BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

MBunge If you think Henry Fool is one of the greatest characters in cinema history, you might (and I emphasize MIGHT) be able to tolerate Fay Grim. If you're unfamiliar with Henry Fool or are unimpressed with Hal Hartley's creation, watching this film would only be a waste of your time. This is an artless art house film where ostentatiously affectless performances parade through a willfully obtuse story. Fay Grim doesn't work on any level, except as a love letter to a movie most people have never seen which gets sidetracked into a limp wristed take on the politics of global terrorism.Fay Grim (Parker Posey) is the wife of Henry Fool (Thomas Jay Ryan). Ten years after her husband vanished, Fay is recruited by CIA agent Fulbright (Jeff Goldblum) to go to Paris and retrieve Henry's notebooks. A great deal of this film is consumed with various and sundry characters talking about those notebooks and then some other characters shoot each other over those notebooks. There are different ridiculous reasons offered up for why everyone is so interested in the writing of Henry Fool, all of which amount to pretentious twaddle. There are also a bunch of plot threads that either never go anywhere or never add up to anything, such as Fay's poet brother getting out of prison, Fay dating her brother's publisher and Henry's involvement with an undefined terrorist. There's also a pornographic Viewmaster and an ending so embarrassingly trite I hope Hartley was being sarcastic with it.There's really not much more to say about this movie. The actors wade through Hartley's self reverential dialog as best they can, giving artificial performances that get about as close to genuine humanity as Jesse James can get to Sandra Bullock nowadays. Hartley's direction is competent, given the slack and lifeless script he wrote, but it's very mannered and feels quite dated.Fay Grim is a movie made by and for people who think a sequel to Henry Fool is a big deal. If you are one of those people, you're welcome to this film. The rest of us have all got better things to do.

zaenkney "An honest man is always in trouble." This becomes a timberous theme, shadowing Fay throughout the sequel to "Henry Fool." Her character begins as a confused and tentative interviewee, being interrogated by heavy handed, pushy government ghost-types. Men with authority over her, the ability to cause her and her family harm, without disclosing their own motives and limits are leaning hard and fast on Fay. After a couple of conditions are met, she complies meekly. At least, for a while."Fay Grim" is as nicely convoluted as a triple loop roller coaster ride - keeps you off-guard and a little dizzy, but in a good way. The patter and phraseology reminded me somewhat of the cadence of a Mamet work. This played very well with Parker Posey's characterization, as well as that of Jeff Goldblum and James Urbaniak. In fact, Urbaniak, as Simon with the owl-glassed eyes, was superbly down-played as Fay's poet genius, stalwart brother. Henry's very brief appearances gave proof of his very big personality and, quite frankly induced me to queue up "Henry Fool" which I have been very reluctant to do.Undoubtedly, this is a movie I will watch again. It is quirky, somewhat suspenseful, it makes one think. Certainly, as a result of Hartley's stylish acumen and finesse I will benefit from rewatching to catch other of his artistic strokes I will have missed the first time around. Agents, spies, intrigue and espionage! A woman bumbling through this all to get to her man, who may not even be alive. By the time Fay is done, this butterfly bestirs ripples afar, you know.

