy with the final film as he felt it deviated too much from his novel. One of the major changes that Vijay Anand did was to change the setting of the film from Malgudi to Udaipur and while this did give the film an exotic, grand visual look, admittedly perhaps this took away from the ambiance of the small town of Narayan's novel. The ending too of the film was significantly different from that of the novel. But then Vijay Anand has always maintained that he was never interested in merely copying any work of art from one medium to another unless there was scope for value addition and to be fair to him, he has made Guide into a rich and unforgettable cinematic experience.Guide was made in two versions simultaneously- an English version in collaboration with Pearl S Buck and directed by Ted Danielewski to introduce Dev Anand to western audiences and of course the Hindi version directed by Dev Anand's younger brother, Vijay Anand. The English version said to be closer to the novel and in spite of a nude scene using a duplicate instead of Waheeda Rehman, flopped miserably but the Hindi version remains a classic to this day.
candysingh
The Rainmaker (1956) by Richard Nash In a world of drought comes a man who imagines himself to be a "rainmaker". This character has deep inner conflict between his passionate belief that he can bring the rain, although he has never been able to do it, and his terrible fear that he's a fool or mad. He meets a woman, falls in love, then suffers as she tries to believe in him, but turns away, convinced he's a charlatan or worse. He has a strong conflict with society – some follow him as if he's a messiah; others want to stone him out of town. Lastly he faces implacable conflict with the physical world – hot winds, empty skies, parched earth. If this man can struggle through all his inner and personal conflicts, against social and environmental forces and finally coax rain out of a cloudless sky, that storm would be majestic and sublimely meaningful. This is the story outline of "The Rainmaker" which was adapted to screen by Richard Nash from his own play. The Hindi classic Guide (1965) directed Vijay Anand based on the eponymous novel by R.K Narayanan seems very similar. Raju the "Guide" has the same inner and outer conflicts. He also falls in love with a woman who happens to be a dancer and married. He goes through sufferings as she becomes famous. He walks away from her but his mind still carries the baggage of the past. He reaches a drought ridden town where people think he's a messiah who can bring rain. Some people try to stone him to chase him out of the town. Lastly he faces the final conflict of the spirit and the flesh – hot winds, empty skies, parched earth and the gods of the temple. He struggles through all his inner and personal conflicts,(with a fast-unto-death )against social, environmental and spiritual forces to finally coax rain out of the cloudless sky.