Cubussoli Very very predictable, including the post credit scene !!!

ThiefHott Too much of everything

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

sunheadbowed I think the more bitter you are, the more you understand a Fassbinder film. Some of them I just don't get at all, but in ten years time I should be there.Something I always find so funny about Fassbinder's films is that he directed his actors -- with the exception of Hanna Schygulla, who had a very different, sensual aura -- to perform as if they would rather be anywhere else in the world but there; it's almost as if he's standing behind the camera with a loaded gun, forcing them to do it.. which may actually have been the case, now that I think about it. His films are more 'depressed' than 'depressing'. It's a style that not everyone can appreciate.'Gods of the Plague' is an early Fassbinder film, a weird film noir crime tribute/pastiche with no jokes and some really interesting cinematography.

Horst in Translation ([email protected]) "Götter der Pest" is a West German 90-minute movie from 1970, so this one is already over 45 years old. It is from the earlier days of filmmaker Rainer Werner Fassbinder as he was in his mid-20s as he shot this one. There are three factors that are pretty frequent in his early works, namely the fact that this is still in black-and-white and also the runtime staying under 90 minutes. His works got longer as he grew older. And last but not least, crime-themed films were something he also did primarily in the first 5 years of his filmmaking career. This is one of these. There is lots of murder in here. A man leaves prison and as the film continues we find out about his relationship with his brother, with women and with an old friend who turns out pretty lusty. The latter is played by Günther Kaufmann, a regular in Fassbinder's films. But also lead actor Harry Baer and Hanna Schygulla (especially she) worked with Fassbinder on several occasions. Also in here are Jan George (brother of the late Götz), Ingrid Caven (Fassbinder's wife) and Margarethe von Trotta during her acting days and quite a while before she solely focused on shooting films herself. As a whole, I cannot say there were too many memorable or good moments in this film. To me it seemed as if Fassbinder was still a while back from his best years when he made the films I like the most from him. So I am not too surprised "Gods of the Plague" did not receive as much awards attention as some other works by RMF. My verdict is negative too. Watch something else instead.

benign_hypocrite Götter Der Pest, directed by Rainer Werner Fassbinder is set in Munich, Germany. The main character Franz Walsch is a former prisoner played by Harry Baer. The setting is really dark and it reminds of film-noir but the plot is really realistic and I have to say anti-heroic. Franz doesn't have dreams, he seems that he doesn't want anything from his live. He is like a bored nihilist, a stoic human very different from the other characters of the film. The film centers on this character and his life. Franz had the chance to create a new life, he has every woman he wants, friends and his mother is still alone. But this affection seems to be drowned in hypocrisy of the modern society. Franz understands this and he chooses to continue a life of crime. Hanna Schygulla who plays Johanna is like the femme fatale of the story and she leads Franz to his death even if she loves him. Margarethe seems more loyal to Franz even if she is still lingered to society and her job. The male friends of Franz such as Gorilla are the only ones who can understand him. We have to point that Gorilla dies with him. Götter Der Pest is a punch to our society. Even if it is full of defects. The movie is very dark and at sometimes boring, the dialogs seem rather stodgy and arid. I think that Fassbinder shows his class here, because without a writing a great scenario he managed to do a nice movie which is worth of seeing even if it's not one of his bests. I recommend this movie to all of you who like artistic cinema and film-noir.

cheese_cake the movie seems to be random events and unconnected characters, but when i watched it the second time everything fell in place. the main character has just got out of jail (this is not explicit, but he walks by a long wall which seems to be circular and confining...see now that's art/clever)...so he gets out of jail and starts contacting people in his life, including girlfriend, brother, brothers abused wife, friends named gorilla and joe, etc...the lead actor did a wonderfull job of expressing the film's many ideologies, initially he seems expressionless but later you understand why he is the way he is...some themes are the trauma of jail (minimal actually), the petty crook mentality, girls and lovers and the futility of getting a job when one's only goal is to live, eat and love. The photography is high contrast black and white. Either they were copying old time russian directors or because they are from theatre they liked the lightning scheme, but i think they just wanted to jar the viewer's perspective and it works, never seen a movie with this type of photography. Highly recommended for the serious movie viewer. geocities.com/free_love98