BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Jenna Walter The film may be flawed, but its message is not.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Dark Jedi This movie is kind of difficult to rate. In one sense it is the kind of hardboiled private investigator taking no sh-t and dishing out his own kind of justice that I like. However it is also, at times, a really silly movie with rather a silly script and a main character that takes a ludicrous amount of beating and still pops up and kicks ass.In the end I decided that I did indeed like this movie. I liked its rather "noir" atmosphere and the fact that the character indeed is tough as nails and kicks some serious ass. There is plenty of action in the movie and it is quite violent and sometimes a bit silly but it fits the movie and I think this particular movie would be less to my liking without it.There are some interesting bad guys in the movie as well. There are of course the basic thugs which are disposed of rather quickly but there is the lollypop girl which is adding a bit of flavor, there is the big black guy which is really not so much a bad guy but a worthy adversary of Malone and then there is the totally whacko pyromaniac, Matchstick. This guy is insanely scary. I quite liked him, not as a person of course but as an element of the movie.The story is sometimes as whacko as some of the characters in the movie so do not expect a good mystery or even a coherent story out of this movie. Sure it has a red thread going through it and there is an explanation at the end but sometimes what the characters do and how we get from start to finish seems rather ad-hoc to me. Still, the overall wackiness of all the various elements of this movie combines to something that I did indeed like.The end was a wee bit disappointing though. Sometimes, when watching a movie, it is clear that there was an intention to produce a sequel but end a feature movie with a "To be continued…" text is really stupid unless you already have a signed contract for the sequel. Luckily the actual story is brought to a good enough conclusion and it is just a few of Malone's personal loose ends left at the end of the movie.

KineticSeoul During the beginning shootout scene I could sort of tell what style of movie I was in for, as the movie progressed it is just way more silly and wacky than I expected it to be. It basically is a over the top and ridiculous ambient of film-noir. The acting wasn't that good, but really annoyed me is the character Matchstick who is basically a wannabe Joker. The movie has it's moments and I liked how it didn't really take itself seriously. Thomas Jane who played Malone was okay with his role, especially cause of his voice which has the noir detective feel to it. The characters basically have a cartoon feel to it and not developed very well. And the setting is a mix of the 50's and present, I guess it's cause of the budget or for the younger audiences. The script isn't very well written, but the twist was okay since I didn't see it coming since I thought it was going to be predictable. For a straight to DVD movie, it's pretty good overall.6.8/10

Argemaluco The "film noir" from the 40's and 50's is one of the easiest cinematographic (and literary) genres to imitate, but also one of the most difficult ones to capture without falling on the ridiculous or the involuntary humor.And even though I suspect some purists could consider the modest film Give 'Em Hell, Malone as a mediocre parody, I personally think that it fulfilled with the necessary requirements in order to simultaneously consider it as an affectionate tribute and respectful imitation of the genre.But, beyond its intention, I think it is a very competent "noir" film with solid performances, an interesting screenplay and even some substance behind the characters which enriches the story.Naturally, the screenplay is a collection of encounters with murderers, allies and informants, which do not always significantly contribute to the story, but at least they keep it on a constant movement, with various opportunities of suspense, violence and stylish dialogs.And that is were Russell Mulcahy's direction best works.Despite the false moves he had during his career (like, for example, the atrocious Tale of the Mummy or Silent Trigger), Mulcahy shows in Give 'Em Hell, Malone that he has not lost his absolute control on the visual language, rhythm and edition in order to construct a consistent narrative flow yet.The costumes, vehicles and sets from this film show a curious combination of nostalgia and modernity; thanks to that, a good "noir" atmosphere is achieved at the same time the technical problems of creating a set from the 40's are solved.By the way, I think the comparisons between Sin City and Give 'Em Hell, Malone are unfair, because the simple fact that they both use the archetypes from detective literature does not mean one is a copy of the other.As for the actors, with one exception, they all contribute to the tribute with natural performances which are free of any irony, at the same time they do not fall in the temptation of taking the story or their characters as a joke.To start with, Thomas Jane is flawless as the main character.Ving Rhames and Doug Hutchison also bring precise works as the villain's henchmen.The exception I talked about on the beginning of the paragraph is Elsa Pataky as the "femme fatale", because she does not bring enough passion or intensity to her character.Give 'Em Hell, Malone may not be a great movie, but its combination of actors, "noir" atmosphere and a labyrinthine screenplay with a satisfactory ending made it very entertaining to me.Besides, it confirms us that Mulcahy can be a very competent director when he works with the right material.

Alexander Pastukh As a matter of fact, it's a typical specimen of comic noir style, mixing traditional elements of ''Sin City'' and ''Dick Tracy'' films it portrays black & sharp humored, seamless, vivacious and agile detective story. In one breath, ''Give 'em Hell, Malone'' rapidly and aesthetically carries spectator through the subtle nuances of swirling plot, leaving pleasant impressions from what you've seen. Love, sharp humor, betrayal, cruelty, selfishness. Everything presents here in good supply.Perfectly balanced characters like rollicking main hero Malone who's got two favorite things: drink and shoot. Sexy beauty Evelyn who trying' to avenge her killed brother. Big guy Boulder whose feelings wave between good and bad side. Charismatic evildoers such as Graceful Asian girl called Mauler who likes to play with sharp toys and Matchstick who always utters reckless wised expressions and crazy philosophy resembled Heath Ledger's character Joker from the Dark Knight movie.Wonderfully made operator's work constantly absorbs attention. For only 15 000 000$ creators made a beautiful action that can compete to the dozens of high budgetary blockbusters. Astonishing result indeed. Yes, here we can find a lot of bugs and disadvantages in the script but it's not really a drawback of the film, there is no emphasis on a deep plot, everything is simple and ingenious, to keep you relaxing and funning. It's just a crazy and well stylized mess nothing more.Even if you ain't got much grasp of noir, ''Give 'em Hell, Malone'' is a great movie for spending free time and taking some rest.