Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

michael-3204 "Goliath and the Dragon" was one of two peplum films featuring Hercules (the other being "The Loves of Hercules') released in 1960, following the success of "Hercules" and its sequel both starring Steve Reeves. The original Italian title for this film is "La vendetta di Ercole" ("The Revenge of Hercules"), but U.S. distributor AIP changed the hero to Goliath for the American release, and added a stop-motion animation dragon not included in the Italian cut. Italian-American (Brooklyn-born) bodybuilder Lou Degni, billed as Mark Forest, takes over the role from Reeves. Forest starred in a dozen or so peplum films including "Maciste in the Valley of the Kings" released this same year and played Hercules again in 1964's "Hercules Against the Sons of the Sun." He is a more than passable stand-in for Reeves, impressively built if not quite as classically handsome or well-proportioned and able to pull off the macho arrogance of the character. The oddest thing about this film is the casting of American actor Broderick Crawford, with an enormous and distracting scar across his face, as Hercules's (or Goliath's ... whatever) nemesis. Crawford growls his way through the movie and generally seems like a grumpy old man. At least he gets to use his name, which neither the film nor the writers nor the lead actor nor the hero do -- co-writer Nicolo Ferrari is credited with the bizarre pseudonym Archibald Zounds Jr.! (Apologies to anyone actually named Archibald Zounds, Jr. or Sr.)The story is particularly baroque, involving forbidden romance, double-crossing courtiers, an over-large cast of characters that becomes cumbersome to keep straight, and some vague plans to defeat Hercules and conquer Thebes, but the overall motif (in keeping with the Italian title) is revenge, with Hercules at one point destroying the statue of the God of Vengeance after it falls on him -- twice! The real attraction here, though, is not the complicated plot but the dizzying array of cheesy monsters Hercules gets to fight, beginning with a sequence in the "cave of horrors" where the big man defeats a three-headed beast that is probably supposed to be Cerebus, though not identified as such (another pseudonymous indignity) and a very strange man-sized bat-like creature that at first I thought was a unique take on the dragon, but as it turns out a more conventional (though, frankly, pretty hilarious) dragon turns up later. Along the way, Hercules also defeats a giant bear-like monster and spears a centaur, who is the most convincing and strangely affecting of all the creatures that populate the film. The bat-thing and the bear-thing are clearly stuntmen in silly costumes, but the dragon (aside from the brief stop-motion sequence) is a giant puppet that Forest does a great job trying to battle convincingly. Other peplum tropes include the obligatory dancing girls and Hercules practically tearing down a city with his bare hands. Though much cheaper looking and cheesier than the two Reeves films that preceded it, this is actually pretty fun and peppy peplum entry helmed by director Vittorio Cottafavi.

fwmurnau Mark Forest looks incredibly handsome and acts very competently in his first peplum outing. His physique is awesome and he handles the fights and action sequences with aplomb, even battling silly rubber monsters with passion and conviction.The two things that make so many peplum movies boring -- talky court intrigue and confusing, interminable battle scenes -- are kept to a minimum here, which make this faster-moving and more entertaining than most.The film serves up of a lot of what most of us watch peplum for: crazy monsters and imaginative, surreal action scenes like the one where Forest demolishes a palace by knocking down the stalactites in the cave beneath it.Definitely recommended for fans of the genre. One thing I don't understand, though. Goliath's wife dies near the end, but in the final shot we see her alive again, smooching with her husband. Was this contrived "happy ending" created by moving a shot from early in the film to the end? I haven't seen anyone else comment on this.

horrorfilmx I saw the poster for GOLIATH AND THE DRAGON outside a theater when I was a kid and was dying to see it. Unfortunately I had to wait over thirty years until just the other day when I found a cheap VHS copy in a video store. Was it worth the wait? Absolutely --- but not for the reasons I'd expected. In addition to the cool poster what intrigued me about the film were the Jim Danforth stop motion sequences added for the American release. Pictures of the dragon made it look pretty good. Unfortunately the model is poorly used in the film itself, and nowhere is it shown off to such good advantage as in the publicity stills. Animation-wise the film was a major disappointment.And other-wise? Well, you gotta give this movie a big A for Ambition. Hercules (excuse me, GOLIATH) doesn't just duke it out with soldiers, he battles a three headed dog, a bat monster, a centaur, a bear, and at one point even wrestles an elephant to the ground! Unfortunately none of these conflicts is handled with anything like the skill needed to really bring them off, but you've gotta love them for trying. And the movie, goofy and slipshod as it is, never bores. Peplum fans should check it out.

Nozze-Foto Broderick Crawford plays his role of a corrupt would-be emperor like he were still playing a 20th century gangster. Watch him bark orders to soldiers like he were plotting a gangland rubout. Meanwhile Mark Forest is the hero called "Emilius" who is nicknamed Goliath because he is so strong and (apparently) immortal. He also has a younger brother is is neither superstrong nor immortal and a mortal wife who is not bothered by the fact that she will eventually grow old and die but he won't. Go figure. Most of us watch these movies for the monsters and oft-times the cheesier the better. After a mechanical 3 headed fire breathing dog (ahem, that is NOT Cerberus!), a man in suit giant bat and a centaur (which had to have been the most uncomfortable costume in the bunch) seeing a dragon that is partially stop motion animated was a real treat. Oh yeah, in closeups it is a giant rubber prop but those few moments of animation make it worthwhile. There is enough plot here for 2 movies and it does not always make perfect sense but the action will keep your attention. Oh and look closely at that dragon. David Hewitt borrowed some of the stop-motion scenes for his no budget thriller THE MIGHTY GORGA.