Noutions Good movie, but best of all time? Hardly . . .

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

adriangr I bought this for a few dollars in a second-hand store as I had long been curious about Flesh Feast as it is Veronica Lake's last ever movie. That's really the only thing it has going for it. Flesh Feast is an utterly forgettable, amateurish waste of time.Lake stars as a "doctor" in some kind or nursing home/retreat who does secret experiments using maggots to restore youth. She is called upon by a foreign military group to treat their leader and this eventually leads to the "shock ending".The film doesn't make a lot of sense. All the acting is poor, and Veronica Lake is no exception, although as all the dialogue is dubbed, it's hard to tell how good she may have been if the sound had been recorded live. If Veronica Lake was a beauty in her Hollywood heyday, she certainly isn't here. She first appears in a black suit and hat which do hint at a glimmer of sophistication, but this is soon discarded and she spends rest of the movie wearing either a white lab coat or what appears to be a hideously frumpy blue bowling shirt. The movie saves the most unflattering view of it's star for the ending, when Lake is seen in close up, laughing, which unfortunately showcases her mouthful of brown rotten teeth. Inbetween gawking at Lake, most of the film is very boring. For bad movie fans though, there is one spectacularly hilarious scene when a young woman enters the forbidden laboratory and comes across a dissected corpse. It's hilarious because the body parts are hanging from the ceiling in clear view of the woman the entire time, but the actress feigns ignorance of the horrible sight until she has walked all the way across the room, past the legs, arms and head dangling inches from her nose (in bright harsh lighting no less), until she is finally cued to turn around, "spot" them, and then burst into the hammiest screams of horror you have ever seen. Much hilarity, and almost worth buying for that scene alone.But when I say "almost" worth buying, I really mean that. The current DVD release by Telefilms International/Beverly Wiltshire Filmworks is atrocious. It's a DVD recording of a video tape, and not a very good one at that. The source video itself is fullscreen, blurry and comes complete with dropouts, wobble and flickers, all lovingly preserved in the digital medium. Worse still, the print that the video was made from is crackly and full of scratches, missing frames and blotches on the print. But as there appears to be no official release available, I presume this is currently the only way to see the masterpiece that is "Flesh Feast". For the very curious only, and while this is the only print available, I advise paying no more than five dollars for a copy. If a new print of "Flesh Feast" is ever found and remastered, it might make it onto a Classic Bad Movie DVD list... but not in this state.

Paul Andrews Flesh Feast starts at Miami Airport, ace reporter Dan Carter (Harry Kerwin, he is also credited as production designer) phones his mate Ed Casey (Phil Philbin) to let him know that he has just returned from South America where he has been investigating Carl Schuman (Doug Foster) & that he was onto a big story but while still talking on the phone he is stabbed in the back & killed. Schuman meets Dr. Elaine Frederick (Veronica Lake, she also executive produced) who has recently been released from a mental institution, together they discuss their grisly plans. The news of Cater's death has reached Casey & he decides to take the story up himself & do some investigating, well actually he gets his secretary Viginia Day (Marth Mischon) to do most of the investigating & just report back to him, lazy bugger. Virginia informs Casey that they have someone on the inside named Kristine (Heather Hughes) since Dr. Frederick rents her spare rooms out to nurses, Kristine reports back to Casey about Schuman & Dr. Frederick's grotesque youth restoration experiments involving human flesh & specially cultivated maggots...Co written, co-produced & directed by Brad F. Grinter Flesh Feast is a pretty poor film on all accounts. First lets start with the script by Grinter & Thomas Casey who was also responsible for the cinematography (you get the feeling that most of the cast & crew had more than one job), basically it's terrible. The character's are one dimensional idiots & have no personality, I didn't like anyone in this film. For what it's worth I quite like some of the ideas here, the flesh-eating maggots, the basement laboratory, stealing bodies from a hospital & that unforgettable 'twist' ending that's almost worth sitting through the rest of the film for on it's own. Unfortunately the dialogue is so badly written, stiff & unnatural sounding it's untrue, I mean there is one scene in which a nurse says that they "won't let us out of the house" which is fine except for the fact that she is speaking OUTSIDE in the garden to someone. No thought has been put into the story as no explanation is ever given for why flesh-eating maggots are able to restore youth, in fact at one point near the end when questioned about this very thing Dr. Frederick claims there is no time to explain at that point which to me sounds like the people who wrote this didn't have a clue either! Even at an extremely short 68 minutes long Flesh Feast is very slow & dull, the poor editing doesn't help with scenes & shots lasting for far too long, for example there is a scene in which an Ambulance pulls up outside a Hospital, drives up to the doors, the guy gets out, he walks to the back doors & opens them etc. etc. did we really need to see every single detail? There is also another sequence in which Dr. Frederick enters room & puts some gloves on, then she takes them off walks into the opposite room & puts another pair on! I personally think that Grinter probably didn't shoot enough material so he stretches every scene out as much as he can to make the run time up. I do like that bizarre ending though, I really do. Technically Flesh feast is complete crap, I'm not sure what the budget was on this but it must have been small, very small. Just about the entire film takes place in one house, Dr. Frederick's laboratory consists of a table, some plastic beakers & test tubes, some ancient looking electronic medical equipment & a strange screen with funny colours on it (don't ask). The cinematography is poor, the music sucks & the entire film looks dubbed, badly dubbed too. The exploitation elements are also disappointing, there are a few maggot shots but they don't actually do anything other than wriggle a bit, there is a brief scene where a dead body has it's leg sawn off & a OK looking dismembered corpse & limbs hanging on hooks. The acting is awful from everyone concerned, & I mean really bad which makes the rubbishy dialogue even worse. Do yourself a favour & avoid Flesh Feast, yes there are one or two unintentionally funny moments & that ending is, well unique to say the least but for the most part this is real amateur film-making that quickly becomes painful to watch. I doubt most people will make it through this is one sitting, I can tolerate just about anything but even I considered switching it off. Definitely one to avoid, you'll be pleased you did & if you really have to see it don't say you weren't warned!

