Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

JohnHowardReid Director: FREDERICK de CORDOVA. Screenwriter: Richard Morris. Cinematographer: Carl Guthrie. Film editor: Milton Carruth. Music: Hans J. Salter. Art directors: Bernard Herzbrun and Richard H. Riedel. Hair-styles: Joan St Oegger. Make-up: Bud Westmore. Producer: Leonard Goldstein.Copyright 30 October 1951 by Universal Pictures Co. Inc. A Universal-International Picture. No New York opening. U.S. release: January 1952. U.K. release: December 1951. Australian release: 23 May 1952. 6,693 feet. 74 minutes.SYNOPSIS: A two-year-old boy discovers the hiding place of stolen money.COMMENT: Crammed full of talk, this Tom Ewell vehicle was obviously filmed on a rigorous "B" budget. However, it does feature some genuinely amusing moments, and is nothing if not spiritedly played — especially by Evelyn Varden.Frederick de Cordova's direction rates as competent and Richard Morris' script passably entertaining. There seem to be signs of obvious padding, particularly with Miss Adams' part. And she does not cope with her additional material nearly as well as Miss Varden, though, admittedly, Miss Varden has the more entertaining lines.Production credits are good, particularly Carl Guthrie's fine photography.