Everyday

2012
6.1| 2h0m| NA| en| More Info
Released: 15 November 2012 Released
Producted By:
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

This film charts the relationship between a man imprisoned for drug smuggling and his wife and is being shot over the course of five years, a few weeks at a time.

Genre

Drama

Watch Online

Everyday (2012) is currently not available on any services.

Director

Michael Winterbottom

Production Companies

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.
Watch Now
Everyday Videos and Images

Everyday Audience Reviews

Solemplex To me, this movie is perfection.
Tedfoldol everything you have heard about this movie is true.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Sindre Kaspersen English screenwriter, producer and director Michael Winterbottom's nineteenth feature film which he co-wrote with French screenwriter Laurence Coriat, premiered in the Shows section at the 39th Telluride Film Festival in 2012, was screened in the Masters section at the 37th Toronto International Film Festival in 2012, was shot on location in Norfolk, England over a period of five years and is a United Kingdom production which was produced by producer Melissa Parmenter. It tells the story about a woman named Karen who lives in a house in a rural county in the East of England with her sons named Shaun and Robert and daughters named Stephanie and Katrina. Karen's husband named Ian whom she and his children are waiting to get back home has been in prison for several years and is serving his sentence.Distinctly and finely directed by UK filmmaker Michael Winterbottom, this quietly paced fictional tale which is narrated from the mother, father and children's viewpoints, draws a tangible and intimate portrayal of four children who are missing their father and a hard working mother whom is struggling to hold her family together whilst regularly visiting her man who is incarcerated. While notable for it's naturalistic milieu depictions, sterling cinematography by cinematographers James Clarke, Sean Bobbitt, Marcel Zyskind, Simon Tindall and Anne Marie Lean Vercoe, use of sound and realism, this narrative-driven story where the continuity is created by repetitions and abrupt editing depicts two interrelated studies of character and contains a great score by English composer Michael Nyman.This atmospheric, conversational and romantic drama about an English family which is set in the county of Norfolk in the East of England and where a matrimony is challenged by the distance that has and is keeping a husband and wife apart due to his past criminal actions, is impelled and reinforced by it's cogent narrative structure, subtle character development and continuity, natural humor and dialog, ordinary and charming characters, the modest and sincere acting performances by English actor John Simm, Scottish actress Shirley Henderson and the pivotal acting performances by the child actors and actresses. A lyrical, compassionate, mindful and heartrending labour of love from a great European filmmaker which gained the FIPRESCI Award for Best Film at the 23rd Stockholm International Film Festival in 2012.
Jackson Booth-Millard From director Michael Winterbottom (24 Hour Party People, A Mighty Heart), I heard bits and pieces about this feature length drama done in a relatively alternative way, where it is all filmed in real time, and it certainly adds to the realism of the story. Basically, filmed over a real period of five years, and with all four children played by real siblings, this tells the story of mother Karen (Shirley Henderson) who cares for her our children, Shaun (Shaun Kirk), Robert (Robert Kirk), Katrina (Katrina Kirk) and Stephanie (Stephanie Kirk) while their father Ian (John Simm) serves his time in prison for drug smuggling (although his crime may in fact be unspecified). When Karen does go with her children to visit Ian the journey is always long and laborious because he moves from prison to prison, and there is also a journey to get the children to school and back, but life goes on as usual. Day to day life for the family has repetitive routines, such as getting up early for the visits, brushing their teeth, working at the pub, eating meals, attending school, watching television and other mundane things, but Karen being lonely is also sleeping with Eddie (Darren Tighe) from the pub. Ian enjoys the visits from his wife and children very much, and despite being with bored with hardly anything to do in prison he always looks forward to hearing what his family are up to since they last saw him, the children grow fast and he misses spending personal time with his wife, and she feels the same. It is towards the end of his sentence that Ian gets the opportunity to spend a full day with Karen, Shaun, Robert, Katrina and Stephanie, so they go to their favourite spot the beach, before taking the children to town and the couple finally getting a room to be intimate in a short time. Finally the day comes when Ian is released having served his time, he is happy to see Karen and the children and be able to go home with them, he familiarises himself with life back where he belongs, but he is upset when Karen confesses her infidelity, but he forgives her in the end and they are all happy. Also starring Polly Kossowicz as School Teacher, Valerie Lilley as Grandmother and Peter Gunn as Shop Manager. Henderson gives a believably honest performance as the wife who is bored and needing her husband back and does everything she can to support and care well for her children, Simm gets his moments as the father who looks forward to every time he has with his family and looks forward to his release, and the four children who we see grow in real time are cute and endearing. The fact that this film was made over a period of five years is a very interesting concept, it definitely helps you believe the story of a troubled but loving family, the really related children ageing on screen is one of the key parts of what makes this film feel like a documentary, I agree it is emotionally draining in some way throughout, but it is an exceptional drama. Very good!
[email protected] The film appears to have been shot in Lincolnshire and Norfolk, much in the Stamford area, and focuses on one family over five years, as they wait for the father to be released from prison. This is not one of those depressing 'true life' stories, but is a non-judgemental documentary style piece about a family living with an edge of expectation of what's round the corner, with real life pending for the moment. The film benefits from being shot over five years, as there are no changes of actors as the children age. John Simm and Shirley Henderson are completely believable ordinary parents, and the natural performances of the children, who are real-life siblings, help create the documentary feel.
Pi_ I saw this movie at the Channel 4 building last night, I went with high hopes as I'm a fan of Michael Winterbottom's other work, but I wasn't really sure what to expect as all of his movies are quite different.This movie focuses on a young family who are dealing with the fact that their father is doing a five year stretch in jail. We see these children grow up over the whole movie as it was shot over 5 years which just adds to the realism. The acting is outstanding, very natural, in fact it's hard to believe they aren't a real family. It shows the struggles that the children face not having their father in their lives and how they adapt to that. We see the father in jail who doesn't really take on board how difficult it is for this family to travel to see him, he has his visits and wants every single minute with his family, but as the viewer we have a better understanding of what it really takes to see him. The mother just gets on with, she's incredibly strong but my heart went out to her when I thought of myself being in that same position. I was hooked until the last minute, laughing then crying, then laughing again. This is no glamorisation of prison, it's just the real mundane, human stuff and I found that extremely refreshing.