XoWizIama Excellent adaptation.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

TheLittleSongbird As much as I like the 1999 production with Bryn Terfel, I do prefer this one from 1982. One major reason is Carlo Maria Giulini's conducting which is very musical and restrained yet also passionate. The orchestra are also magnificent, with a rich vibrant sound.The costumes and sets are appealing, likewise with the lighting, while the sound and picture quality are first rate, and while he has done better work before and since Brian Large does an exemplary job with the video directing especially in Act 2 Scene 2.The staging is conservative yet inspired (with neither Ford or Falstaff doing their imitation of Alice which can be rather vulgar for some), perhaps rather pedantic and square at first, but once the story gets going it gets wittier.The story is always entertaining, the characters likable and compelling my favourites in this case being Nanetta and Falstaff and the music, while I don't put Falstaff as a whole in my top 5 of Verdi's best operas despite being his final masterpiece, is fantastic.The distinguished cast in this production prove themselves to be very great here. My personal favourite here is Barbara Hendricks' sparkling Nanetta(her rendition of the Fairy Queen's song is a joy), but I also loved Brenda Boozer's Meg Page, who was very beautiful, extravagant and witty. Katia Ricciarelli excels also as Alice Ford, and the late Lucia Valentini-Terrani's Mistress Quickly is excellently projected vocally.Leo Nucci is perfect as the blustering yet also quite poised(here that is) Ford as well. Dalmacio Gonzalez is young and handsome, and he does look the part of Fenton and sings beautifully, if not quite commanding the stage as he could've done, while Bardolph is a little too clownish at times for my tastes. Renato Bruson, one of my favourite new-found singing-actors is a superb Falstaff, he is a fine actor with wit, charm, charisma yet he is also nuanced and debonair and I can't praise enough his excellent technique and rich velvety voice.In conclusion, a great cast, an excellent conductor and a fine production. 9/10 Bethany Cox