Karry Best movie of this year hands down!

Matrixston Wow! Such a good movie.

FeistyUpper If you don't like this, we can't be friends.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

GoneWithTheTwins From giant fish heads to deformed birds to manatees attacking cities, the bizarre and the unexplainable all frequent the films of Don Herzfeldt. In his most artistic and abstract film, (winning the Sundance Film Festival's Short Film-making Award) Everything Will Be OK, he channels his fevered genius into the story of Bill, a man lost in the exasperation of existence.The film is narrated completely by Bill, a lonely and exhausted man who walks through a parking lot, chats with neighbors, grocery store clerks and his ex-girlfriend - but mostly he contemplates his chaotic dreams and the hallucinations he kids himself he doesn't have. Chronicling several days in his life, from his preoccupation with death to his recovery in a hospital, Everything Will Be OK promises just that.I have a theory about opera music; and that is that tying any operatic pieces to a film magically and automatically makes it more poignant, thought-provoking and deep. Herzfeldt does this with masterly care and it makes the most awkward and dissonant moments more dramatic and powerful. From Bill gazing at a torn plastic bag flapping in the breeze on the end of a broken pole, to quietly sucking blood from the corner of a sore in his mouth, the calming sounds of opera voices grants us time to take in his abstract visions and actions and appreciate them as art. But is it art? Occasionally, or perhaps frequently, the images and voices that narrate the few days in Bill's life are so disjointed, so appallingly random, and most of all shockingly off-putting that the average viewer might not find the meaning behind it all. And perhaps this is what Herzfeldt wanted. Regardless of the hidden themes and purposeful hectic imagery, humor is always prevalent in Everything Will Be OK. Whether or not that humor is your cup of tea is really dependent on how much humor you unearth from the morbidity of death, mental sickness and the monotony of life. The sporadic nature of his jokes, from Bill dreaming of throwing dead bodies out of a tiny boat to his experiencing the sudden inability to control his bladder, is oftentimes enough to jolt a giggle from the audience. At other times, the dire seriousness of attacking his mother or having his own thoughts drowned out by stinging voices in his mind, are enough to reattach ourselves to the realities Herzfeldt portrays.The animation Herzfeldt uses is the kind that wobbles and wiggles on screen, due to the individual drawings not lining up completely. The character designs themselves are ridiculously simple, practically to the point of stick figures, but this gives the artist time to concentrate on the creative aspects of his animation. Using black and white masks to reveal only portions of the screen, mostly off-centered or with multiple windows of activities occurring simultaneously, Everything Will Be OK unfolds at a fast pace and presents much of the confusion Bill experiences just as chaotically for the audience. The simplicity of the art itself aids the idea that the story is universally approachable, although not necessarily universally coherent.Commenting on the themes of life, death, mental deterioration and the repetition of dull everyday life, Bill's adventures, which cover seemingly unadventurous events, sees him journey from one average day through to the brink of extinction, and then back again to the sameness he may never be content with. The final scene in which he rides a bus in the rain once again slows with the introduction of serene opera voices, which leaves us, whether understanding his journey or not, with a sense of satisfaction.Mike Massie

ccthemovieman-1 At 17 minutes, this is a long animated short and one that might bore a number of people, but it was strangely intriguing. Basically, it's just a narrator seen on screen as a stick figure talking about life as it passes him by, his thoughts and some of things that happen to him. It's hard to explain, because it's bizarre humor. As someone who appreciates the absurd, I laughed out loud a half-dozen times at some of the crazy "observations" the narrator made.Our host, our main figure, has mental problems. Socially, he's a real loser but you root for him and even in monotone delivery, you hang on each word he says.....at least I did. Be warned, however: some of it is a little gross and once the narrator blatantly profanes. (This isn't something a kid would watch, anyway.) Visually, the artist varies from individual to multiple drawings on screen at once. You can literally see several of the man's thoughts at once as he thinks them. Most of the visuals are the stick-figure drawings but there are photos as well. You get a little bit of everything in this strange film.I also thought the first half of this was far more entertaining and the story and words get darker and more depressing and disturbing as the animation short goes on. If you are familiar with the work of the author of this piece, you know how sick and demented this "movie" might be to many people.This was included in the DVD, "The Animation Show, Vol. 3" and is very original, as the other entries are on this disc. It's also "not for all tastes."

MartinHafer This film was included in THE ANIMATION SHOW VOLUME THREE--a compilation of short films arranged by Don Hertzfeldt and Mike Judge. Overall, this is a very impressive DVD--and much of it is due to CITY PARADISE.Even for Don Hertzfeldt, this is a super-strange short film!! While it is not funny like the films you find on Volume One, it is so incredibly creative and bizarre that it's also quite compelling.EVERYTHING IS O.K. is a surreal stream of consciousness which features the usual Hertzfeldt stick men drawings. However, instead of violence (which we love) in this film, it's more about a guy who's going crazy. He's either got schizophrenia or a brain tumor (more likely) and you see through the course of this film as he looses his mind. What I particularly liked was his use of multiple screens to show how this sick man perceives the world. Some may find it all quite funny--I just found it strangely compelling.

thfuthey Hertzfeldt continues to completely out-do himself in a style that is all his own. Complex animation which looks incredibly simple. Dense sound layering over a beautiful narrated story. "Everything Will Be OK" continues themes that are touched upon in "The Meaning of Life" but expands upon them, going deeper into very real human emotions that are created through simple but complex character and action. A cartoon version if you will of Miles van der Rohe, in that 'god is (most certainly) in the details'. It could easily be his magnum opus but something tells me a year from now he will once again have left audience's around the world in soul shattering awe. Simplistic and existential.