Sexyloutak Absolutely the worst movie.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Terrell Howell (KnightsofNi11) October 1969 marked a month of tragedy for rock and roll. The Rolling Stones were on their US tour when they stopped to play a free concert at the Altamont Speedway in San Francisco. It was a concert event that was supposed to be the Woodstock of the West, but it ended up being just the opposite. Hell's Angels were hired for security and, as the chaos of the show ascended, the Angels became more and more violent towards the crowd until the night ended in the stabbing and murdering of at least one of the concert goers. Gimme Shelter is the documentary which focuses on this tragic occurrence in brutal detail. The film mixes concert footage of the Rolling Stones, footage of the night at Altamont, as well as the band watching and reflecting on that terrible night. It's an extraordinary and harrowing film which will shake you to your core as you watch the raw, unedited footage taken at Altamont and the unending brutality which seems so unnecessary and so easily preventable. It's a remarkably disturbing experience to watch Gimme Shelter.I honestly believe it was a stroke of genius to make this film so simple. There was no need to tamper with the Altamont footage or add anything extraneous to it. Gimme Shelter is perfect in the way it just shows us all of the actual footage from the concert, as well as leading up to the concert. There's no narration, no extra pictures or clips. It is just the footage put together in a way that details that terrible night in the straightest way possible. There could not be a more thorough account of the events at Altamont. This is the finest way to view something this out of the ordinary. The footage we watch in Gimme Shelter is stunning and unforgettable. It's safe to assume that 99% of the audience at that show was on acid, and the results are amazing to watch. There is an incredible amount of footage of people having wild acid trips, doing all sorts of bizarre things. It is amusing to watch at first, but quickly becomes deadly when Hell's Angels are introduced into the equation. Thus we have a scenario that is nerve racking to witness unfold and we are then filled with immense anxiety and dread as the situation grows into the tragedy it morphed into by the end of the night.Of course, what makes Gimme Shelter more than just a simple reflection on the tragedy at Altamont Speedway is the footage of the Rolling Stones watching the Altamont footage and reflecting on it all. The shock and awe is very obvious in their reactions and hearing what they have to say about it is fascinating. They don't say much about it because of all the shock, but they say enough and they display enough body language to convey their loss for words at this event and how horrified they are that something like this had to happen under their watch. This is possibly the saddest aspect of the entire situation. The fact that someone was murdered is horrific enough, but the fact that it had to happen in the name of rock and roll is deafeningly sad. It is painful to watch the messages of peace and love flourish in that concert audience, only to be violently contrasted by the over reactions of Hell's Angels. It's a sickening occurrence that seems to evoke more innate sadness than anger. It's terrible to watch but it makes Gimme Shelter one of the most powerful and provocative documentaries you will ever see. This film is an incredible experience that you will not soon forget.

Rodrigo Amaro The great thing about "Gimme Shelter" is the way this documentary works as a dramatical film with acts, thrills, and when you watch how things were at the Altamont Festival you see how difficult things were that it looks like a Hollywood film where everything happens because it was written this way in order to be appealing to audiences. The Mayles Brothers film has no script whatsoever but some of the situations presented in it seems to coming out of a intriguing suspense. The now infamous concert seems to fated from the moment where managers wanted a place to do the show until the deaths of four people during the whole thing, being the murder of Meredith Hunter as the worst presented (and the only displayed and mentioned in the film, during the Rolling Stones performance of "Under My Thumb"). Reasons for being a failure are countless: Security issues concerning that the police almost wasn't present and the Hell's Angels were the ones contracted to do the job, pushing people around and hitting Jefferson' Airplane's member Marty Balin on the face (act denounced by the band members while performing which almost caused a big clash between band and the motorcycle members); the place where the concert was made with a enormous number of people (this is the drama I was talking about, since this place was the third selected for such event, sounds like a play with three acts of tension, the third place where everything happened, things like that). Every time you can sense that something's gonna happen and it will be something bad. Everything was a mess, but you can see some happiness, some smiles in crowd, it wasn't so bad but it could have been a better event to be remembered as a nice thing.Future viewers pay attention to Rolling Stones performance in the final minutes of the film where the most gripping and shocking part appears. The band couldn't play a song without being interrupted by the crowd and then the unfortunate event of the murder of a man by the Hell's Angels who attacked the man because he had a gun. Question to be made by us viewers is: why someone carried a gun in a show and a improvised security member carried a knife with him? And despite all the planning we see Mel Belli and managers doing throughout the documentary one must wonder what happened there."Gimme Shelter" captures the 1970's hippie movement, the rock n'roll as a powerful art in that social scenery, and of course the music is great. Brilliantly edited and directed it is a bold and interesting documentary. It gets sad towards the ending (especially Mick Jagger's face viewing in details the murder that happened in front of them but in the moment they couldn't saw a thing. Thanks to one of the film editors he could see the awful truth). Rock N'Roll fans or not, see it right now! 10/10

