Cleveronix A different way of telling a story

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

moonspinner55 After his wife is kidnapped from their Paris hotel room soon after checking in, confused, distraught American doctor (Harrison Ford) finds himself plunged into a complex web involving Arab terrorists. Rather mild Hitchcockian suspense-thriller from director Roman Polanski, who also co-wrote the screenplay with Gerard Brach. Polanski sets up the pieces to this chess game awkwardly, with opening moments that don't convince (Ford and spouse Betty Buckley act more like brother and sister than a married couple). The pacing does pick up from there, despite the fact that Ford's character is seldom likable and is mainly just a plot device (the worried husband). Newcomer Emmanuelle Seigner (later Mrs. Polanksi) is tantalizing as a young woman who becomes involved, and her scenes with Ford give the picture a sexy shot in the arm. ** from ****

SimonJack An American couple arrive in Paris, and the wife soon goes missing. The French police aren't much help, the American embassy is tied up in red tape, and the hotel people think maybe she had a rendezvous with another man. Many mystery films of this nature have been made over the years. So, to be very good, such a film should excel in some things. Unfortunately, "Frantic" doesn't fit the bill. To begin with, much of this film is closed in – that is, shot in restricted surroundings, most likely on sets. There are no exciting chase scenes or elaborate situations filmed with crowds or on the streets. Just a few people fill out most scenes. That probably kept the cost down, but also makes it seem cheap. Harrison Ford can act in thrillers (Air Force One), but in this film he too often has the dumb look with the long pause of disbelief and wondering what to do next. It was okay occasionally in "Star Wars," but comes across quite goofy in this film. He's supposed to be a surgeon but he plays Dr. Richard Walker as slow-witted. This is one of those films that makes one want to shake the writers and director for some obviously dumb things in the plot. Everyone knows people can't hear one another at any distance with a shower running, so why didn't Sondra Walker walk into the bathroom to tell her husband about the phone call. Even worse, what woman would be so dumb as to be lured away from her husband to go the lobby to meet someone she didn't know? If the caller said he had her suitcase, she could easily have had a bellboy bring it up to the room. And, she didn't even take the wrong suitcase with her to meet the guy. These are plot holes and dumb situations that immediately distract one enough to conclude that this was a film with a very weak screenplay. Then there's Walker's delay in notifying anyone that his wife was missing. And, his refrained demeanor with the police and embassy people was interesting. Similar films have disturbed guys acting a little more forcefully to get results. This film can't compare with similar films -- in the plot, screenplay or acting. The only reason I give it five stars is for the fine singular performance of Emmanuelle Seigner as Michelle. I thought Roman Polanski could do much better than this – in writing and directing. Those who are inclined to compare "Frantic" with Alfred Hitchcock films should sober up. Hitchcock never did anything this weak and poor. Or, if he did, he saw it for what it was and didn't release it.

imursel A great suspense movie of Roman Polanski in a Hitchcockian style. One of the beloved theme of great master is already here: looking for a vanished person. I think Frantic is one of the movies more successful through the films with the plot located in Paris. Polanski tells us the story with great suspense involving the city of Paris like a character of the film. All movie spends on the Parisian places and rooftops. The music of Ennio Morricone also is a great element of the film success that gives us a great mood. The characters as Harrison Ford and Emmanuel Seigne are superb in their roles too. I think a must see movie if you love great oeuvres of Hitchcock and you love Paris.

Spikeopath Frantic is directed by Roman Polanski who also co-writes the screenplay with Gerard Brach. It stars Harrison Ford, Betty Buckley, Emmanuelle Seigner, John Mahoney, Jimmie Ray Weeks, Yorgo Voyagis and David Huddleston. Music is scored by Ennio Morricone and cinematography by Witold Sobocinski.Visiting Paris for a medical convention with his wife, Dr. Richard Walker's (Ford) life is turned upside down when his wife disappears, apparently the victim of a kidnapping. Exasperated by the lack of help from the authorities, Walker takes to the streets himself and chases down a clue left in a suitcase mistakenly picked up by the Walker's at the airport.For the most part Frantic is a tense and well scripted Hitchcockian thriller. The thrum of a neatly designed Paris puts a near surreal edge on the atmosphere, and Ford is terrific as the American abroad shifting often between paranoia, frustration and panic. The insertion of Seigner as a sexy side-kick works well in spite of the actress not being blessed with much talent, and the slow burn approach, as the duo trawl through the hazy maze of possibilities, is handled with great skill by Polanski. If only the ending wasn't such a damp squib! It lacks credibility or any kind of suspense and doesn't pay off on the good work played out previously. A shame because this is still an otherwise damn fine mystery thriller. 7/10