phillindholm In the 1940s, Veronica Lake made a meteoric rise to film stardom, thanks to her sultry beauty and, her highly exploited "peekaboo" hairstyle. She starred opposite big names like Alan Ladd and Fredric March, scoring screen successes in films like "This Gun For Hire" and "I Married A Witch". She held her own with female stars as well, and she surprised even her detractors with her performance as a bitter navy nurse in "So Proudly We Hail". But changing times and her own failings caught up with her, and by the end of the decade, her heyday was over. With two unsuccessful marriages behind her (and two more in her future) Veronica headed for New York City, where she made occasional television and summer stock appearances before dropping completely out of sight. It was briefly big news when she was found working as a barmaid in a second rate hotel in the early sixties. But by now, her longtime alcoholism and years of hard living had robbed her of her looks. Without them, public interest in her soon faded again. She did return to the stage in assorted vehicles, but her success was minimal. Eventually, she relocated to Miami, Florida, where she lived in relative obscurity. In 1966 she went to Canada for a part in an obscure movie called "Footsteps In The Snow" which had no U.S. release. The following year, she was discovered by some industrial filmmakers who had long wanted to produce a commercial feature. They approached her to star in their film "Time Is Terror" and convinced her to invest in the project. As one author put it, "If ever a movie queen suffered a terminal comedown, this was it". Surrounded by amateur performers and pathetic production values, she failed even to rise to a minimal level in this Miami, Florida shot quickie. Looking utterly ordinary in long shots, and luridly aged in close-ups, poor Veronica didn't act so much as walk through her part. As a deranged doctor, who has hit upon a successful youth restoration formula, using flesh-eating maggots!, she looks both bored and confused, her best moment coming when she is forced to ad-lib while she struggles desperately to don a pair of rubber gloves. The supporting cast is no help at all,merely advancing the plot by talking it to death, (when they aren't wandering aimlessly around the set, that is). Director Brad Grinter apparently only required the actors to move while the camera was pointed at them,so the fault isn't entirely theirs. As for the ''twist ending'' involving an attempt to put a supposedly long dead Dictator back in power- forget it. Just like the script does. There is, admittedly, one unintentionally hilarious scene involving a Private Detective/Nurse and a corpse in a wheelchair that predates ''Weekend At Bernie's'' by almost 20 years.)But there's a whole lot of nothing before you get there. According to Veronica herself, the film was shelved for three years because no master shots were filmed. Then, in 1970, the opportunistic production company scraped it together, changed the title to "Flesh Feast", and released it to cash in on Lake's just published biography. Because former leading ladies such as Bette Davis, Joan Crawford and Olivia De Havilland had unexpectedly revived their careers in horror movies, this travesty was promoted as Veronica's "comeback film". This was a strange course of action for the filmmakers to pursue, though, because it's unlikely that the audience for a horror movie of THIS quality either knew (or cared) who Veronica Lake was. As expected, it did nothing for her career, and she died in poverty, three years later. A previous reviewer cites a scene in which the female detective working undercover as a nurse in the doctor's laboratory (overseeing the theft of bodies from a nearby morgue) enlists the help of a multi-talented chauffeur to cut up the body parts. "Poor Mrs. Lustig," she sighs, "I hope she doesn't mind leaving her body to science." "Try not to think about it," advises the chauffeur, sawing away. "I guess you are right, Hans." concludes the detective/nurse, "What is done is done." Alas, the unintentional humor is the only remotely entertaining part of this tripe. What a sad end to the career of a still fondly remembered star.

Bucs1960 I'm always game for low budget films of any genre because every now and again you run across a gem. "Detour" has popped up as a noir masterpiece and "Night of the Living Dead" has become a cult classic. So maybe "Flesh Feast" would be worth a look. That was my first mistake.It appears that there is not much story line and what there is makes no sense...maggots that chomp on your face and reverse the aging process....huh?? And then Adolph Hitler pops up. But besides this weak premise, there is absolutely nothing to recommend about this film. It appears to be shot in somebody's basement with an old Bell and Howell home movie camera. The acting of all involved is atrocious which leads me to Veronica Lake.I realize that Miss Lake was down on her luck and had alcohol and mental problems but was it so bad that she had to end her career with this horror? I don't have to review her career from the 1940s and her wonderful films with Alan Ladd. She was the pin-up girl with the hair to die for. Her descent into oblivion really started when she cut her peekaboo hair and it was suddenly revealed that she really wasn't quite as beautiful as she appeared. Since her stardom depended upon her looks rather than her talent, it was all down hill. Luckily, many of her fans don't even know that this film exists and it is just as well. To see her fall to these depths is so very sad. She was such a treasure of her time.Avoid this film at all costs. It has no redeeming qualities and will only depress you to see Miss Lake hitting bottom.