TrueJoshNight Truly Dreadful Film

Stevecorp Don't listen to the negative reviews

ShangLuda Admirable film.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Hellmant 'EVERYONE ELSE': Two Stars (Out of Five) One of the most critically praised movies of the year which goes to show critic's approval doesn't always mean anything. The film tells the story of an unhappily married couple on a Mediterranean vacation. There's really not much else to it. It's a German film, with English subtitles, and it's written and directed by Maren Ade. It stars Birgit Minichmayr and Lars Eidinger as the couple.Minichmayr plays Gitti and Eidinger plays Chris and as the movie opens they appear to be a happily married couple. As the movie progresses we get to slowly know the couple and how they relate to each other. We gradually see the cracks in their relationship as they grow bigger and bigger. In the end do we really care enough about these characters to really care if things work out between the two? I say no.The movie is well acted and for what it attempts to do I think it's well made to a certain extent. I just don't admire what it attempts to do very much. It wants us to see what an average couple goes through in good times and bad and see what drives them apart and what keeps them together. I think they portrayed a believable average couple realistically, it's just not the type of couple I'd care to spend much time with. That's what the movie is like, spending a lot of time with an annoying bickering couple. For me that's hard to watch and pointless. I can go hang out with some of my friends if I want to see that. Other than living the painful realities of a painful relationship the movie has nothing else of any value to offer. There's nothing learned here and certainly nothing witnessed of any entertainment value. The movie just doesn't work.Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=-m3RUjISnYI

zetes A young German couple is on a business/vacation trip in Sardinia. They don't much like each other. They pretty much argue and snipe at each other constantly. They probably, in fact, should just get a divorce. Oh, wait: they're not married. So why the Hell are they even together? These two people just need to move the Hell on. The film really does understand its characters quite intimately, and the lead actors (Birgit Minichmayr and Lars Eidinger) are good, but so what? These people are just not worth caring about or observing in any way whatsoever. The movie moves very slowly and is basically the equivalent of hanging out with horrible people for a very, very long two hours. Terrible.

runamokprods Ade has that rare gift (taken to it's peak by filmmakers like Eric Rohmer and more recently Nicole Holofcener) of showing all the things movies usually don't. The little things, the subtle moments in a relationship that make up 98% of the time in real life, that lead to that dramatic 2% we usually watch on screen. The story is about a couple in their early 30s, and not far into their relationship, taking a vacation and in the process slowly discovering each other in relation to each other and the world. Indeed the only brief moments the film feels false are when the biggest drama erupts. But for the vast majority of the time, thanks to wonderful performances by the two leads and Ade's seemingly casual, but very specific use of the camera, it feels like we are seeing the subtle, complex, confusing truth of a relationship, warts and all, in a way that's very rare on screen.

Chris Knipp German director Ade's 'Everyone Else' (or 'All the Others' -- 'Alle Anderen') is very much a women's picture -- in the very most positive sense.. Her story might be the kind Jane Austen would write if she lived today, when a young couple must learn about each other by living together -- but with the old problem of weighing themselves and their values against other people's and theirs. Ade focuses on the relationship between a young architect and his publicity agent girlfriend as they think about how to be together as a couple while spending the summer at his parents' villa on the island of Sardinia. Wonderfully natural acting by the two principals as well as action that shows off the mercurial twists in man-woman roles through day-to-day events make this film continually interesting to watch even though it lacks big dramatic payoffs. But when the calibration is subtle, as with Jane Austen, little matters like buying a dress or deciding what to carry on a hike become matters from which much is to be learned.Gitti (Birgit Minichmayr) and Chris (Lars Eidinger) seem to have a lot of fun together. Gitti shows her eccentricity when she tells the little daughter of visiting friends to be up front if she doesn't like her. She even lets the girl pretend to shoot her, then does a mock death and falls into the pool. Chris seems a little insecure about himself; his talent as an architect has yet to pay off; he's uncertain about a competition he's entered, and Gitti is worried that he's a little wimpy. Perhaps to be more assertive, he insists they spend time with his fellow architect Hans (Hans-Jochen Wagner) and pregnant wife Sana (Nicole Marischka), whom he'd initially avoided, switching gears and now considering them as potential role models. Eventually Chris acknowledges this wasn't such a good idea; that he and Gitti are happier and better off being who they are. Though there's a somewhat failed hiking expedition, and Chris (off-camera) meets with a promising local client and his future suddenly brightens up, it's primarily the couple's weighing themselves against the seemingly more fortunate pair that embodies the film's life lesson.The quirky redhead Gitti, given to fits of laughing, has insecurities too. She doesn't like it when she asks Chris if he loves her and he answers only by kissing her. She's continually afraid he may stop loving her. Both of them in fact are in love and grateful that they ever met. This is unusual in being about a happy couple, who are not headed toward tragedy or betrayal or other dramas. But the screenplay is nothing if not proof that "happy" isn't any more a fixed reality than "confident" or "grown-up." There isn't much more to the action than that, but it's all in the details as Ade spins out one scene after another in which Eidinger and Minichmayr run through a range of emotions together.Some male viewers of this two-hour film find it self-indulgent and interminable. There's little doubt that the second evening spent with Hans and Sana doesn't have to be allowed to run so long to make clear they're bores, and the film could have done with some trimming. It also seems that Gitti's moodiness is allowed to go too far; you begin to wonder if she may need help. However when one thinks of how natural and real the two actors are throughout, it's impossible not to conclude that Ade is doing something right, and has trod familiar paths but avoided cliché. She just needs to develop more faith in the value of the cutting room.Seen as part of the New York Film Festival at Lincoln Center 2009.