accattone74 (contains spoilers) Filmed over the course of ten days, Gimme Shelter is the film that catapulted The Maysles' Brothers and Charlotte Zwerin to the forefront of "direct cinema" – a term the Maysles' coined and preferred over the highly assumptive "cinema vérité". As originally planned, Gimme Shelter was to be a celebratory document of The Rolling Stones' 1969 tour of the U.S. that began with the Thanksgiving show at Madison Square Garden which opens the film, and ended with the free concert given at the Altamont Speedway near San Francisco. What the Maysles', Zwerin and their crew ended up with though, was the celluloid equivalent of an autopsy – the body dissected is the 1960s itself. In fact the only other movie that tenses me up more than Gimme Shelter is Stan Brakhage's faceless autopsy-room documentary The Act of Seeing With One's Own Eyes, a title that could be transposed with the Maysles' film. Cynical? Perhaps. But before Gimme Shelter, never before in a film had the actions of the micro reflected the failures of the macro in such a telling and startling way. Both Brakhage's and the Maysles' films depict decay, disintegration, the cold, harsh reality that befalls everything, be it life or credo.But what makes a decade? This ethereal term we use to describe a grouping of ten years is always loaded with highly distinct connotations of its particular time – some are arguable, some are universally accepted. Strangely enough, despite whatever man-made structure the 'decade' has as its skeleton, key social and historical events always seem to occur soon before, during or immediately after its cusp, events that serve as both endings and beginnings. The moment that defines the passing of one decade into another is always open for debate. However, the actions that transpire in this brilliant and sobering film actually give flesh, albeit bloodied, to the unarguable exact cusp between the 1960s and the 1970s.Was Woodstock, which had been only four months before, a fluke? Half a million people coming together, without serious incident, for three days of peace, harmony, music, and love. Incredible evidence that the progressive love-work of the decade had accomplished its promises. Yet in Gimme Shelter half that number of people swirl into an abyss. And at its obscure center are The Rolling Stones themselves – charismatic to no end, yet languorous and floating in ennui. Whether they were primadonnas or not that night, once Mick Jagger hits the stage he truly becomes the foreboding dark-knight, the chanting shaman, the sinister devil's agent, all those labels with which he'd (and still has) been copiously laden.The event that made Altamont (and therefore this film) infamous – the death of Meredith Hunter at the hands of stage security Hell's Angels – is disclosed at the beginning, much like film noir actually, making the 80-minute interim before the fact be all the more nail-biting. So powerful is the actual murder scene – when you know what's going on, but no one else really does (or do they?) – that I doubt you'll ever be able to listen to "Under My Thumb" again without thinking of Gimme Shelter, and this indelible moment. Meredith Hunter's loud green suit. The Hell's Angel stabbing him twice in what looks like the back of the neck. Does Mick notice what's going on? One moment you think so. The next it's hard to tell. All the while he's singing, "…I can still look at someone else." It's chilling as well that the closing, repeated refrain of that particular song is, "Take it easy, babe…"In Woodstock, the 'happenings' are all jovial. When you see people tripping out or high, it comes across as good vibes. In Gimme Shelter, the Maysles' didn't shy away from the bad trips. Look at the faces of those squashed against the stage during the climax; the chilling, paisley-clad hippie during "Under My Thumb" whose just to the right of Mick – it's like watching a lysergically-infused lycanthrope going through the moon-change; the frenzied, seemingly autonomous (thereby anti-hippie) dances during the Jefferson Airplane's "The Other Side of Life"; even Mick Jagger himself gets hated on the moment he lands at the Speedway. It's as if the whole day was cursed from the start. Urban legend has it that Kenneth Anger had done just that to Mr. Jagger, for only months prior he dropped out of the lead role in Anger's Lucifer Rising (leaving Anger high and dry), and for not properly acknowledging Anger's influence on his songwriting, namely "Sympathy For the Devil".Once the murder had been recognized in the editing room, did the Maysles' choose to make Gimme Shelter one big bad vibe, or was that all they had to work with? We'll probably never know for certain. But by most accounts of those who were really at Altamont, it was no editing ploy. The decade ended that cold early December day, but at least it was able to die where it was born. "It's down to me, the change has come…" Indeed.

Ali Catterall It wasn't one of the Rolling Stones' smarter ideas to hire the Hells Angels as security for their Woodstock cash-in at San Francisco's Altamont Speedway Free Festival in 1969. Oh, and how do we pay them for services rendered? Hmm, let's see - $500 in beer ought to do it.David and Albert Maysles' notorious documentary-cum-snuff movie captures the madness - and murder - that ensued, as a young, black Meredith Hunter is stabbed to death by the Angels live on camera, while the Stones' frontman whimpers from the stage: "Who's fighting and what for? Everybody be cool now." Memo to Jagger: You're not some conduit for Satan, you're a mincing, top-hatted, former drop-out from the London School of Economics, and you're completely out of your depth.