ThiefHott Too much of everything

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Dana An old-fashioned movie made with new-fashioned finesse.

Horst in Translation ([email protected]) "Der Frosch mit der Maske" is a pretty bad title for this German black-and-white film from the late 1950s. It is actually a human with a mask obviously and you could see it as a bit of Germany's take on the character of Scarecrow. He is one of the key players in the criminal underground here and prefers to kill his enemies with poison. I personally felt early on, also the introduction, there were a couple scenes that were interesting and they certainly could have turned this into an edge-of-seat crime thriller. Instead the inclusion of far too many characters and unintentionally comedic elements made this 87-minute film uninteresting for the most part. Quite a shame as there was certainly the possibility of a better film here. Eis and Bartsch adapted this Edgar Wallace work over 25 years after Wallace's death and the duo worked on several of these German Edgar Wallace films. The director is Harald Reinl this time and he is mostly known for his Winnetou films. Overall, "Faces of the Frog" (much better international title is not worth the watch. Towards the end, I really did not care who the Frog really was, even if I suspected it. Not recommended.

lazarillo The Frog is a master criminal who is sought both by the police and by an amateur American sleuth and his comical butler/sidekick. The Frog falls in love with a young woman and hatches a ridiculous Rube Goldbeg-like plot to get her to give herself him. He uses a singing siren named "Lolita" to ensnare her ne'r-do-well brother into a gruesome murder plot. The brother is convicted of the capital crime and sentenced to death only to find the executioner is someone very familiar to him.As other have said, this is the first of West German Edgar Wallace krimis. It's certainly not the best, but it is pretty entertaining. The comical sidekick (here played by Eddie Aren't) would become a staple of this series, to the annoyance of some, but personally I don't think this kind of comedy really hurts these films that much because the plots are already delightfully absurd and villains like the Frog are more than a little cartoonish to begin with(but I mean that in a good way). The butler/sidekick here kind of anticipates (perhaps even influenced?) the "Kato" character in the "Pink Panther" series in that he is always sparring with his boss to keep him sharp. The bigger liability here, however, is the "American" protagonist himself. But Joachim Fuchsberger, who was in nearly all these movies, would get a lot better in the future entries in the series, especially when he got to play an "English" detective (a role at which the German actor was much more convincing).But in addition to the serial-comic strip elements of the plot, there is also a little bit of raciness courtesy of "Lolita" (Eva Pflug), and some surprisingly gruesome violence--the centerpiece murder and a scene where the Frog very violently dispenses with one of his accomplices. In any event, if you enjoy the German krimi series (or the later but the closely related Italian gialli), you certainly won't want to miss this first one.

bensonmum2 While I enjoy watching these German-made krimis, I've yet to find one that I just love and can recommend without hesitation. That holds true with Fellowship of the Frog. The best I can say is that it's about average. The plot is twisted and nonsensical like you'll find in most krimis. I won't even attempt to go into it other than to say it involves a masked criminal known as The Frog who, with his seemingly endless supply of flunkies, is responsible for a string of robberies and murders in London. For reasons only he knows, the Frog seems to have set his sights on a young woman named Ella Bennet and kidnaps her brother Ray to get to her. It's up to Scotland Yard and an amateur detective named Richard Gordon to put a stop to this devious criminal.There are several things in Fellowship of the Frog to enjoy. The film gets off to a nice start. It's appropriately dark and foggy with the requisite smoky (though unmemorable) jazz score playing in the background all helping to create a nice sinister atmosphere. The movie features a couple of faces familiar to even a novice fan of krimis like myself – Joachim Fuchsberger and Eddi Aren't (I'm sorry about the apostrophe, but the IMDb spell-checker seems intent on putting it there). While both are quite good, I especially enjoyed Aren't's unusually quiet performance as the all-knowing butler James. However when the second act begins, most of the good feelings I was having toward Fellowship of the Frog came to an end. To call the second act slow would be a gross understatement as the movie all but grinds to a halt. I had to go back and play a couple of scenes over to make sure I hadn't missed anything as my mind wandered. Fortunately, my persistence was rewarded with a delicious twist near the end that's as shocking as any I've seen recently. It almost saves Fellowship of the Frog from mediocrity.One final note, I understand from doing a little research that this movie is notable for being the first of the Edgar Wallace based krimis produced in the 50s and 60s. Because of that fact, and regardless of the film's shortcomings, Fellowship of the Frog is necessary viewing for anyone calling themselves a fan of these movies.

mirmarek This movie is an abomination, and its making should have been considered a capital crime.One of the great mysteries of film-making is why nobody ever has made a faithful movie adaptation of this wonderful mystery. It is a tale of a really gripping mystery, nice old-fashioned romance, and dry English humor. Why did the makers have to change Richard Gordon from a Scotland Yard policeman to an amateur detective, introduce the idiotic role and caricature of his English servant, change the part of the main storyline about the murder charge and circumstances of Gordon's struggle to save the accused, etc., etc.? These producers and directors who always think they can make a better story than the one in the book should write the original script themselves and not to rape another person's product.