Listonixio Fresh and Exciting

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

framptonhollis Like the greatest, most professional poet, Spalding Gray tells him stories at a swift, rhythmic pace that is exciting and brilliant all at once. With his pitch perfect timing and comedic wit, he weaves together here a masterpiece of the monologue as he recounts his bizarre, eye opening (yes, pun intended) adventure after he discovered he had an eye problem. Rather than simply accepting a surgery (he really doesn't like it when the doctors refer to their work as "scraping"), he attempts to work out alternative methods, which range from an all raw vegetable diet to traveling to the Philippians to visit a so called "psychic surgeon". As a master of the monologue, Gray tells this story miraculously well. He writes with a beautiful and distinct quality. Through his storytelling, he expresses himself in a truly unique and entertaining way, packing this one man show with laughs and personality.I must also praise the director, the famous Steven Soderbergh, who morphs this monologue into a visually stunning art film. Using music, sound, sets, props, camera movement, shadows, and plenty of other fascinating, experimental techniques, he turns Gray's witty writings into a much more cinematic and epic adventure that truly captures Gray's quirky and strange view of life.

annmason1 Wow, a great film. It is one of a kind, so I can't compare it to anything else. Those of us from the 60s who knew the weirdos Spaulding consulted, especially enjoyed the film. His ability to enter the skin of so many characters instantly, while still looking at them from the outside, is a real gift. He is not sarcastic. He "likes to learn things" and hence in this film we find him raking leaves in a Hassidic synagogue, "eye"ing Japanese psychic surgery patients whisking around an operating table; gasping for air, his mouth pressed to the bottom of a sweat lodge tent; and in one particularly hilarious segment, submitting to treatment by a seriously nearsighted "nutritional optometrist." I loved this movie. It is a riveting example of storytelling, of the power of one human voice to mesmerize the rest of us.

madhater_da_killa Possibly the most easily accesable of the Spalding Gray monologue-film library Gray's Anatomy chronicles Gray's retinal pucker problems. The interesting camera work and rather unique (in regards to the rest of the Gray Monologue Films) keeping a good feeling of progression. This progression can be found somewhat lacking by new-comers to the monologue scene, and thus this film solves a good deal of viewing problems in this simple aspect. The second aspect that makes this film highly accesible by new-comers in the stories told by the average Joe's. There are some good stories, some bad stories, and some disturbing stories; but none of the clips are allowed to stagnate by Soderburgh. This is probably the most powerful of the two aspects especially when teamed with the cuts from The Killing Fields give Gray's Anatomy a much more action oriented feeling than Monster in A Box or Spalding Gray Is Swimming To Cambodia. Gray's Anatomy is a good introduction to Spalding Gray but falls short of his earlier classics while remaining a film most definitely worthy of viewing. I would give it three and a half stars out of five where as Swimming and Monster I would give a four.

craigjclark Made during the time when Steven Soderbergh was in the process of reinventing himself (see also "Schizopolis," made the same year), this is a wonderfully inventive film with a kinetic visual style to match Spalding Gray's verbal gymnastics. This is the kind of film that stays with you long after you've finished watching it, thanks to Gray's performance -- he is a terrific storyteller -- and Soderbergh's imaginative staging.Caveat: If you're at all squeamish when it comes to graphic descriptions of eye injuries, this film may not be your cup of tea.