Mjeteconer Just perfect...

Noutions Good movie, but best of all time? Hardly . . .

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Bezenby My feet stink! Just like my feet, so do the morals of 100% of the characters in this film - A bunch of beatnik types on a remote island courtesy of George Stark, an uber wealthy guy who's brought these people here in order to obtain a new chemical formula discovered by William Berger.Being the sixties, everyone's a bit groovy and all into each other's pants - Maurice Poli's wife Edwidge has huge Robert Smith circa 1984 hair and gold lame trousers and loves dancing in her bra and sleeping with the guy who owns the yacht. I think Berger's wife was into ladies but maybe not. You also have Ely Galleanni running around the island acting strange too (and she can't be more than seventeen in this one. In fact everyone looks pretty young, expect Maurice Poli who looks about fifty - yet he still walks the Earth forty-seven years later!).This being a giallo someone's got to be killed at some point and yacht boy is up for a stabbing first, so everyone's blaming Edwidge, who states "I like men - but I like them to be alive!". So who is the killer? Who wants the formula? And why didn't they invite William Berger instead of all those people?I suppose if you ask ten different people to make you an omelette you're going to get ten omelettes of varying quality depending on the skills of those in charge of the eggs (this is a great analogy - remember and change 'omelette' to 'pizza' before posting review so it makes cultural sense). Bava's one of those special cooks who just has a natural touch that makes everything taste everything better than anyone else.When not cooking, Bava made some of the best Gialli too, thanks to his ability to film things from unusual angles, fitting all the characters in one scene in one shot, and throwing in a curveball or too to totally confuse the viewer (that comes an hour into this one, where I thought the story had just forward to the end for some reason). Also, the wrapping of each victim in plastic and hanging in the freezer is a nice touch too (and often copied in slashers in the eighties).Lacking gore though (except someone being shot directly in the face at the end) - he'd remedy that in Bay of Blood!Oh - and the soundtrack was amazing!

morrison-dylan-fan Recently talking about Giallo queen Edwige Fenech on IMDbs Classic Film board,I decided that it was time to watch a Fenech Gialli for the first time.Taking a look at a box set of auteur film maker Mario Bava,I spotted a collaboration that he had made with Fenech,which led to me staying up for the August moon.The plot:Wanting to get a breather from work, Professor Gerry Farrell & his wife Trudy decide to join industrialist George Stark and other couples for a "happening" weekend taking place on a remote island.Shortly after things start to flow,Gerry Farrell begins to suspect that he was not invited so that friends could catch up with him,as each of them start to offer bags of cash in exchange for his now formula of industrial resin.Sticking to his principles,Gerry turns down all of the offers.As the men argue among themselves,Stark's wife Jill decides to go for a walk on the beach.Getting stopped in her tracks,Jill finds out that a fellow guest has been left brutally murdered on the beach.As the bodies start to pile up,the surviving guest become increasingly desperate to get Farrell's new formula by any means possible.View on the film:Getting into the spirit of the "happening",director/editor Mario Bava & cinematographer Antonio Rinaldi dazzle with wah-wah whip- pans that give the partying a frenzied atmosphere. Despite working as a "director for hire" (and being very dismissive about the movie later on)Bava clearly displays an excellent attention to detail for the film,as the blunt murders take place against a whirling psychedelic backdrop,which goes from each of the women wearing lavishly colourful dresses,to the murder scenes being covered in shimmering blood and rolling crystal balls.For the screenplay,writer Mario di Nardo gives the Giallo a satirical Film Noir bite,as Nardo makes all the guests more concerned about getting Farrell's new formula than they are about the bodies stacking up.Digging into the Film Noir root of the Giallo,Nardo fills the weekend guest list with shady femme fatales and smart suited men who would hang anyone out to dry (or in this case on a meat hook!) to get one step ahead in the business world.Whilst the satirical slices give the movie a brittle comedic edge,the casual nature that the characters treat the murders in is sadly reflected in the screenplay,with Nardo paying little attention to building up any clues,and and also treating the murder set pieces in a relaxed manner which withholds any tense atmosphere from them.Looking gorgeous wrapped in eye-catching clothes,the beautiful Edwige Fenech gives a wonderful performance as guest Marie Chaney,whose flirtatious charms are given a femme fatale shine by Fenech,as Chaney tries to wrap all the men around in to giving her what she wants. Joining Fenech, William Berger gives a great performance as Gerry Farrell,with Berger smoothly carrying Farrell's naïve innocence into something more sinister,as the August moon rises.

gavin6942 A small group of people come to an island to relax but soon find themselves trapped on the island with a murderer in their midst.I love that the film features Tunisian-born Maurice Poli, who would go on to appear in Bava's "Baron Blood" and star in "Rabid Dogs". He has a such a good look about him, I would watch him in just about anything. (Unfortunately, it seems that he did not make any English-speaking films, so it may be harder for me to track his stuff down.) Craig Butler called the movie "a confusing and not terribly exciting whodunit... the mundane, run-of-the-mill story and the only-adequate cast keep Dolls from being anything but a mediocre movie." I disagree. While it may not be much of a whodunit, I actually enjoyed the cast and thought it developed into much more than "mediocre".

Red-Barracuda Seemingly Mario Bava was not pleased with having to direct this film. He carried out his duties as a director for hire though but despite the presence of the beautiful giallo regular Edwige Fenech, his disinterest to the project shows and the movie is wildly uneven but hugely likable. It's about an inventor who, along with a group of would-be investors, assemble on an island. The investors want a formula from the inventor and are willing to pay big for it but he does not want to sell out. Before long people start being murdered one by one. It's a variation on Agatha Christie's Ten Little Indians.It has the breezy atmosphere that many late 60's Italian thrillers have. It wasn't until after Dario Argento's The Bird with the Crystal Plumage became an international success that the giallo genre became more direct, aggressively suspenseful and violent. Five Dolls is very much a product of the gialli that came before this. Its lounge music soundtrack and languid nature testify to this. As an actual mystery thriller it's pretty lacking it has to be said. It feels like Bava's contempt for the material is reflected in his complete indifference in creating a suspenseful or thrilling movie. While it's a whodunit with quite a number of murders, they are all committed off-screen. This is not to the film's advantage at all. Characters suddenly die from out of nowhere with no build up. Sometimes it feels like Five Dolls is a lampoon of the genre. Judging by the black humour Bava utilised in the following year's Bay of Blood it is entirely possible that he isn't taking things entirely seriously here either.What Five Dolls does have though is a beautiful look and feel. This is hardly surprising I suppose seeing as its Bava's trademark. The cinematography is always interesting, with several well composed shots and good use of the beach-front location and villa. While the production design, fashions and cool décor are all appealing. The interest of the film, therefore, is more in watching a chic melodrama involving a group of largely unsympathetic rich people. It works better as this, than as a thriller. Still, it does have some nice macabre touches that would have graced his best films, such as the repeat scene of the murder victims hanging up in the freezer wrapped in plastic; or the shot of crystal balls rolling en mass down a set of stairs and into a bathroom leading us to yet another dead body. But perhaps best of all is the opening party scene which introduces all of the characters. It's campy to the max, with lots of slow zooms into all of the character's faces, while Fenech dances in a crazy sensual way. This sequence, like many others, benefits from the score by Piero Umiliani. It's a very eccentric soundtrack of organ-driven Italo-pop. Five Dolls is certainly a film that favours style over substance.Five Dolls for an August Moon is not one of Mario Bava's best films but it is among his most charming. Despite the inherent weakness of its plot and mystery-thriller elements there's just something extremely likable about it. It's of its time in the best possible sense.