Memorergi good film but with many flaws

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

mark.waltz What woman using a Geiger counter all of a sudden stops to pull out a compact and check her make-up in the woods? Sally Fraser, that's who, in this entertaining but sometimes silly science fiction tale of a Spanish conquistador who comes back from the dead, preserve in a petrified forest, and seeking revenge (and female companionship) as he finds a whole different world around him, even in the great outdoors. The film opens with an indication that something is already out there causing havoc: Killing farm animals viciously and leaving their tattered carcasses all over the countryside, and eventually attacking a farmer. Ed Kemmer escorts scientist Morris Ankrum and his daughter (Fraser) out to this desolate countryside where they find the skeletons of the long dead conquistador's army as well as some of his headgear and weapons. Ankrum has boxed up an ordinary lizard which he claims he found living inside a rock, a species that has been extinct for centuries. This explanation is used mainly to explain how Buddy Baer, as the giant head conquistador, managed to survive somehow, and indeed, his presence is a bit terrifying as he roams the countryside. There is no explanation of the dead farm animals or murdered farmer other than to assume that Baer had come briefly back from his petrified state, killed these animals and returned to his dirt grave for a long rest. Veteran western actor Bob Steele plays a local sheriff who doesn't believe in the supernatural causes behind the murder, excelled when a young girl is approached by the grunting Baer, and later found dead, apparently raped before being murdered. Billy Dix is cast as a stereotypical native American ("Indian Joe", he's called in bad taste), cursing the white man for taking over the native's land, yet proclaiming friendship to Kemmer whom he had earlier shot at, claiming he was only hunting rabbits. Gary Crutcher, cast as a young local named Charlie Brown (!), gets the silliest moments as he vows revenge against the giant for killing his sister yet obviously stood no chance, being half the size of the giant. For some reason, the hot countryside all of a sudden becomes a snowy mountain as Kemmer and Baer go head to head near a rushing river that somehow leads into a volcanic cave that no man has ever explored. It ends on a thrilling note, even though it is utterly absurd of how it got there.

bensonmum2 Local geologist Wayne Brooks (Ed Kemmer) teams up with visiting archaeologist Dr. Fredrick Cleveland (Morris Ankrum) to search the local mountains for the remains of a 300+ year old Spanish conquistador and a reputed giant of a man named Vargas. Another draw for Brooks is the opportunity to spend a little time with the Dr.'s vacuous but attractive daughter, Janet (Sally Fraser). The team is about to give up when Janet accidentally discovers a Spanish graveyard. But is there more here than helmets and breastplates? It's not long before the giant Vargas makes his return and sets his own sights on young Janet and anything else he can maim and destroy.By all rights, I've most likely overrated Giant from the Unknown. It features a multitude of easily identifiable weaknesses – a plot that moves at the break-neck pace of a slug, the dim-witted Janet randomly stumbling on the Spanish artifacts, Sheriff Parker's beyond ridiculous persecution of Brooks (Why in God's name would anyone think that Brooks would be running around the country-side slaughtering cows and destroying hen houses?), Bob Steele's laughably bad performance as Parker, the whole notion of Vargas "living" in a sort of suspended animation for 350 years, and the poorly done special effects in the film's finale. Giant from the Unknown literally has everything you could hope to find in any regular bad movie. It would be easy to write it all off as badly made 50s junk, but for whatever reason and despite these many shortcomings, I found myself inexplicably enjoying the movie. Entertainment can be different from one person to the next. And, it's often difficult to put a finger on what you find entertaining in a movie. All I know is that for most of Giant from the Unknown, I was entertained. I went for the characters, I got a kick out of legend Jack Pierce's Vargas make-up, and I enjoyed the acting of Keemer and especially Ankrum. Ankrum is one of those actors who's good in everything I've seen him in. Sure, it takes some patience to get through the slow parts in Giant from the Unknown (and there are a bunch of 'em), but it's worth it. There's a good little movie here if you just look for it. Like I said, it's difficult to explain, but I'm giving this one a 6/10.

Michael_Elliott Giant from the Unknown (1958)* 1/2 (out of 4) Rather boring 50's horror tale about an expedition in Northern California where they unleash a giant Spanish conquistador who has been dead for over four-hundred years. Buddy Baer, Max's brother, plays the giant here but that doesn't really matter because this is the type of film that holds the monster away until around the fifty-minute mark and even then we only see him ever so often. Roger Corman liked to use this trick and a lot of times it could work but whenever our human characters are boring and the screenplay is full of bland talk then the lack of a monster really hurts and that's what happens here. Ed Kemmer, Sally Fraser and Morris Ankrum are the three who dig the thing up and all the romantic stuff between Kemmer and Fraser is rather silly and rather laughable. Bob Steele does a good job at playing the sheriff and he's the main reason to see this thing. The movie does have a few good things going for it and that includes the final chase that looks pretty good as the snow is falling. The actual ending has a rather obvious goof in it but I won't spoil what happens for you. The look of the monster really didn't impress me either nor did his little outfit. This isn't an outright horrible movie but I think fans of 50's horror will be disappointed because there's just not much going on here and certainly not enough to carry the 77-minute running time. The same director also made SHE DEMONS, FRANKENSTEIN'S DAUGHTER and MISSILE TO THE MOON.

ghenrikson-1 Though the premise is of course absurd, "Giant from the Unkonwn" is a cut above most B-grade horror films of its era. The difference lies in the cast. Bob Steele, veteran of over 200 films and a familiar face in Westerns, does a very good job as the local sheriff. His gestures, facial expressions and easy mastery of the material give the film its backbone. Morris Ankrum, who plays the inevitable scientist, likewise brought an impressive background to the role. He is probably best known today for his recurring role as a trial judge in Perry Mason, but like Steele he had already been in hundreds of movies when "Giant" was filmed. The supporting cast is good, and manage to approach the silly premise of a giant conquistador on the rampage with a straight face. It's a worthy effort, though it would have been nice to have a better script and a slightly less silly premise.