engineer_1023 Hal Hartley's Henry Fool was an independent film masterpiece and certainly his best work. It has immense character depth, subtle, complicated dialogue, and an excellent, emotional ending which captivates. I remember pausing it several times during my first viewing to absorb what I was seeing and feeling. Henry Fool was a complete movie from start to finish, and needed no sequel.Thus I was surprised when I heard about Fay Grim. Fay was not one of the main characters of the first film and seemed to exist more as the troubling imposition of real-world vanity and ignorance for her brother Simon to be forced to deal with as he matures. In her own movie, Fay matures herself, though her maturity takes a very different road. Simon went from near autistic isolation to a merely somewhat-introverted genius. Fay starts her adult journey as an immature, utterly normal, spoiled child and responds to the onslaught of ridiculous circumstances by becoming a mature, utterly normal, experienced adult who holds no advantages. She deals with problems the way any human does, with determination, a little thought, and weary disdain. While Simon learned to control his mind, Fay learns to control her emotion.The movie contains several fondly remembered elements of its prequel, but differs vastly in tone for most of the film. Henry fool showed you a harsh, boring, ignorant world which contrasted with Simon's inner passion and creativity. In Fay Grim, the world is a lively, crazy, emotional place which shows the silliness of her young life, and through contrast unearths the inner wise woman which had not been previously developed or nurtured by her similarly weak mother.The movie is in two parts, the first dealing with the beginning of Fay's struggle and subsequent hardening due to authoritarian hostility, and the second dealing with her battle to soften only just enough to regain Henry. At first, fans of Henry Fool may find themselves wondering how the movie can even be considered a sequel, and thinking it is profane to follow such an intense film with spy game antics and physical comedy. But this is where the subtlety of Fay Grim lies. The sequel is about Fay's journey, and as I said before, hers is one of finding the life-giving sanity in chaos, not the creative chaos in staid order. Parker Posey is an excellent actress who captures Hal Hartley's tongue in cheek humor perfectly. Elina Löwensohn perhaps eclipses her in emotional commitment to the role, allowing Parker to play both straight man and comic against the lively, stage-like comedy happening around her.With the entrance of Henry into the picture, the movie begins to take a sobering turn. Hal Hartley's movies are all plays, and every play must come full circle. By the end, you are shown Fay's newly developed character and integrity are the offspring of her time with the fatally intense Henry, whose piercing honesty and unique passion lights a spark in anyone he meets.Fay Grim is an excellent movie which does not surpass Henry Fool, but shows through Hal's range that the nuances of his art are the proof of his genius.Honestly, I think anyone who bashes this movie not only missed the point by a mile (and especially the subtlety in Parker Posey's acting), but could not have been much interested the movie Henry Fool.

abloodyknife_distilled I've read a lot of comments about the film and how it's so hard for people to believe that it is a sequel to Henry Fool, and even though it technically is, I think that Fay Grim needs to be looked at as an entirely different film. Just because it is the sequel doesn't mean that it has to be a direct continuation of the first, and I enjoyed that so much about it. The whole point of the film was to change direction from the first, which makes sense because the movie isn't called Henry Fool 2, it's Fay Grim. All that aside, the film, I thought, was so well made and thought out that it actually surprised me. I was expecting to rent another nearly-released-straight-to-video film and have to endure 2 hours of bad editing and an almost hard to follow story-line (aka parker's last direct to video feature the Oh in Ohio) but this was so surprisingly well focused that it almost doesn't seem so, which I absolutely loved. There are so many nuances in the film making and writing that I crave to see in films, but never do. The cinematography was brilliant due to it's simplicity and truly making the film seem 'Grim' throughout - in terms of setting. The writing was so well put together as well, whoever said this movie isn't as witty as Henry Fool needs to watch again and actually listen; I almost can't even begin to explain how actually hilarious it was, and pertinent. And well, Parker Posey, who could complain? The scene in which Fool and Jalal were talking in the dark was so captivating and emotional. And I thought the spy-ness throughout the film was just so hilarious and spot on (in hindsight because i do agree that at times during you kind of felt lost). The main thing that struck me so powerfully about the film, and i believe the point of the film, was Parker's love and naivety about Fool, which was so endearing and turned, yes very quickly, from denial to outright passion. The last five minutes of the film were perfect. Obviously there were things that weren't excellent, but nothing is perfect; some of the acting was poor, and at times I did think that some of the new back story and dialogue about terrorism got a little hard to follow and out of hand, but in the end you got it and didn't even mind that at the time it may have slipped from your comprehension. (This may also have to do with Goldblum's tendency to talk extremely fast) On the whole I would say that it was probably one of the best films I've seen this year; stylistically pleasing, clever and witty writing, performances that were so impressive I now have gained new respect for some of the actors, and a truly touching film, and don't forget, a complete departure from Fool. Which was the point.