Exoticalot People are voting emotionally.

Konterr Brilliant and touching

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

lonely-chaotic-soul It was a little disappoiting for me to see that it was focused on her relationships more than her art. It was a good film but the title was a little misleading. She is famous for her self-portraits, unusual style, eyebrows and for her hairy body which I didn't see in the film. It should have been 'Frida in Love' or something like that.

bigverybadtom This movie evokes David Lean's "Lawrence Of Arabia" in a sense, that both movies were not intended to be straight biographies of their respective historical figures. In fact, this movie even made me think of the "I Love Lucy" sitcom, with Diego Rivera as the buffoon to Frida Kahlo the straight woman.The movie starts with Frida Kahlo at age 18, just before she had the accident while riding a bus, which would cause her crippling injuries she would carry for the remainder of her life. She is given a canvas and paints by her family to occupy her while she initially recovers, and she adopts a surrealistic style, and later meets and marries already famous muralist Diego Rivera. They become left-wing radicals while living in high society, move to the United States where Rivera would try to paint his mural depicting Lenin in the Rockefeller Center, then move back when the project is cancelled and the mural destroyed. Both spouses have many extramarital affairs, though Diego gets upset when his wife has one with Leon Trotsky. (I saw the movie in the theater, and the audience all groaned in mockery when Diego complained to Frida about it.)Like I said, the movie is drama rather than biography; we see Frida, despite her sufferings, as strong and laughing at her many troubles. We don't see what moves her politically or artistically, but the movie is for entertainment and not education.

SnoopyStyle It's 1922 Mexico City. Frida Kahlo (Salma Hayek) is a rebellious student who is intrigued with artist Diego Rivera (Alfred Molina). She is severely injured in a trolley accident and left bedridden with lifelong pains. She regains her ability to walk. Diego takes an interest in Frida's work. They get married and begin a passionate complicated relationship. She befriends his jealous ex Lupe Marín. He constantly cheats on her. Their son dies in childbirth. She starts having affairs with both men and women including communist icon Leon Trotsky.I really love the first hour. Her accident, her recovery and their courtship are all very compelling. Then the second half kind of move on and on and on. The problem is that he's such a slut. He never really demonstrates his love for her. I guess there is dependence or codependence. It's not that appealing. He's horrible and it doesn't put her in a great light either. It needs to illuminate her or her art more than what the movie gives.

FedRev Frida is a bio-pic about the surrealist Mexican painter Frida Kahlo. The film details her early artistic aspirations and the way she met her husband, the famous painter Diego Rivera. We also witness the horrific accident that left Frida in pain for the rest of her life, and her development as a master artist while living in the shadow of her husband's fame. The film is uniquely stylized, literally bringing her paintings to life on screen, allowing the audience to connect the narrative to the artwork. But the greatest thing about Frida is the way it handles the politics involved, both in terms of social relationships, as well as treating Kahlo and Rivera's communist views with dignity and respect. The film doesn't celebrate their art while condemning their radical politics, as it easily could have in the wrong hands. Rather, it's a celebration of the relationship between the two. Frida is ultimately a film about how politics informs and flows through art. Salma Hayek gives a career defining performance as the radical painter, and Julie Taymor directs this wonderful film with a vision that takes the story to great heights.