Cathardincu Surprisingly incoherent and boring

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

trashgang In my regions it was never released but I came across this flick a few times when I attended horror conventions and finally after years it was available for a few bucks. The only problem it had was that it had German subs but even if you aren't that deep into the German language you will understood the subs easily. The only reason I picked this up was for his director Herman Yau, known for the CAT III flicks The Ebola Syndrome (1996) and The Untold Story (1993). It started with a rather surprise for me, full frontal nudity without blurred private parts. From there we move to a killing and yes, a throwback to the old black magic stories with centipedes. And by saying that you know that this isn't for everybody although it do has a few rather gory shots. The baby at the beginning and the dissection of a corpse is as gory as it can get. Still it's not a pure horror flick, it's more a police story about catching a killer with some weird things going on. Don't expect a flick like Yau's other horror movies. There's a bit of bad CGI here and there but the centipedes are the real stuff here. Only for the lovers of old school black magic stories.Gore 1,5/5 Nudity 1/5 Effects 3/5 Story 3/5 Comedy 0/5

Coventry Could it be the return of genuine Cat III madness? When I first heard about this film it certainly sounded like it, considering the involvement of director Herman Yau ("Ebola Syndrome", "The Untold Story") and the listing of several themes & keywords that are customary for this sub genre's certification. After seeing the film at the Fantasy and Horror Festival in Belgium, I must admit it's not a total throwback to the outrageous films of the early nineties, but a successful mixture between Cat III nastiness and a far more sophisticated kind of film-making. "Gong Tau" isn't as sickeningly gore and doesn't contain any absurd humor, but to compensate for all this, the script is actually coherent for once and even introduces some effective and plausible dramatic story lines. Next to the voodoo horror plot, there's a very engaging domestic drama sub plot, which honestly makes the horror far more intense, grim and disturbing. The titular term refers to the most nightmarish type of oriental voodoo that black magic artists inflict onto people for reasons of either love or revenge. The harsh Hong Kong copper Rockman Cheung loses his baby son and almost his wife when someone targets him for Gong Tau terror. The main and only suspect is a criminal Lam Chiu, who Rockman shot in the head ten years ago, but he survived and mysteriously vanished. But when the real culprit and motives come to the surface, Rockman actually depends on Lam Chiu's knowledge of the occult for survival. "Gong Tau" is reasonably nauseating and surely doesn't bother to avoid the most shocking taboo subjects (dead babies, bug vomiting, mutilation…) but the violence is never fully gratuitous and Herman Yau largely remains focused on story building and atmosphere instead of sickness. The Gong Tau characteristics may sound a little over the top, as it involves heads separating from the body and antidotes that require a hodgepodge of insect venom, sperm and grease of a human corpse. The special effects and make-up are fabulous and the set pieces are marvelously sinister. Yau's direction is still as stable and reliable as it was over ten years ago, but his cast members definitely improve. Especially Mark Cheng as Rockman and Maggie Siu as his emotionally wrecked wife deliver stellar performances. The climax is insanely gory and even provides a neat (albeit illogical) twist. See this thing if you crave for the good old days of horror cinema to return. After "Dog Bite Dog" last year, this is another modest triumph in the Asian horror industry!

fertilecelluloid This Category III effort from Herman Yau, the director of "The Ebola Syndrome" and "The Untold Story", is not a terrible movie, but it isn't a great movie, either. "Gong Tau" is a type of voodoo which is visited upon the wife of a cop (Mark Cheng) who betrayed a woman in Thailand. Cheng and the dependable Suet Lam spend much of the movie on the trail of a criminal who is sending bad voodoo curses to Cheng's wife and making her life unpleasant. Director Yau is expected to deliver grisly violence and messy gore in his Cat III work, so the presence of crawling centipedes, a baby stabbing, blood vomiting, and brutal beatings is not surprising or unwelcome. The film is beautifully shot, but it is dramatically schizophrenic and unfocused. It is more of a police procedural than a horror film, with too much time devoted to people standing in offices talking. Yau always manages to push a few buttons and up the shock value in his movies, but he doesn't go quite far enough in "Gong Tau", so the audience loses.

Jin Wang Normally I don't write reviews, since I think that not many people will read it anyway. However, with the few or one review out there I might give a try. Now the other guy has given a two, but that's too rash. This movie deserves better.The theme itself is something quite extraordinary among the nowadays Hong Kong movies. So that's extra point and especially when the subject is quite appealing too. Gong Tau, to curse someone, is a subject we need to see more of. Unfortunately many of the movie aspects are poorly executed. The drama was bit annoying and drags on as the story continues. The only motive, which keeps you watching is too see how ridiculous funny it is to see the Gong Tau moves and motives. Exaggerated in some ways, but yet hilarious to see the dark and humorous computer effects.You have been Gong Tau-ed and I rate this one a 7 for those who're interested in Black Magic and want a break of the current Hong Kong movies.